Literature, Romance.
概要
| 作品: | 472 作品在 0 項出版品 0 種語言 | |
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書目資訊
Montaigne et la philosophie du plaisir. Pour une lecture epicurienne des "Essais".
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Sextalk, power and revolution: Discourse and resistance in the novels of Lidia Falcon.
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Le mal et la souffrance dans la modernite: Le theatre des annees 40 et 50 en France et au Quebec.
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"What virtue and wisdom can do": Homer's "Odyssey" in the Renaissance imagination.
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Essential agrements: Art, dance, and civility in seventeenth-century French harpsichord music.
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Language made visible: The invention of French in England after the Norman Conquest.
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Infinity plus one: "The Thousand and One Nights" as a model for infinite narrative in Borges, Calvino, Barth and Rushdie.
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Le retour a l'enfance: Une analyse de la litterature Francaise du dix-neuvieme et vingtieme siecle et son effet sur les Ameriques.
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Difference and the reality of fiction in a theoretical world: Beckett, Resnais, and Deleuze.
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Proust's essences and Sartre's anti-essentialism (Marcel Proust, Jean-Paul Sartre, France).
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The public and private space of the female character: Spatially orienting history and conscience in the narrative of Ippolito Nievo (Italy).
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From subversion to status quo: The seventeenth-century generic hybrid and the cultural implications of literary innovation in early-modern France.
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Chaos and pattern in three postmodern novels (and); "Abishag" (a postmodern novel). (Original writing);.
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Explorations in the postmodern mode: Postmodern sensibilities in the nineteenth-century Spanish novel (Mariano Jose de Larra, Juan Valera, Benito Perez Galdos).
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Territories of the novel: Borders, identities, and displacements in twentieth-century fiction.
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Staging women: Representation of female scholarship in seventeenth-century Spanish and French drama.
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Under the bed creeping: A psychoanalytic approach to Gothicism in children's literature.
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Musical theatre in translation: A semiotic analysis of Jacques Brel's "L'Homme de la Mancha".
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Du roman epistolaire au film: Le transfert du role de la lettre dans les adaptations des "Liaisons Dangereuses".
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Shegyptology: Encounters with ancient Egypt in nineteenth-century literature and culture.
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The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996.
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Hegemony and the formation of organic intellectual: Qu Qiu-bai and the revolutionary politics of early 20th century.
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Behind the read curtain: Theatrical heterotopics of selfhood and society in the Spanish novel and film of transition.
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Ontologies of fiction: Post-75 Spanish narrative and the poetics of postmodernism.
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L'ecriture automatique surrealiste et la psychanalyse. Breton avec Freud et Lacan.
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A genre transplanted: The madrigal in Spanish collections of printed music (1536--1614).
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Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics.
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Se representer entre deux cultures: L'autorepresentation de la femme artiste en litterature et en peinture.
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Los libros de acedrex dados e tablas: Historical, artistic and metaphysical dimensions of Alfonso X's "Book of Games".
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Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire.
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Manifesting masculinities in Central Italian Renaissance art: Artistic theory and representations of the male body.
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The sublime writer and the lure of action: Malraux, Brecht, and Lu Xun on China and beyond.
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Owning property, being property: Medieval and modern women shape the narratives of marriage.
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Memory, time and identity in the novels of William Faulkner and Marcel Proust (France).
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Stretta e la foglia: Nineteenth- and twentieth-century Italian folktales from Luigi Capuana to Italo Calvino.
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Female acts of violence: French revolutionary theater in British and German Romantic drama.
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Translating "Utopia": The poetics and politics of the literary genre (Thomas Moore).
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Ethnopolitical representation of indigenous peoples: Comparative perspectives of the Americas (Spain, Peru).
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Ante-orientalism: French encounters with the Chinese from the mid-17th century to the Opium Wars.
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FABLES OF TRANSGRESSION: CONFESSION AS ANTI-CONFESSION IN THE WORKS OF DE QUINCEY, BAUDELAIRE AND NABOKOV (FRANCE; ENGLAND; UNITED STATES).
