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The Market of Chinese Contemporary I...
~
Cai, Phil Zheng.
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The Market of Chinese Contemporary Ink Paintings 1979--2013.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Market of Chinese Contemporary Ink Paintings 1979--2013./
作者:
Cai, Phil Zheng.
面頁冊數:
110 p.
附註:
Source: Masters Abstracts International, Volume: 52-06.
Contained By:
Masters Abstracts International52-06(E).
標題:
Art Criticism. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1554292
ISBN:
9781303845970
The Market of Chinese Contemporary Ink Paintings 1979--2013.
Cai, Phil Zheng.
The Market of Chinese Contemporary Ink Paintings 1979--2013.
- 110 p.
Source: Masters Abstracts International, Volume: 52-06.
Thesis (M.A.)--Sotheby's Institute of Art - New York, 2014.
This item must not be sold to any third party vendors.
Chinese contemporary ink painting (contemporary shuimo painting) is a revolutionary and experimental manifestation of traditional Chinese ink painting (also called Chinese national painting). It is a brand-new category that has received very limited attention and has a small market. But with growing interest in and greater media exposure on Chinese contemporary ink painting, its prices have been skyrocketing. By picking eight of the most important Chinese contemporary ink artists, this thesis sheds light on the general pricing situation and geographical breakdown of the secondary market of this specific artistic category. This thesis not only horizontally compares the eight artists inside the sample group, but also vertically compares this group of artists to a similar artistic category as well as the international art market in general to show the market potential of Chinese contemporary ink paintings.
ISBN: 9781303845970Subjects--Topical Terms:
637082
Art Criticism.
The Market of Chinese Contemporary Ink Paintings 1979--2013.
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Chinese contemporary ink painting (contemporary shuimo painting) is a revolutionary and experimental manifestation of traditional Chinese ink painting (also called Chinese national painting). It is a brand-new category that has received very limited attention and has a small market. But with growing interest in and greater media exposure on Chinese contemporary ink painting, its prices have been skyrocketing. By picking eight of the most important Chinese contemporary ink artists, this thesis sheds light on the general pricing situation and geographical breakdown of the secondary market of this specific artistic category. This thesis not only horizontally compares the eight artists inside the sample group, but also vertically compares this group of artists to a similar artistic category as well as the international art market in general to show the market potential of Chinese contemporary ink paintings.
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