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Get Out (2017), Us (2019), and Jorda...

Simenson, Brady.

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Get Out (2017), Us (2019), and Jordan Peele's New Black Body Horror.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Get Out (2017), Us (2019), and Jordan Peele's New Black Body Horror./
Author:	Simenson, Brady.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	55 p.
Notes:	Source: Masters Abstracts International, Volume: 82-01.
Contained By:	Masters Abstracts International82-01.
Subject:	Film studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27831881
ISBN:	9798662381582

Get Out (2017), Us (2019), and Jordan Peele's New Black Body Horror.
Simenson, Brady.

Get Out (2017), Us (2019), and Jordan Peele's New Black Body Horror. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 55 p.

Source: Masters Abstracts International, Volume: 82-01.

Thesis (M.A.)--Northern Illinois University, 2020.

This thesis provides an analysis of Jordan Peele's films, Get Out (2017) and Us (2019). The thesis contextualizes Get Out and Us as part of a protracted cultural conversation regarding monstrous images of the cinematic black body that began with Hollywood's early monster films and continued into the culturally subversive era of blaxploitation horror films. While blaxploitation cinema reclaimed images of the racial Other that had been represented in the early creature feature subgenre, no such notable movement has subverted the more recent body horror subgenre. Jordan Peele's Get Out and Us shift this subgenre toward racially inverted body horror. Rather than being films focused on having white bodies and identities becoming Othered through violent transformation and mutilation, Get Out and Us primarily portray black bodies, already Othered forms, being overtaken and utilized by privileged whiteness.

ISBN: 9798662381582Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Black bodies

Get Out (2017), Us (2019), and Jordan Peele's New Black Body Horror.
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300 $a 55 p.
500 $a Source: Masters Abstracts International, Volume: 82-01.
500 $a Advisor: Balcerzak, Scott.
502 $a Thesis (M.A.)--Northern Illinois University, 2020.
520 $a This thesis provides an analysis of Jordan Peele's films, Get Out (2017) and Us (2019). The thesis contextualizes Get Out and Us as part of a protracted cultural conversation regarding monstrous images of the cinematic black body that began with Hollywood's early monster films and continued into the culturally subversive era of blaxploitation horror films. While blaxploitation cinema reclaimed images of the racial Other that had been represented in the early creature feature subgenre, no such notable movement has subverted the more recent body horror subgenre. Jordan Peele's Get Out and Us shift this subgenre toward racially inverted body horror. Rather than being films focused on having white bodies and identities becoming Othered through violent transformation and mutilation, Get Out and Us primarily portray black bodies, already Othered forms, being overtaken and utilized by privileged whiteness.
590 $a School code: 0162.
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650 4 $a African American studies. $3 2122686
650 4 $a British & Irish literature. $3 3284317
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653 $a Get Out
653 $a Peele, Jordan
653 $a Monster
653 $a Police brutality
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690 $a 0296
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773 0 $t Masters Abstracts International $g 82-01.
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