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From subversion to status quo: The s...
~
Stedman, Allison Margaret.
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From subversion to status quo: The seventeenth-century generic hybrid and the cultural implications of literary innovation in early-modern France.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
From subversion to status quo: The seventeenth-century generic hybrid and the cultural implications of literary innovation in early-modern France./
作者:
Stedman, Allison Margaret.
面頁冊數:
288 p.
附註:
Source: Dissertation Abstracts International, Volume: 63-02, Section: A, page: 0615.
Contained By:
Dissertation Abstracts International63-02A.
標題:
Folklore. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3043959
ISBN:
0493578560
From subversion to status quo: The seventeenth-century generic hybrid and the cultural implications of literary innovation in early-modern France.
Stedman, Allison Margaret.
From subversion to status quo: The seventeenth-century generic hybrid and the cultural implications of literary innovation in early-modern France.
- 288 p.
Source: Dissertation Abstracts International, Volume: 63-02, Section: A, page: 0615.
Thesis (Ph.D.)--University of Pennsylvania, 2002.
At the turn of the eighteenth-century, France witnessed the evolution of a new literary genre which I have chosen to call the novel/fairy-tale hybrid. This unprecedented literary trend (which involves the combining of novels and fairy tales either by means of interpolation, framing, layering, or juxtaposition) was developed by more than thirteen authors between 1690 and 1715, producing a total of twenty-seven original works. Although these generic combinations were immensely successful, frequently reprinted and widely circulated before the French Revolution, they subsequently lapsed into obscurity. This study seeks to restore the novel/fairy-tale hybrid to its rightful place in French literary history: first, by resurrecting the genre; and second, by situating it in relation to other seventeenth-century hybrid genres, such as the ode-round, the tragicomedy and the historical novel. As will become apparent, novel/fairy-tale hybrids change more than our current understanding of the way in which many French novels and fairy tales were originally published. They also change our understanding of how literary and cultural paradigms regarding innovation evolved from the Age of Absolutism to the Age of Enlightenment.
ISBN: 0493578560Subjects--Topical Terms:
528224
Folklore.
From subversion to status quo: The seventeenth-century generic hybrid and the cultural implications of literary innovation in early-modern France.
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At the turn of the eighteenth-century, France witnessed the evolution of a new literary genre which I have chosen to call the novel/fairy-tale hybrid. This unprecedented literary trend (which involves the combining of novels and fairy tales either by means of interpolation, framing, layering, or juxtaposition) was developed by more than thirteen authors between 1690 and 1715, producing a total of twenty-seven original works. Although these generic combinations were immensely successful, frequently reprinted and widely circulated before the French Revolution, they subsequently lapsed into obscurity. This study seeks to restore the novel/fairy-tale hybrid to its rightful place in French literary history: first, by resurrecting the genre; and second, by situating it in relation to other seventeenth-century hybrid genres, such as the ode-round, the tragicomedy and the historical novel. As will become apparent, novel/fairy-tale hybrids change more than our current understanding of the way in which many French novels and fairy tales were originally published. They also change our understanding of how literary and cultural paradigms regarding innovation evolved from the Age of Absolutism to the Age of Enlightenment.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3043959
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