Arts management.
Overview
| Works: | 343 works in 0 publications in 0 languages | |
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Titles
The Market for Chinese Contemporary Ceramics Art An Overview and Analysis of the Chinese Art Market from 1978 to 2015.
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New play development in the United States: How its study impacts its evolution.
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Predicting Music Revenue: A hierarchical linear modeling approach with sensitivity analyses.
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Public art as an agent of neighborhood identity and cultural expression: Lessons from Chicago's Pilsen neighborhood.
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Event-Driven: Examining the Social Vehicles that Drive the Contemporary Art Market.
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Lighting Up an Opaque Market: Enhancing the Art World through Efficient Regulation.
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The marriage of art and business: Shifting professional identities + contemporary human resource management in the NY commercial art world.
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The Legacy of the Lady: The American Female Collector and the Legacy of her Collection.
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Capitalizing on creativity and commercialization: Art and music collaboration and crossover.
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Art and politics: The role of government in the development of the contemporary Russian art market.
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Art Lending Incorporated: Revealing the Mutually Beneficial Relationship between Corporations and Museums.
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Plotting Print Prices for Modern Masters: A Comparative Study on the Retail, Auction, and Online Market for Prints.
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The art prize phenomenon: Impact and limits in the contemporary art world(s).
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Fashion as art: How objects of fashion have become legitimate works of art and investable goods.
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Intercultural arts programs: Assisting the transition from homogeneous to multicultural society.
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Art therapy intervention to assess the presence of unresolved war trauma with Greek-Cypriot survivors of the 1974 war.
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Reclaim the space: How the national September 11 memorial and museum is setting the precedent for future sites of historic mass trauma.
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Moving cultures: Contemporary dance initiatives by cultural institutes and successful cultural diplomacy.
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Telling a good story: Presenting living intangible cultural heritage in China and Africa museums.
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Succeeding as an entertainer: The experiences and descriptions of the process of reasoning used in shaping career aspirations for the successful entertainer: A grounded theory study.
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A Design for Violence Prevention through an Arts Based Afterschool Program.
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Training for Music Administration: Meeting the Needs of Future Music Faculty.
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The elusive art coordinator, the merging of art education, art therapy, and art administration in a special needs facility.
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The buck stops here: Financial management strategies in folk and traditional arts organizations.
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Community engagement and adaptive reuse: The intersection of sustaining multi-use art space in Washington, DC.
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Best practices for career preparation in four undergraduate art programs.
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Producing on the fringe: How fringe festival structure impacts participant experience.
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The State of Entrepreneurship Across The Ohio Arts Sector: Generating nascent data for informing arts entrepreneurship education and practice.
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Strength in numbers: Data-driven strategic marketing in mid-sized to large performing arts organizations.
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Outsider Art: The discussion of categories of definition and categorization of Outsider art and its performance in International Art Markets.
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Transition of corporate art in Japan from the end of the 1970s to 1995 and case studies of the corporate art activities of four major corporations in Japan.
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International cultural exchange programs: The curious relationship of program design and impact.
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Pooled Vehicles: The New Investment Frontier for Small to Medium Sized Museums.
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Building social capital through intergenerational art participation: An analysis on trends in generational social capital.
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Theatre patronage in the post-subscription era: Evaluating nontraditional subscription models used by nonprofit theatres and alternative methods of monetization for implementation by California Repertory Company.
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Getting Attention for a Ceramic Art Exhibition: A Case Study of a Nonprofit's Promotional Campaign.
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Attributing Old Masters Paintings and the Plight of the Expert in the Art Market.
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Scandal in the Boardroom? An Analysis of Private Collection Loans by Museum Trustees.
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Restructuring and Regulating The Indonesian Art Market Infrastructure to Accommodate Forces of Globalization: Mediating Between Contradictions.
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Public Funding of the Visual Arts in Canada: Keeping Creativity at an Arm's Length.
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Challenges and Choices -- Four Single Donor Museums (the Isabella Stewart Gardner Museum, the McNay Museum of Art, the Walker Art Center and The Barnes Foundation) -- Creatively Adapt to Change.