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Literature and impersonality: Keats, Flaubert, and the crisis of the author (John Keats, Gustave Flaubert, France).
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"An empire in men's hearts": The figure of Spanish America in British and French romanticism (Peru).
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Il mondo della donna nelle commedie di Eduardo De Filippo (The world of the woman in the plays of E. De Filippo).
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Allegorical renderings of the birth topos: Myth, technology, gender and selfhood in nineteenth-century poetic production.
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Beyond pastoral: Rusticity and the reframing of court culture in 16th century French literature.
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Vanishing vectors: Trains and speed in modern French crime fiction and film (1877--1955).
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Tissage du metissage: Construction et creation des personnages et textes metisses dans la litterature contemporaine francophone.
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Variation and change in Spanish future temporal expression: Rates, constraints, and grammaticization.
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Murder in the name of theory: Theoretical paradigms and ethical problems in works by Dostoevsky, Gide and DeLillo.
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Narrating the German loss: Small histories and the historiography of Fascist violence.
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A literary analysis: The interlace structure in the romance of "The Three Kingdoms".
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Writing the self: Epistolary form in "Lettres portugaises", "Pamela" and "Letters of T'an-lang".
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Tragic reflections on and off the European stage: Ugo Foscolo as author and critic of tragedy.
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Italian renaissance: Giorgio Strehler and his productions of Carlo Goldoni's "Servitore di due padroni".
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Making sense of pain: Reading the sensible body of late eighteenth- and early nineteenth-century France.
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Le sang et la douleur: La tragedie grecque et ses revolutions en France au dix-huitieme siecle.
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Aux limites de l'extreme: Erotisme, folie, violence. Une lecture bataillienne de Marguerite Duras et Yves Theriault.
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Le libertinage utopique: Reflexions politiques et philosophiques dans "Therese philosophe", "Candide" et "Aline et Valcour".
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The legacy of French rule in India (1674--1954): An investigation of a process of creolization.
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Enacting sexual difference: Re-visions of Henry James in the writing of Marguerite Duras and Emily Dickinson.
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Helene Cixous: A space for the Other. In between forgetting, remembering and rewriting.
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Baroque and neobaroque in contemporary Spanish American and Spanish literature. A study of two trajectories: Jose Donoso and Alvaro Cunqueiro.
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Narratives and politics of a diagnosis: The construction and circulation of hysteria as a medical category, 1730--1820.
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Satirical theory and dramatic practice: Towards a new model of satire in performance.
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The argument against tragedy in feminist dramatic re-vision of the plays of Euripides and Shakespeare.
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Sociocultural pertinence in translation: Dario Fo's "Mistero buffo" and its Quebecois transfiguration.
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The difference space makes: Bergsonian methodology and Madrid's cultural imaginary through literature, film and urban space.
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Italian myths and counter-myths of America: Allegorical representations of America in 20th-century Italian literature and film.
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The violent act of femininity: Sexual politics, narrative futility, and gender performativity in the blood melodramas of Francois Truffaut.
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The French reader's relationship to poetry in the electronic age: Ponge, Alferi, and Vassiliou.
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Ciascun saria di color vinto: The philology and philosophy of terms for color and light in Occitan and Italian poetry from the troubadours through Petrarch.
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Literary bilingualism as cosmopolitan practice: Vladimir Nabokov, Samuel Beckett, and Nancy Huston.
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La evolucion discontinua del pensamiento poscolonial en el siglo XX: Los conflictos de la identidad colectiva en la ensayistica de Latinos en los Estados Unidos.
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Fighting for the page: Balzac, Grandville and the power of images, 1830--1848 (Honore de Balzac, J. J. Grandville).
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Poesia espanola neobarroca: Una respuesta estetica a una crisis epistemica (Spanish text).
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Repainting romance: Ekphrasis and otherness in Renaissance imitations of ancient Greek romance.
