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Moving beyond Environmental Sustainability toward Eco-Social Practice: Public Art in Southern California.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Moving beyond Environmental Sustainability toward Eco-Social Practice: Public Art in Southern California./
作者:
Pursell, Meghan Nicole.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
85 p.
附註:
Source: Masters Abstracts International, Volume: 82-07.
Contained By:
Masters Abstracts International82-07.
標題:
Arts management. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28257836
ISBN:
9798557030007
Moving beyond Environmental Sustainability toward Eco-Social Practice: Public Art in Southern California.
Pursell, Meghan Nicole.
Moving beyond Environmental Sustainability toward Eco-Social Practice: Public Art in Southern California.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 85 p.
Source: Masters Abstracts International, Volume: 82-07.
Thesis (M.S.)--Drexel University, 2021.
This item must not be sold to any third party vendors.
Public art experts over the past decade have urged public art programs to adopt environmentally sustainable standards in their best practices. However, this urging has often been a one-dimension effort and regularly disregards the practice of social equity in tangent. A move beyond environmental sustainability toward eco-social practice is then imperative. This study examines three public artworks in Southern California created for green building capital projects through percent-for-art ordinances within the past decade by three separate governing agencies. By looking at a robust set of artwork details like the materials used, locality of artists, community inclusion, access to artworks, and conditions of public art sites, in addition to policy and decision-maker values, research begins to illustrate if and how transitions toward eco-social practice are occurring. In-situ observations, secondary sources, and interviews with public art administrators and public art consultants helped to triangulate the collected data. Overall, two of the three public artworks studied showed signs of transition toward eco-social practice. Public artworks that required collaborative teams of local artists, fabricators, community members, engineers, architects, and arts managers were most successfully categorized as eco-social. Additionally, the vision of arts managers who viewed capital projects as opportunities for environmentally sustainable public art, who support ideas of community engagement, was also essential. These findings suggest that while there is a strong push for environmental sustainability, public art workers can and should advocate for more holistic goals. Tackling environmental issues like air quality for surrounding communities, using materials that are healthy for artists and part of local economic streams, and co-producing artworks with stakeholders are all possible for public artworks to do, as these case studies show.
ISBN: 9798557030007Subjects--Topical Terms:
3168382
Arts management.
Subjects--Index Terms:
Co-production
Moving beyond Environmental Sustainability toward Eco-Social Practice: Public Art in Southern California.
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Public art experts over the past decade have urged public art programs to adopt environmentally sustainable standards in their best practices. However, this urging has often been a one-dimension effort and regularly disregards the practice of social equity in tangent. A move beyond environmental sustainability toward eco-social practice is then imperative. This study examines three public artworks in Southern California created for green building capital projects through percent-for-art ordinances within the past decade by three separate governing agencies. By looking at a robust set of artwork details like the materials used, locality of artists, community inclusion, access to artworks, and conditions of public art sites, in addition to policy and decision-maker values, research begins to illustrate if and how transitions toward eco-social practice are occurring. In-situ observations, secondary sources, and interviews with public art administrators and public art consultants helped to triangulate the collected data. Overall, two of the three public artworks studied showed signs of transition toward eco-social practice. Public artworks that required collaborative teams of local artists, fabricators, community members, engineers, architects, and arts managers were most successfully categorized as eco-social. Additionally, the vision of arts managers who viewed capital projects as opportunities for environmentally sustainable public art, who support ideas of community engagement, was also essential. These findings suggest that while there is a strong push for environmental sustainability, public art workers can and should advocate for more holistic goals. Tackling environmental issues like air quality for surrounding communities, using materials that are healthy for artists and part of local economic streams, and co-producing artworks with stakeholders are all possible for public artworks to do, as these case studies show.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28257836
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