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Censorship for None: An Analysis for American Cultural Progression from The Culture Wars to the Censorship of "Hide/Seek: Difference and Desire in American Portraiture".
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Arts entrepreneurship: An essential sub-system of the Artist's Meta-Praxis.
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Cocreating value in knowledge-intensive business services: An empirically-grounded design framework and a modeling technique.
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Second stages for a second audience: Creating a theatre experience for new audiences.
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Roles and Responsibilities of Digital Engagement Managers in Art Museums.
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The Japanese art dealer Yamanaka Sadajiro: His New York City period, 1893-1936.
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Internship training programs in academic art museums in relation to AAM standards.
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Creativity in urban placemaking: Horizontal networks and social equity in three cultural districts.
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Contemporary Artists from Emerging Art Markets in Blue-Chip Galleries: A Look at Artists from China and India and the Development of The Market for their Work.
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Cross-border film production: The neoliberal recolonization of an exotic island by Hollywood pirates.
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Places of our own, spaces of our own: A look at the National Museum of Mexican Art and the National Hispanic Cultural Center.
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An analysis of public art on university campuses: Policies, procedures, and best practices.
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Bread and home: Global cultural politics in the tangible places of intangible heritage (Bulgaria, Cuba, Brazil).
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How we pay the piper: The impact of sources of government funding on arts and culture nonprofit organizations.
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Museums as sites of "being in conversation": A hermeneutic phenomenological study.
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Art museums and accessibility, a case study: The Whitney Museum's access programs.
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Art as a Method of Revitalization in Post-Katrina New Orleans: Proposal for Artist Relocation Program.
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Why Do Art Dealers (Still) Print Catalogues? The Challenges of Publishing Art in the Digital Era.
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Best practices of online auctions: A discussion on logistical processes and their effect on customer trust.
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Hospital Art Collections: How this Emerging Concept is Humanizing Healthcare.
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The Urban Renaissance: Art and Culture for Socioeconomic Regeneration in Jordan.
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The Powerful Affect of Provenance: The Analysis of Ownership History and its Influence on Value.
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The North Carolina Symphony: A case study in fiscal sustainability strategies for a large American orchestra.
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Critical analysis of Japanese contemporary art: In context of the domestic and global art markets from 1980s to 2010s.
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Automobiles, Art, and Auctions: A Study of the Practice, History, and Potential Growth of Collectible Car Auctions.
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Australian art: The forgotten genre awaiting rediscovery in the New York and London art markets.
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The Low-Profit Limited Liability Company as an alternative business structure in American theatre.
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The CAPA Administrative Shared Services Network: A Case Study in Columbus, Ohio.
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The impact of online and social media platforms in the art market: A case study on Instagram.
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A Case Study of the Influence of Multipurpose Spaces on Campus Life at an Institution of Art and Design.
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A phenomenological study of aesthetic experience within an arts council's events and programs: Finding joy, expression, connection, and public good in the arts.
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West Meets East: A South Florida Cultural Enrichment Program Introducing Traditional Chinese Music.
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Is this working? A study on measuring the effectiveness of efforts to diversify the theatre management field.
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Commodifying Choreography: The Sale, Licensing, and Appraisal of Concert Dance Repertory.
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Developing Leadership for Canadian Museums: Linking Self-Leadership to Community Relevance.
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Making Art a Habit: A Social Business Model to Sustain Artists' Production and Increase Art Visibility.
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Public Secondary Instrumental Music Educators' Use of Teaching Artists to Meet the Needs of the 21st Century Student.
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What do working performers in the Washington, DC area know: Describing arts advocacy & community.
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Measuring Social Impact on Art Nonprofit Organizations in the City of Denver, Colorado.
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An Analysis of the Evolution of the Contemporary Art Dealer: Specific to Emerging Dealers in the Lower East Side and Bushwick.
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The Other Art World: Alternative Spaces and the New Model of Sustainability for the Future of Cultural, Economical, and Community Growth.
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Know Your Stuff: The Role of a Museum Board in Collections Policy of Historical Societies.
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Hanging from the Ceiling: Politics and the Practice of Chandelier Bidding.
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A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.
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Job Satisfaction of Orchestral Musicians: The Effects of Non-Performance Organizational Roles.
