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Rhetorics of Refusal and Reclamation in Black Queer Femme Bravado Hip-Hop Music; How Nicki Minaj and Lil Nas X Break Barriers, Defy Standards, and Create Inclusive Spaces.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Rhetorics of Refusal and Reclamation in Black Queer Femme Bravado Hip-Hop Music; How Nicki Minaj and Lil Nas X Break Barriers, Defy Standards, and Create Inclusive Spaces./
作者:
Jordan, Christina.
面頁冊數:
1 online resource (76 pages)
附註:
Source: Masters Abstracts International, Volume: 84-11.
Contained By:
Masters Abstracts International84-11.
標題:
Rhetoric. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30425321click for full text (PQDT)
ISBN:
9798379579807
Rhetorics of Refusal and Reclamation in Black Queer Femme Bravado Hip-Hop Music; How Nicki Minaj and Lil Nas X Break Barriers, Defy Standards, and Create Inclusive Spaces.
Jordan, Christina.
Rhetorics of Refusal and Reclamation in Black Queer Femme Bravado Hip-Hop Music; How Nicki Minaj and Lil Nas X Break Barriers, Defy Standards, and Create Inclusive Spaces.
- 1 online resource (76 pages)
Source: Masters Abstracts International, Volume: 84-11.
Thesis (M.A.)--The University of Texas at San Antonio, 2023.
Includes bibliographical references
This thesis examines the complexities of how sexist and homophobic epithets function within hip-hop music and culture as well as American society. It also explores the cultural shifts that have taken place in the hip-hop community and how artists use the phenomenon that is Black Queer Femme Bravado to provide inclusive spaces for all people. Using Nicki Minaj's and Lil Nas X's influence to showcase how Black Queer Femme Bravado has disrupted and rearticulated heteronormative and patriarchal foundations in American and hip-hop culture, my goal is to reveal the necessity of artists shifting dominant narratives in an effort to include marginalized voices. I use interdisciplinary methods (i.e., Queer Theory, Black Feminist Theory, Hip-Hop Theory, among others) to investigate how both artists use their performative nature to transform hip-hop culture to be an area of intersectionality and diversity. I argue that Nicki Minaj's reclamation of "bitch" is essential in reshaping sexist, patriarchal frameworks in American culture, and shifting power dynamics for Black women. I also claim that Lil Nas X's refusal to situate himself into heteronormative ideals in American culture, through his resistance of homophobic language and his inclusion of the non-binary, is essential to challenge the dominant narrative and to create space for people to embrace open-minded, non-normative ideology in American culture.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798379579807Subjects--Topical Terms:
516647
Rhetoric.
Subjects--Index Terms:
Hip-hop musicIndex Terms--Genre/Form:
542853
Electronic books.
Rhetorics of Refusal and Reclamation in Black Queer Femme Bravado Hip-Hop Music; How Nicki Minaj and Lil Nas X Break Barriers, Defy Standards, and Create Inclusive Spaces.
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This thesis examines the complexities of how sexist and homophobic epithets function within hip-hop music and culture as well as American society. It also explores the cultural shifts that have taken place in the hip-hop community and how artists use the phenomenon that is Black Queer Femme Bravado to provide inclusive spaces for all people. Using Nicki Minaj's and Lil Nas X's influence to showcase how Black Queer Femme Bravado has disrupted and rearticulated heteronormative and patriarchal foundations in American and hip-hop culture, my goal is to reveal the necessity of artists shifting dominant narratives in an effort to include marginalized voices. I use interdisciplinary methods (i.e., Queer Theory, Black Feminist Theory, Hip-Hop Theory, among others) to investigate how both artists use their performative nature to transform hip-hop culture to be an area of intersectionality and diversity. I argue that Nicki Minaj's reclamation of "bitch" is essential in reshaping sexist, patriarchal frameworks in American culture, and shifting power dynamics for Black women. I also claim that Lil Nas X's refusal to situate himself into heteronormative ideals in American culture, through his resistance of homophobic language and his inclusion of the non-binary, is essential to challenge the dominant narrative and to create space for people to embrace open-minded, non-normative ideology in American culture.
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