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L'ecriture automatique surrealiste e...

University of Illinois at Urbana-Champaign.

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L'ecriture automatique surrealiste et la psychanalyse. Breton avec Freud et Lacan.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	L'ecriture automatique surrealiste et la psychanalyse. Breton avec Freud et Lacan./
作者:	Turcanu, Radu Doru.
面頁冊數:	400 p.
附註:	Adviser: Nancy Blake.
Contained By:	Dissertation Abstracts International60-09A.
標題:	Literature, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9945014
ISBN:	9780599468863

L'ecriture automatique surrealiste et la psychanalyse. Breton avec Freud et Lacan.
Turcanu, Radu Doru.

L'ecriture automatique surrealiste et la psychanalyse. Breton avec Freud et Lacan. - 400 p.

Adviser: Nancy Blake.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1999.

The main hypothesis of my study is that Breton was a remarkable reader and interpreter of Freud. Second, I maintain that he exercised a considerable influence on Lacan in the late 1920s and early 1930s---an aspect little debated in both literary and analytic circles. Finally, I suggest that Breton produced a new form of literature around psychoanalysis between 1918--1919. His poetic program drew on a bold assumption: writing is an automatic undertaking, similar to the dream process and distinct from the dream product. Following Freud closely, Breton highlighted the functioning of the unconscious based on its productions.

ISBN: 9780599468863Subjects--Topical Terms:

624011
Literature, Modern.

L'ecriture automatique surrealiste et la psychanalyse. Breton avec Freud et Lacan.
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245 1 2 $a L'ecriture automatique surrealiste et la psychanalyse. Breton avec Freud et Lacan.
300 $a 400 p.
500 $a Adviser: Nancy Blake.
500 $a Source: Dissertation Abstracts International, Volume: 60-09, Section: A, page: 3389.
502 $a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1999.
520 $a The main hypothesis of my study is that Breton was a remarkable reader and interpreter of Freud. Second, I maintain that he exercised a considerable influence on Lacan in the late 1920s and early 1930s---an aspect little debated in both literary and analytic circles. Finally, I suggest that Breton produced a new form of literature around psychoanalysis between 1918--1919. His poetic program drew on a bold assumption: writing is an automatic undertaking, similar to the dream process and distinct from the dream product. Following Freud closely, Breton highlighted the functioning of the unconscious based on its productions.
520 $a I further expound upon how Breton promoted the idea of the marvelous "trouvaille" ("unearthing") of a lost object. This "trouvaille" allows the artist to read the "writing on the wall," as Freud used to call the workings of the unconscious. For Breton, the surreal is a complement of the unconscious while unconscious productions are the objects of a "trouvaille." On the other hand, Breton's own "trouvaille" is that of the mad love, a unique love for an "indifferent" object. This object has to satisfy only one condition. It has to be the result of a marvelous discovery within a dialectics of desire, in which the content of desire and its shadowy consistency come together. At the intersection of the two streams, the object of the "trouvaille" in mad love is what is consistently real in the partner.
520 $a In the conclusion of the dissertation, I corroborate this observation with the fact that poetry and love, in their Surrealist design, constitute the radical contrivance standing in for the lack of a logical, commensurable accord between male and female relations to the signifier of desire, to enjoyment. Whence the importance of what Lacan calls the "other satisfaction," the one pertaining to the symptom. Since love is a symptom, and "words are making love" (Breton), writing about love implies writing with one's symptom. It is what I finally discern in Breton's Les vases communicants (Communicating Vessels) and The mad love (L'amour fou).
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