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Community Engagement Or Community Outreach? A Case Study Of The Tallahassee Community Chorus And Its Unity Concert.
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The Online Art Market In China: Recent Developments And Future Prospects.
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Pop Cultures: A Comparative Analysis of the American and South Korean Record Industries.
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Arts Teacher Evaluation: How One Charter School Network Shows Its Support.
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Arts and Activism: Examining the Relationship Between Activism, the Institution, and the Arts Administrator.
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Representation of Latinx Arts Administration Leaders in San Diego, California.
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Young Adults and Nonprofit Arts and Culture Organizations: A Generational Change Analysis.
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The Evolution of the Small to Mid-Level/Mid-Sized Gallery Business Model in New York City.
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Examining the Use of Digital Marketing Tools Among Visual Artists for Purposeful Career Development.
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Management and Preservation of Animation Cels in Archives, Libraries, and Museums in the United States.
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Public Pedagogy and Relational Philanthropy: An Insider Action Research Study of Columbus SOUP.
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Experience and perceived value for participants of cultural and art festivals organized for persons with a disability: A Korean perspective.
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Telling Stories to a New Generation: How Technology and Media Have Shaped Contemporary Storytelling.
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Brand Succession Planning: How to Transition the Brand of an Organization Together with the Leadership.
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Artist Support and the Arts Organization: Shrinking the "Human Resources Deficit".
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Entangled relations: Signs and consequences of conflated patronage at the Metropolitan Museum of Manila from 1976-1986.
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Implementing Arts-Integrated Programs in Early Childhood Education Settings.
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The Overall Factors that Inhibit the Professional Development of Chinese Jingdezhen Ceramic Artists.
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Arts participation and career preparedness: A pragmatic approach to assessing arts benefits.
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Strategies for Urban Cultural Policy: The Case of the Hub City of Asian Culture Gwangju, South Korea.
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Looking Forward Through The Past: An Analysis of the Past, Present, and Future of the Contemporary Indian Art Market.
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Beyond the Temples and Palaces: The Importance of Unusual Art Spaces in the Twenty-First Century.
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Servant leadership, exemplary followership, and organizational trust: A quantitative correlational study in performing arts organizations.
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Exploring Stakeholder Perceptions Toward Strategic Planning and Leadership in Arts-Based Nonprofits.
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Dr. Arthur Caswell Parker and His Impact on the Rochester Museum of Arts and Sciences and Native Americans.
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An Examination of South Florida University Students' Leisure Motivation in Arts Participation.
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"The Local" and "The Tourist": Shared Challenges and Opportunities for Honolulu Arts Organizations.
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Best Places to Stay, Best Places to Work: Best Practice for League of Resident Theatres Actor Housing as Explored Through the Total Product Concept.
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Motivation Strategies for Improving Consistency in Live-Entertainment Employees' Performances.
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Developing and Experiencing Visitor-Centered Exhibitions with the Supported Interpretation (SI) Model: A Double Case Study.
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The Development of Taiwanese Dance Groups after Attending International Folklore Dance Festivals.
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Women Leaders in Dance: Six Women Artistic Directors of Regional American Dance Companies Discuss Community Engagement, Dance Education, and Negotiating Personal Responsibilities.
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Understanding Career & Degree Expectations of Undergraduate Music Majors.
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Networked Alternatives: Digital Curation and Artistic Production on Artist-Run Platforms.
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How Does Contemporary Artists Consolidate Their Success and Achievements through Social Media Platform Such as Instagram?
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South African Festivals in the United States: An Expression of Policies, Power and Networks.
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Exploration of the Process of Building Brand Equity as a Digital Painter.
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Dance/Movement Therapy, Creative Arts Therapy, and How Dance and Performing Arts Managers Can Assist Program Participants and Employees in Times of Need.
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From Deng to the Bird's Nest: A Generation of Chinese Collectors Finds Its Voice.
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Engaging Audiences: A Case Study from Three Music Organizations in Philadelphia.
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What about Us? Inclusivity, Community, and the Future of Sustainability in African-American Museums.
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Collaborative Networks in the Arts: A Case Study of Americans for the Arts.
