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Writing The Wrongs of Woman.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Writing The Wrongs of Woman./
作者:	Jacobsen, S. Haley.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	83 p.
附註:	Source: Masters Abstracts International, Volume: 83-01.
Contained By:	Masters Abstracts International83-01.
標題:	English literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28411428
ISBN:	9798516085970

Writing The Wrongs of Woman.
Jacobsen, S. Haley.

Writing The Wrongs of Woman. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 83 p.

Source: Masters Abstracts International, Volume: 83-01.

Thesis (M.A.)--University of Georgia, 2021.

This item must not be sold to any third party vendors.

In William Godwin's 1798 publication of Posthumous Works of the Author of a Vindication of the Rights of Woman, we find Mary Wollstonecraft's last, yet unfinished, literary attempt, The Wrongs of Woman: or, Maria. A Fragment. Although Godwin claims to leave the novella in its original, "found" state, he nevertheless participates in editorial practices that grant the text a sublime aestheticism. Through interlacing the theories of Romantic Fragment Poems, prose poetry, and the fluid text, I intend to reveal the multiplicity of text, a theory to which both Wollstonecraft and Godwin cater in their writing and editing, respectively. I contend that they both advance a reading of the fluid text, albeit by different means. As such, I consider their efforts separately yet nevertheless complementary in penning a "lyric novella," a term I believe best represents the text in hand.

ISBN: 9798516085970Subjects--Topical Terms:

516356
English literature.
Subjects--Index Terms:

Fluid text

Writing The Wrongs of Woman.
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506 $a This item must not be sold to any third party vendors.
520 $a In William Godwin's 1798 publication of Posthumous Works of the Author of a Vindication of the Rights of Woman, we find Mary Wollstonecraft's last, yet unfinished, literary attempt, The Wrongs of Woman: or, Maria. A Fragment. Although Godwin claims to leave the novella in its original, "found" state, he nevertheless participates in editorial practices that grant the text a sublime aestheticism. Through interlacing the theories of Romantic Fragment Poems, prose poetry, and the fluid text, I intend to reveal the multiplicity of text, a theory to which both Wollstonecraft and Godwin cater in their writing and editing, respectively. I contend that they both advance a reading of the fluid text, albeit by different means. As such, I consider their efforts separately yet nevertheless complementary in penning a "lyric novella," a term I believe best represents the text in hand.
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