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Deux poles de l'image litteraire au XXe siecle: La poesie plastique de Pierre Reverdy et le mythe dans les romans de Michel Tournier.
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Discours ethnologique et dissidence chez Carl Einstein et Michel Leiris: Autour de la revue "Documents".
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L'ecrivain enfant de remplacement au miroir de l'autobiographie (Michel Leiris, Annie Ernaux).
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La maison-memoire (roman), suivi de, La digression dans "La poetique de l'espace" de Gaston Bachelard.
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Surfin' Vietnam: Trauma, historical memory, and cultural politics in 20th century literature and film.
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Pascal and the divided will: Rhetoric, volition, and emotions in the work of Pascal.
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Visible effects: Narrative spectacle and affective response in the late eighteenth-century novel.
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The art of life: Ethics, happiness and the philosophical novel in eighteenth-century Britain and France.
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Seductive imperial narratives and conquest subjectivities: An alternative paradigm for reading contemporary empire.
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Storytelling transformations: Narrative, rhetoric and community within Marguerite de Navarre's "L'Heptameron" and Charles Baudelaire's "Le Spleen de Paris".
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Romantic emulation and aesthetic citizenship in Jean-Jacques Rousseau, Charlotte Smith, Mme de Stael and Frances Burney.
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Imitatio or plagiarism: A quest for literary metamorphosis in the Russian chivalric romance "Bova Korolevich".
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Modernity in translation: Figures of empire in the works of Mary Shelley, Samuel Beckett, and Assia Djebar.
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The city inside: Intimacy and urbanity in Henry James, Marcel Proust and Virginia Woolf.
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The emergence of antihumanism in French thought, politics, and literature, 1926--1954.
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Contribution of japonisme to the aesthetic of the French naturalist novel: A study of selected works of the Goncourts, Zola and Huysmans.
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Crisis of the pen and sovereignty of the paintbrush writings on painting from Diderot to Proust.
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Frictions, fictions, and forms: Woman's coming of age in eighteenth-century educational discourses.
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The lyrical and the crisis of modern Chinese selfhood in modern Chinese literature, 1919--1949.
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The role of women through the development of detective fiction: From victim to accomplice, From accomplice to detective.
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Reactionary or Modern? The Devote in Fact and Fiction in Late Nineteenth-Century France.
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The language of real life: Self-possession in the poetry of Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valery.
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Topos, carnavales y vecinos. Derivas de lo rural en la literatura y el cine de la transicion espanola (1973--1986).
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"The autobiographical pact": Otherness and redemption in four French avant-garde artists.
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Humanism in the theater of lies: Classical scholarship in the early Quattrocento Curia.
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Everyday: Literature, modernity, and time (Gustave Flaubert, France, H. G. Wells, Joseph Conrad).
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Mateo Aleman's diagnosis of humanity: Medical discourse in "Guzman de Alfarache" (Spain, Spanish text).
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A hermeneutic approach to reading the dramatic text: Selected plays by Pirandello and Garcia Lorca.
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Monsters, machines, and madness: Keys for interpreting twenty years of Alfonso Sastre's theater (1982--2002) (Spain).
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A process of reduction: Feminine voices and bodies in Samuel Beckett's late drama (France, Ireland).
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Transgressing the boundaries of performance: Desire and alterity in postcolonial drama on India.
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A reading of Jean Genet's solitude through works by Alberto Giacometti and Antonin Artaud (France, Switzerland).
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In search of lost being: Memory, language, and translation (Marcel Proust, France, Chinese).
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Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text).
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Missing histories: The absence of late medieval literature (Geoffrey Chaucer, Francesco Petrarca, Giovanni Boccaccio, Italy).
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Personifying capitalism: Economic imagination, the novel, and the entrepreneur (Honore de Balzac, France, William Faulkner).
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Between performance and narration: Voice, agency and alterity in the work of Marguerite Duras (France).
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Gestural rhetoric: In search of pantomime in the French Enlightenment, ca. 1750--1785.