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Implementation of Cross-Curricular Instruction: An Evaluation of Julia Marshall's Five Strategies of Integration Used by Contemporary Artists.
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Co-curation and Collaboration: A Case Study on the Effects of Co-curation on Staff.
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Urban Social Aesthetics: Individuating Contemporary Art's Urban Marxist Tendency.
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Strategies of Theater to Attract Audiences: A Case Study from Three Theaters in the U.S.
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Historic Preservation Business Strategies for the Revitalization and Financial Viability of Minority Communities : = A Systematic Review.
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Museum Startup Hubs and Social Innovation: How Entrepreneurial Incubators, Accelerators, and Coworking Programs in Museums Generate Value.
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Collaborative and Democratic Organizational Structures in Professional Orchestra Organizations.
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Marketing Politics: North Korean Painter Song Byeok as Artist and Commodity.
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A Comparative Analysis of the Chinese Art-Secured Lending Market and the U.S. Model.
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Collaborations between Visual Artists and Musicians in the Age of Celebrity.
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Digitizing Conservation: Incorporating Digital Technologies to the Reconstruction and Loss Compensation of Archaeological Ceramics.
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Negotiating Culture: The Discourse of Art and the Position of the Artist in 1980s China.
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Developing a Sustainable Business Model for Theatres: A Case Study of Kansas City's Starlight Theatre.
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Deploying Place: A Cultural Economy of Art and Urbanism in The Great Recession.
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An Explosive Force: A Multi-Level, Multi-Modal Approach to Organisational Learning.
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Contemporary Japanese Art Auction Market 2008-2017 with an Overview, Art Movement and Artist Analysis.
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Achieving Diversity in Art Museum Staff: Understanding the Role of Statistical Data and Social Commentary.
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Museum to Museum Collaboration: Exploring the Relationships Between Museums and Cultural Organizations in Denver, Colorado.
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Visual Artist Studios in Philadelphia: A Case Study of Three Studio Facilities.
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Craft Production, Development, and Tourism: Evaluating the Kente Business in Kpetoe, Ghana.
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Accessibility Audit of D.C. Theatres: Local Accommodation Practices for Deaf and Hard-of-Hearing Audiences.
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A Look at Arts Funding in Europe: Sustainable Revenue Models in a Time of Dwindling Public Funding.
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Midwestern Artists' Responses to the Demands of Entrepreneurial Management.
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The Impact of Mural Programs on Minority Communities in the United States.
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The Opera Canon and Its Aesthetic Paradigm as an Artistic Management Issue.
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Cultural Sustainability with Arts Management, Minority Cultural Education and Tourism: A Study of Miao Intangible Cultural Heritage in Xijiang, China = = 文化可持续性与艺术管理、少数民族文化教育及旅游产业的研究：以西江苗寨为例.
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Effective Museum Sustainability: Strengthening Local Cross-Sector Collaborations.
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Folk Art on the Internet: Artists Building Community and Marketplace on Social Media.
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Multimodality in the Art & Media Arts Classroom: A Qualitative Study of Multimodal Literacies as They Appear in Art & Media Educator Classroom Curriculum and Practice.
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Motivations and Barriers to Theatre Attendance in the Greater Philadelphia Area.
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The "Zombie Formalism" Bubble and Its Aftermath: The Evolution of Jacob Kassay's, Oscar Murillo's, and Lucien Smith's Markets and Artistic Developments in Relation to the Financialization of the Art Market.
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Environmental Sustainability in the Southern California Visual Arts Field.
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The Role of Massachusetts Cultural Council in State Cultural Policy: Institutionalism, Policy Goals, and Perceived Outcomes in the Arts and Culture.
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"The Excavation of Artistic Process; Mining for Knowledge, Technique and Materials to Create Form.".
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Wayfinding for Novice Art Museum Educators: A Post-Intentional Phenomenological Exploration.
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Ceramic Sculptures in Group-Display to Narrate Passage of Time and Emotion.
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Tabletop Role-Playing Game Design Through a Pattern Language Software Model.
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Arts and Culture Influencers: Two Philanthropists' Impact on the Northeast Ohio Region.
