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Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze./
作者:
McDonough, Eliza.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
88 p.
附註:
Source: Masters Abstracts International, Volume: 82-08.
Contained By:
Masters Abstracts International82-08.
標題:
Art history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28265348
ISBN:
9798569983872
Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
McDonough, Eliza.
Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 88 p.
Source: Masters Abstracts International, Volume: 82-08.
Thesis (M.A.)--Sotheby's Institute of Art - New York, 2021.
This item must not be sold to any third party vendors.
Laura Mulvey's 1975 essay Visual Pleasure and Narrative Cinema laid the groundwork for feminist theory surrounding the objectification of women in media by introducing the concept of the male gaze. Since its publication, theorists and critics have responded by proposing the possibility of alternate gazes such as the female gaze, the black gaze, and the queer gaze. This thesis will analyze those responses along with the psychoanalytical backing of Mulvey's original theory to determine how the heteropatriachal structure Mulvey presents can be dismantled through alternative identity gazes. Mulvey's original proposition is limited by her focus on the relationship between white cisgender heterosexual men and white cisgender heterosexual women. By looking at intersectional gazes and specifically queer gazes in photography as documentary measures, this thesis explores the way artists with identities outside of those two archetypes can utilize their gazes to destabilize the heteropatriachal scaffolding of male gaze theory. I will highlight case studies of contemporary queer female and queer nonbinary photographers (Laura Aguilar, Zanele Muholi, Catherine Opie, and Elle Perez) as examples of practical applications of alternative identity gazes in contemporary art practices. While objectification of women in media is certainly present, queer female and nonbinary artists are disrupting those patterns by creating archives of diverse, lived queer experiences with photography.
ISBN: 9798569983872Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
Contemporary photography
Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
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Laura Mulvey's 1975 essay Visual Pleasure and Narrative Cinema laid the groundwork for feminist theory surrounding the objectification of women in media by introducing the concept of the male gaze. Since its publication, theorists and critics have responded by proposing the possibility of alternate gazes such as the female gaze, the black gaze, and the queer gaze. This thesis will analyze those responses along with the psychoanalytical backing of Mulvey's original theory to determine how the heteropatriachal structure Mulvey presents can be dismantled through alternative identity gazes. Mulvey's original proposition is limited by her focus on the relationship between white cisgender heterosexual men and white cisgender heterosexual women. By looking at intersectional gazes and specifically queer gazes in photography as documentary measures, this thesis explores the way artists with identities outside of those two archetypes can utilize their gazes to destabilize the heteropatriachal scaffolding of male gaze theory. I will highlight case studies of contemporary queer female and queer nonbinary photographers (Laura Aguilar, Zanele Muholi, Catherine Opie, and Elle Perez) as examples of practical applications of alternative identity gazes in contemporary art practices. While objectification of women in media is certainly present, queer female and nonbinary artists are disrupting those patterns by creating archives of diverse, lived queer experiences with photography.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28265348
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