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Albert Camus: L'ecriture autobiographique et les registres multiples de la voix reflexions sur "Noces" et "Le Premier Homme".
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Re-membering French women playwrights in eighteenth-century theater (Madame de Grafigny, Nivelle de La Chaussee).
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'Le theatre change et represente': Lecture critique des oeuvres dramatiques du Marquis de Sade.
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Litterature et alchimie: L'esoterisme poetique de Marguerite Yourcenar dans "L'OEuvre au Noir" (French text).
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Reading the restaurant: Social class, identity, and the culture of consumption in the nineteenth century French novel.
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Varieties of consciousness: Nineteenth- and early twentieth-century poetics of "altered" states.
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Modernity and its discontents: Cultural debates in interwar France (Le Corbusier, Louis Aragon, Andre Gide, Andre Breton).
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Les espaces interieurs de Proust et Vermeer (Marcel Proust, France, French text, Johannes Vermeer, The Netherlands).
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Journeys of desire: Liguria as literary landscape in Eugenio Montale, Ezra Pound, and Gottfried Benn (Italy, Germany).
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Eternity and the productions of time: Musical description in Shakespeare, Dante, and Milton.
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Baroque orders of corruption: Formation, diffusion, transformation, and negation of Loyola's "Spiritual Exercises".
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Communication through interruption: The dislocated conversation of writing and reading.
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Mysterious women: Memory, madness, and trauma in the nineteenth-century sensation narrative.
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A poetics of the local: Enactments of place in the writing of Masaoka Shiki, William Carlos Williams and Robert Desnos.
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Illicit propriety: Protestants, sexualized convent narratives, and pornography in nineteenth-century America.
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Facing texts: Autobiographical reckonings with the Second World War in Woolf, H.D., Duras, and Perec.
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Visual poetics: Meaning space from Mallarme to "Metalheart" (Stephane Mallarme, France, David Arnold).
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Venus: Isotopies animales dans les oeuvres poetiques de Charles Baudelaire et de Leopold Sedar Senghor (French text, Senegal).
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(Mis)reading music: Rewriting French symbolist poetry (Charles Baudelaire, Stephane Mallarme, Rene Ghil, Jean Royere).
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The Mary Stuart myth in 20th century Russian literature (Valerii Briusov, Marina Cvetaeva, Boris Pasternak, Joseph Brodsky).
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The poetry of Jacques Reda and Philippe Jaccottet: A study of space and place (France).
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The modernist origins of a crisis in humanism (Walter Pater, Marguerite Yourcenar, France, Andre Gide, England).
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Heroism and mythopoesis: Values of the futurist art-life (Italian text, F. T. Marinetti).
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Pedagogies of resistance (Sigmund Freud, Albert Camus, Tennessee Williams, Tony Kushner).
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The recovery of medieval poetry in the eighteenth century: Context, pretexts, and first editions (Spanish text).
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Cultivating the city: Public landscapes and middle-class culture in Madrid, 1833--1890 (Spain).
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"Il futuro e tutto nella notte": Anna Maria Ortese, Massimo Bontempelli and magic realism (Italy).
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The subject in crisis in contemporary Chinese literature (Han Shaogong, Can Xue, Tashi Dawa, Ma Yuan).
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Acting the child: Separating the infantile from the masculine in film and literature, 1835--1985.
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Alter/native: Imagining and performing the native woman in Francophone and Vietnamese literature.
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The plague of language: A reading of Boccaccio's "Decameron" (Giovanni Boccaccio, Italy).
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Transplantation and transformation: French-American literary exchange from 1920 through 2000.
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Escribir en la posguerra: La novela neopicaresca en la literatura europea (1942--1963) (Spanish text, Germany).
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Perec ou la liberte d'un boheme tentative de lecture en dyptique de quelques livres de Perec (French text, Georges Perec).
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Unseating the spectator: The theater of Eugene Ionesco, Nathalie Sarraute and Marguerite Duras (France).
