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Outsider Art: The discussion of cate...
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Mihajlovic, Nikola.
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Outsider Art: The discussion of categories of definition and categorization of Outsider art and its performance in International Art Markets.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Outsider Art: The discussion of categories of definition and categorization of Outsider art and its performance in International Art Markets./
作者:
Mihajlovic, Nikola.
面頁冊數:
60 p.
附註:
Source: Masters Abstracts International, Volume: 55-01.
Contained By:
Masters Abstracts International55-01(E).
標題:
Arts management. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1598581
ISBN:
9781339036373
Outsider Art: The discussion of categories of definition and categorization of Outsider art and its performance in International Art Markets.
Mihajlovic, Nikola.
Outsider Art: The discussion of categories of definition and categorization of Outsider art and its performance in International Art Markets.
- 60 p.
Source: Masters Abstracts International, Volume: 55-01.
Thesis (M.A.)--Sotheby's Institute of Art - New York, 2015.
The growing acceptance of art produced by people who are self-taught or considered "outsiders," is one of the most intriguing stories in the art world today. The belief is long gone that Outsider Art as a genre has no place in academic institutions or the collections of major museums. Recent record-breaking auction prices for the most prominent Outsider artists prove that interest in this genre has never been higher than it is today. This thesis will discuss the questions of what constitutes Outsider Art, evolving definitions of that term, and which qualities are necessary for an artist to be considered a true outsider. It will also discuss the current situation in international art markets for Outsider and self-taught artists, and will support the idea that it is just a matter of time before prices for the most important Outsider artists will reach the million-dollar mark.
ISBN: 9781339036373Subjects--Topical Terms:
3168382
Arts management.
Outsider Art: The discussion of categories of definition and categorization of Outsider art and its performance in International Art Markets.
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The growing acceptance of art produced by people who are self-taught or considered "outsiders," is one of the most intriguing stories in the art world today. The belief is long gone that Outsider Art as a genre has no place in academic institutions or the collections of major museums. Recent record-breaking auction prices for the most prominent Outsider artists prove that interest in this genre has never been higher than it is today. This thesis will discuss the questions of what constitutes Outsider Art, evolving definitions of that term, and which qualities are necessary for an artist to be considered a true outsider. It will also discuss the current situation in international art markets for Outsider and self-taught artists, and will support the idea that it is just a matter of time before prices for the most important Outsider artists will reach the million-dollar mark.
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