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An Investigation into the Potential of a Mindful Design Intervention in Academic Multidisciplinary Collaborative Design Settings, to Reveal Designer Values and to Enhance Social Interaction.
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Parallaxical Identities: Architectural Semantics of Contemporary Arts Institutions and the Curation of Cultural Identity.
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The Evolution of the Papunya Tula Movement: How Western Desert Painting Became a Catalyst for the Australian Art Market Despite the Lasting Impacts of Colonialism.
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Examining Challenges Managers Face Running Small Arts Organizations in Low Socioeconomic Neighborhoods.
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Mission Possible: One Museum's Journey to a Sustainable Membership Program.
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Artists as Social Entrepreneurs: Expanding the Arts Scene in the Fourth Sector.
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How a Global Pandemic has Changed the Relationship between Technology and Visual Arts Organizations.
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Sustainability Strategies for Nonprofit Museums During Financial Downturns.
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Time After Time: a History of the Berlin Biennale for Contemporary Art and Its Relationship with Urban Space = = Time After Time: eine Geschichte der Berlin Biennale fur Zeitgenossische Kunst und ihr Verhaltnis Zum Stadtischen Raum.
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Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries.
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Identity-Oriented Brand Positioning: An Analysis Drawing on an Ethnographic Case Study of a Contemporary Visual Arts Organisation.
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A Curious Constellation Modern Architecture and an International Sensibility.
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People Who Need People: The Study of the Human Resources Function at Nonprofit Regional Theatres.
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Decision-Making at the Executive Level: How Boards of Trustees and Search Firms Hire Art Museum Executive Directors.
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Moving beyond Environmental Sustainability toward Eco-Social Practice: Public Art in Southern California.
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The Development of Art Market Indices and Analysis from the 1960s to Today.
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Social Media and Museum Brands as Networks: An Actor-Network Theory Study of the Manchester art Gallery.
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Creativity in a Changing World: How Personality, Work Environment, and Flexibility Affect Employee Creativity.
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History and Belonging: A Phenomenological Study of Participatory Public Art Murals in Colorado.
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A Psychic Landscape : Reimagining Personal Identities Within Local Landscapes.
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Bridging the Experimental Gap: Applying Continuous Experimentation to the Field of Cyber-Physical Systems, in the Example of the Automotive Domain.
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Nonprofit Professional Theatre Executive Leadership: Seeing 2020 and Beyond.
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Risk Management for Small and Mid-Sized Contemporary Art Galleries in the United States.
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The Integration and Innovation of Chinese and Western Painting-Study of Pang Xunqin's Art.
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Strategic Producing Alliances: Are They the Key to Success for Nonprofit Theatre Companies? .
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Performing Game Sound: The American Symphony Orchestra and Video Game Music.
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The Presence of Copley: Animacy, Magic, and Afterlife in American Painting, 1765-1925.
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Impediments to Art Market Growth: Understanding Germany's Disproportionately Small Art Market Share.
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Reimagining Arts Engagement through Gamification and Digital Placemaking: The Intersection of Meaning at Hybrid Spaces.
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Tradition, Function and Artistry: Craftspeople in the Modern American Art World.
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A Study of the Impact of Employee Engagement and Empowerment on Performance Management in Nonprofit and Community Theater.
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New Kids on the Block: The Rise of Private Collection Museums Since 2000.
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Museums in Lockdown: How Digital Media and Remote Offerings Saved the Museum from COVID-19.
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How Does Cross-Generational Management Function: What Are the Challenges and Successes?
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Immersive Media, Social Change, and Creativity: A Framework for Designing Collaborative 360° Video Productions.
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The Art Market's Inflection Point: The Inception of Modern Art Investment.
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From the Creative Drive to the Musical Product : A Psychoanalytic Account of Musical Creativity.
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Role of Art in International Relations: Analysis of the Key Operational Patterns on the Example of French Cultural Cluster.
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The Impact of Language Communication Barriers on Non-Arab Medical Practitioners' Healthcare Delivery and Ways of Addressing Miscommunication Issues: An Exploratory-Phenomenological Study of Bahrain.