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Personal and political elements in Carlo Emilio Gadda's fiction and essay writings (Italian text).
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The hidden God in French literature and cinema: From the Classical Age to the twentieth century.
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L'evidence du tableau dans "Les Cent Vingt Journees de Sodome" et les trois "Justine" de Sade (French text, Marquis de Sade).
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"Rene a Cheval" Paul Gaschon de Molenes: A textualization of a soldier-dandy (Charles Baudelaire, France).
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Des moulins pour des geants. Essai sur l'imagination dans l'oeuvre romanesque obscene du marquis de Sade (French text).
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Origins, identity, home: Sites of subjectivity and displaced narratives in Marguerite Duras and Wim Wenders (France, Germany).
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Towards conspiracy theory: Revolution, terrorism and paranoia from Victorian fiction to the modern novel.
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Vanishing borders: A cross-national survey of magical realism and the fantastic in short fiction.
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Mimetic identities: The rupture of the other in self-narratives (Saint Augustine, Jean-Jacques Rousseau, France, Philip Roth).
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Contemporary cinematic constructions of French and Francophone African immigrant identities: (1950--The present).
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Reading the colonial Christian mission: Postcolonialism and liberation theology in novels by Mongo Beti and Rene Philombe.
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The power of phantasm in Stephane Mallarme's youth poetry and in the psychoanalytic theory of Jacques Lacan (France).
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Portraying the self: Life and literature in selected poems by Gloria Fuertes, Anne Sexton, and Olga Orozco (Spain, Argentina).
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Political Petrarchism: The rhetorical fashioning of community in early modern Italy.
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At the Crossroads of Identity: Intersections Between Adoption and Colonization in Nineteenth Century French and Twentieth Century Francophone Literature.
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Ecriture masculine and the 21st century: Impotent, flaccid and useless members of French literature.
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Marginality in hegemony: Women on the margin of marriage in twentieth-century Spanish theater.
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Pour la modernite de la litterature chinoise: Du rapport entre Zola, Mao Dun et Ba Jin (French text, Emile Zola).
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Textual tastes: The invention of culinary literature in early modern France (Nicolas de La Chesnaye, Francois Rabelais).
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An analysis of cultural terms in the translation of "Changing Places": A pragmatic approach (David Lodge).
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Writing in the raw: Rhetorical moves of female essayists during the Spanish fin de siglo.
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French languages and French nationalism: The Felibrige, Occitan, and the French identity of southern France, 1854--1914.
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Fibers, organs, lines, and strings: A study of physiology and aesthetics in the works of Denis Diderot (France).
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Repeat performance: Federico Garcia Lorca's theater, fascism and the Spanish literary imaginary.
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Translations of aesthetic experience: Diderot and the dilemma of writing on art (Denis Diderot, France).
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Memory in the Spanish novel of the 1980's and the 1990's: Julio Llamazares, Javier Marias, Antonio Munoz Molina and Manuel Rivas.
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Cuba y Cataluna en la segunda mitad del siglo XIX: Teatro popular e identidades (proto)nacionales.
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Loving the neighbor: Difference, desire, and aggression in the romance of late medieval England and Castile.
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Women's Modernism in Peripheral Catholic Europe: The Poetry of Blanaid Salkeld and Concha Mendez.
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The representation of the Brazilian Indian in literature and cinema from Hans Staden to the indigenous media.
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"A young man married is a man that's marr'd": Homosocial desire and the appropriation of Shakespeare and Austen in the romances of Eloisa James.
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Building Beyond Limits: Fantastic Collisions Between Bodies and Machines in French and English Fin-de-Siecle Literature.
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The Historic Avant-garde, the Neo-Avant-garde and the Digital Age: Experimental Visual-Textual Forms in the Luso-Hispanic World.
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Les prosperites du vice. Invention romanesque et esthetique de la laideur dans la France de la seconde moitie du XVIIIe siecle.
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The mutant factor. Transformations and mutations of the monstrous in contemporary Ibero-American texts.
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