東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

"To Be a Poet and a Poem" : = The Life of Literature and the Metafictional Self in A. S. Byatt's Possession.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"To Be a Poet and a Poem" :/
其他題名:	The Life of Literature and the Metafictional Self in A. S. Byatt's Possession.
作者:	Almeida, Helena.
面頁冊數:	1 online resource (103 pages)
附註:	Source: Masters Abstracts International, Volume: 84-09.
Contained By:	Masters Abstracts International84-09.
標題:	Poetry. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30319665click for full text (PQDT)
ISBN:	9798374475951

"To Be a Poet and a Poem" : = The Life of Literature and the Metafictional Self in A. S. Byatt's Possession.
Almeida, Helena.

"To Be a Poet and a Poem" :The Life of Literature and the Metafictional Self in A. S. Byatt's Possession. - 1 online resource (103 pages)

Source: Masters Abstracts International, Volume: 84-09.

Thesis (M.A.)--Queen's University (Canada), 2022.

Includes bibliographical references

This thesis examines the relationship between the self and literature in A. S. Byatt's Possession: A Romance, analyzing the novel's portrayal of writing and reading as processes of self-construal. The central concept explored is the idea of a literary self: a dimension of a writer's self which exists in and through literature, in the simultaneous expression and creation of the self with words. Through an exploration of Possession's metaphors about the life of literature, the paper both defines the literary self and demonstrates that Byatt's characters have a life in poetry which transcends their individual mortality and which is related to, but not bound by, the events that constitute, and often constrain, their personal histories. The thesis also considers the dynamics of reading, examining both how reading is depicted within the narrative and how we read Possession, a novel which presents various discussions about poetic composition and literary scholarship alongside the works, supposedly written by the characters, which Byatt's fictional and real readers alike attempt to interpret. The paper argues that, as a metafictional text, Possession blurs the boundary between fiction and criticism, and that the novel both portrays and prompts the reading of the literary self, such that what it narrates is simultaneously the representation of a fictional act and a real experience. This analysis of Possession's interplay of life and literature focuses on the characterization of the fictional Victorian poet Christabel LaMotte in relation to her poem The Fairy Melusine. The paper argues that, rather than reading LaMotte and Melusina as merely symbolically connected, recognizing LaMotte's position as the author of Melusine is crucial to discovering the poet through her poem since, although LaMotte and Melusina share many characteristics and experiences, one crucial difference ultimately separates them: while Melusina is defined by her story, LaMotte has the agency to define herself by writing Melusine. The paper also considers the feminist valences of LaMotte's Melusine, examining the visions of feminine artistic subjectivity and creativity which Melusina embodies. The thesis concludes with an exploration of the need for wonder in the writing and reading of the literary self.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798374475951Subjects--Topical Terms:

528749
Poetry.
Index Terms--Genre/Form:

542853
Electronic books.

"To Be a Poet and a Poem" : = The Life of Literature and the Metafictional Self in A. S. Byatt's Possession.
LDR:03548nmm a2200337K 4500 001 2362047
005 20231027103219.5
006 m o d
007 cr mn ---uuuuu
008 241011s2022 xx obm 000 0 eng d
020 $a 9798374475951
035 $a (MiAaPQ)AAI30319665
035 $a (MiAaPQ)QueensUCan_197431335
035 $a AAI30319665
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Almeida, Helena. $3 3702747
245 1 0 $a "To Be a Poet and a Poem" : $b The Life of Literature and the Metafictional Self in A. S. Byatt's Possession.
264 0 $c 2022
300 $a 1 online resource (103 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 84-09.
500 $a Advisor: Willmott, Glenn.
502 $a Thesis (M.A.)--Queen's University (Canada), 2022.
504 $a Includes bibliographical references
520 $a This thesis examines the relationship between the self and literature in A. S. Byatt's Possession: A Romance, analyzing the novel's portrayal of writing and reading as processes of self-construal. The central concept explored is the idea of a literary self: a dimension of a writer's self which exists in and through literature, in the simultaneous expression and creation of the self with words. Through an exploration of Possession's metaphors about the life of literature, the paper both defines the literary self and demonstrates that Byatt's characters have a life in poetry which transcends their individual mortality and which is related to, but not bound by, the events that constitute, and often constrain, their personal histories. The thesis also considers the dynamics of reading, examining both how reading is depicted within the narrative and how we read Possession, a novel which presents various discussions about poetic composition and literary scholarship alongside the works, supposedly written by the characters, which Byatt's fictional and real readers alike attempt to interpret. The paper argues that, as a metafictional text, Possession blurs the boundary between fiction and criticism, and that the novel both portrays and prompts the reading of the literary self, such that what it narrates is simultaneously the representation of a fictional act and a real experience. This analysis of Possession's interplay of life and literature focuses on the characterization of the fictional Victorian poet Christabel LaMotte in relation to her poem The Fairy Melusine. The paper argues that, rather than reading LaMotte and Melusina as merely symbolically connected, recognizing LaMotte's position as the author of Melusine is crucial to discovering the poet through her poem since, although LaMotte and Melusina share many characteristics and experiences, one crucial difference ultimately separates them: while Melusina is defined by her story, LaMotte has the agency to define herself by writing Melusine. The paper also considers the feminist valences of LaMotte's Melusine, examining the visions of feminine artistic subjectivity and creativity which Melusina embodies. The thesis concludes with an exploration of the need for wonder in the writing and reading of the literary self.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Poetry. $3 528749
650 4 $a Novels. $3 3566249
650 4 $a Metaphor. $3 517074
650 4 $a British & Irish literature. $3 3284317
650 4 $a Literature. $3 537498
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0593
690 $a 0401
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Queen's University (Canada). $3 1017786
773 0 $t Masters Abstracts International $g 84-09.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30319665 $z click for full text (PQDT)