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The empty center: Acting out theatri...

Moshy, Summer Neilson.

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The empty center: Acting out theatric alliance in three texts by Sarah Kane.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The empty center: Acting out theatric alliance in three texts by Sarah Kane./
作者:	Moshy, Summer Neilson.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2008,
面頁冊數:	212 p.
附註:	Source: Dissertation Abstracts International, Volume: 70-02, Section: A, page: 4140.
Contained By:	Dissertation Abstracts International70-02A.
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3320537
ISBN:	9780549736660

The empty center: Acting out theatric alliance in three texts by Sarah Kane.
Moshy, Summer Neilson.

The empty center: Acting out theatric alliance in three texts by Sarah Kane. - Ann Arbor : ProQuest Dissertations & Theses, 2008 - 212 p.

Source: Dissertation Abstracts International, Volume: 70-02, Section: A, page: 4140.

Thesis (Ph.D.)--University of California, San Diego and University of California, Irvine, 2008.

This dissertation situates Sarah Kane's dramatic work beyond its In-Yer-Face debut productions (U.K.; circa 1995--2000) and within the larger spectrum of western drama in an effort to introduce a new dramatic vocabulary with which to critically engage with non-traditional dramatic texts. I argue for the establishment of a theatric alliance, which I define as the joining of a text (Kane's in this case) with a contributing narrative for production in an effort to achieve a specific social, political, or theatrical goal. I posit that Kane's carefully constructed dramaturgy includes a conscious invitation, via textual and narrative "gaps," to the theatre artist(s), to participate in this alliance. This collaboration results in a critical alliance with Kane's texts that ultimately re-inspires them as relevant, current, and active pieces of theatre, thereby gaining admission into a myriad of vastly different social and political climates. I discuss the implications of previous contributing narratives that have forged an alliance with Kane's texts including: disabled-led theatre, state-controlled art, mental-illness, and suicide.

ISBN: 9780549736660Subjects--Topical Terms:

522973
Theater.

The empty center: Acting out theatric alliance in three texts by Sarah Kane.
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520 $a I extend Wolfgang Iser's literary theory of the implied reader to include an implied reader/performer as well as an implied audience. By engaging with the critical theories of Iser, Claude Levi-Strauss, Jacques Derrida, Mikhail Bakhtin, Gilles Deleuze and Felix Guattari, and Victor Turner, I argue that the malleability and ingenuity of Kane's texts allows her work to transcend the limits of the media criticism endured during the mid- to late 1990s and be included among the most poignant and astutely engaging theatre in modern drama.
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