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'Le theatre change et represente': L...

Dangeville, Sylvie C.

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'Le theatre change et represente': Lecture critique des oeuvres dramatiques du Marquis de Sade.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	'Le theatre change et represente': Lecture critique des oeuvres dramatiques du Marquis de Sade./
作者:	Dangeville, Sylvie C.
面頁冊數:	632 p.
附註:	Source: Dissertation Abstracts International, Volume: 56-09, Section: A, page: 3575.
Contained By:	Dissertation Abstracts International56-09A.
標題:	Literature, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9543564

'Le theatre change et represente': Lecture critique des oeuvres dramatiques du Marquis de Sade.
Dangeville, Sylvie C.

'Le theatre change et represente': Lecture critique des oeuvres dramatiques du Marquis de Sade. - 632 p.

Source: Dissertation Abstracts International, Volume: 56-09, Section: A, page: 3575.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1995.

The aim of this dissertation is to re-situate the marquis de Sade's plays in the general context of the theatrical practices in Eighteenth Century France and to reconstitute the author's dramatic writing process through a study of intertextuality of each of his plays. The genetic approach used here gives further insight into Sade's writing techniques; indeed in these plays, the author is constantly re-writing himself as well as his predecessors and contemporaries. The analysis brings to light a very high degree of coherence between the author's theater, the remainder of his writings and eighteenth century French literature.Subjects--Topical Terms:

624011
Literature, Modern.

'Le theatre change et represente': Lecture critique des oeuvres dramatiques du Marquis de Sade.
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100 1 $a Dangeville, Sylvie C. $3 1929583
245 1 4 $a 'Le theatre change et represente': Lecture critique des oeuvres dramatiques du Marquis de Sade.
300 $a 632 p.
500 $a Source: Dissertation Abstracts International, Volume: 56-09, Section: A, page: 3575.
500 $a Adviser: Nancy Blake.
502 $a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1995.
520 $a The aim of this dissertation is to re-situate the marquis de Sade's plays in the general context of the theatrical practices in Eighteenth Century France and to reconstitute the author's dramatic writing process through a study of intertextuality of each of his plays. The genetic approach used here gives further insight into Sade's writing techniques; indeed in these plays, the author is constantly re-writing himself as well as his predecessors and contemporaries. The analysis brings to light a very high degree of coherence between the author's theater, the remainder of his writings and eighteenth century French literature.
520 $a Furthermore, the dissertation contributes to developing a better knowledge of these hitherto neglected and unknown plays through careful scrutiny of Sade's entire correspondence and the examination of a number of unpublished documents. This process also enabled us to date more precisely a large majority of those works.
590 $a School code: 0090.
650 4 $a Literature, Modern. $3 624011
650 4 $a Literature, Romance. $3 1019014
650 4 $a Theater. $3 522973
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690 $a 0313
690 $a 0465
710 2 0 $a University of Illinois at Urbana-Champaign. $3 626646
773 0 $t Dissertation Abstracts International $g 56-09A.
790 1 0 $a Blake, Nancy, $e advisor
790 $a 0090
791 $a Ph.D.
792 $a 1995
793 $a French
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9543564