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Paris Is Always a Good Idea: A Study into Paris' Potential to Regain a Spot at the Top of the European Art Market.
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Traceable Threads: A Case Study of A 12th Century Silk Textile From Al-andalus.
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Choreographing Social Justice: A Study of Dance Choreographers Communicating Social Change.
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The Consequences of Bad Leadership during the COVID-19 Pandemic : = An Agent-Based Model.
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Blind Eye : = An Investigation of Accessible Art Content within Arts Organizations that Does Not Shy Away from the Blind and Visually Impaired.
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Arts, Place, and Advocacy Coalition : = Policy Network of Creative Placemaking.
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Objects in-Between : = Designing a Visual Language for Traversing Personal Identity, Migration and Intercultural Spaces.
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Examining Theater as a Teaching Tool for Leadership : = A Qualitative, Phenomenological Study on Applying Theatrical Practices to the Teaching of Leadership.
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Revealing the Invisible : = Examining Contemporary Social, Economic and Political Realities Through Sculptural Media (Glass & Ceramic).
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"I've Been Working My Ass off for You to Make that Profit" : = Fundamental Information for the Self-Advocation of Emerging Artists.
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Reproducible Dances : = Reconstructing the "Ephemeral" With Funding From the National Endowment for the Arts' "American Masterpieces : Dance" Program.
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Nuclear Citizenship : = Mary Kavanagh and Photography as Civil Resistance.
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Street Performance in the Making of Global Cultural City Taipei - Licensing, Navigation, Atmosphere.
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Contemporary Methods of Preserving Land Art: A Case Study of Robert Smithson's Spiral Jetty.
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In Pursuit of the Fourth Dimension: Hayashi Yasuo's Presence in Art History and the Art Market.
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Evolving Ethics: Deaccessioning from Museum Collections in the Twenty-First Century.
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Empowering Community: Conserving Cultural Heritage Through the Cultural Landscape-approach in the Banda Islands, Indonesia.
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Art Museums: Should Their Staff and Leadership Reflect Their Surrounding Communities?
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Understanding the Job Information Sources Used by Students Enrolled in a Liberal Arts and Management Program.
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Automatic Pigment Classification in Painted Works of Art from Diffuse Reflectance Image Data.
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Data-Centric Policies and Practice: Implications for Publicly Funded Arts and Cultural Organisations in England.
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Human Resource Management in Nonprofit Arts Organizations and Its Effect on Employee Satisfaction and Retention.
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The Arts' Advantage: Why the Arts Exist and Using Them for Optimal Performance.
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Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
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The Rediscovery of Sanyu: The Development of Sanyu's Market from the 1980s to Today.
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Parametric Interpretation and Generation of Historical Chinese Courtyard Dwellings.
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Impact Investing : = Exploring a Common Language Between Stakeholders for the Advancement of the Arts & Cultural Field.
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Applications of Augmented and Virtual Reality at Museums and Archaeological Parks to Improve Sustainability.
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The Immersive Invasion : = Critically Assessing the Popularized Vincent van Gogh Exhibitions.
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The Relationship between Curators and Living Artist when Managing an Exhibition.
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Factors Influencing Institutional Betrayal in Nonprofit Arts Organizations.
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The Wave of Digital Revolution : = New Trends in the Emergence, Participation, and Presentation of Metaverse Art.
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Analysis of the Integration of High-Tech Virtual Technology to Improve the Audience's Experience --Taking China Exhibition Hall as Examples.
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Becoming Asia's Next Art Hub : = A Reflection on the Rise of the Contemporary Korean Art Market.
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What Have Art Fairs Brought to China : = Analyzing Art Basel to the Chinese Art Market Under the Global Change.
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(Electronic resources)
The Artist as Surveillant : = The Use of Surveillance Technology in Contemporary Art.
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(Electronic resources)
Inside the Postdigital Crowds : = The Aesthetics and Politics of the Mediation and Governing of Digitised Crowds.
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(Electronic resources)
The Normative Functions of Artist Intentions in a Twenty-First Century Contemporary Art Practice.
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(Electronic resources)
Packaging Environments : = the Art and Design of the Container Corporation of America.
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(Electronic resources)
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