Literature, Romance.
Overview
| Works: | 472 works in 0 publications in 0 languages | |
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Titles
Montaigne et la philosophie du plaisir. Pour une lecture epicurienne des "Essais".
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Towards a postmodern divinity: The role of language in contemporary theology.
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Sextalk, power and revolution: Discourse and resistance in the novels of Lidia Falcon.
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Le mal et la souffrance dans la modernite: Le theatre des annees 40 et 50 en France et au Quebec.
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"What virtue and wisdom can do": Homer's "Odyssey" in the Renaissance imagination.
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"La beaute des routes est grande". Poetiques du voyage dans l'oeuvre romanesque de J. M. G. Le Clezio: "Le livre des fuites", "Le chercheur d'or", "La quarantaine".
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The World You Save: Poems in diverse forms (Translation, with Original writing, Theophile Gautier, Charles Baudelaire, Arthur Rimbaud, Emile Nelligan, Mei Sheng, France, China).
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Territories of the novel: Borders, identities, and displacements in twentieth-century fiction.
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Narrating the German loss: Small histories and the historiography of Fascist violence.
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Language and interpretation: A study in East-West comparative poetics.
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A literary analysis: The interlace structure in the romance of "The Three Kingdoms".
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Essai de comparaison: La production litteraire chez Claude Simon et Mo Yan.
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The rhetoric of posthumanism in four twentieth-century international novels.
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The actor dans le Reve: Pantheatre training as negative capability.
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If the shoe fits: A study of shifting identities in four Spanish plays.
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Keeping memory fresh: A stoic exercise in reading four modern novels.
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Shegyptology: Encounters with ancient Egypt in nineteenth-century literature and culture.
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Discours ethnologique et dissidence chez Carl Einstein et Michel Leiris: Autour de la revue "Documents".
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L'ecrivain enfant de remplacement au miroir de l'autobiographie (Michel Leiris, Annie Ernaux).
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Surfin' Vietnam: Trauma, historical memory, and cultural politics in 20th century literature and film.
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The Double and its theatre: Towards a dramaturgy of the Doppelgaenger motif.
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STRUCTURES OF THE COMIC AND OF POLITICS IN THE WORKS OF DARIO FO (ITALY).
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Satirical theory and dramatic practice: Towards a new model of satire in performance.
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The difference space makes: Bergsonian methodology and Madrid's cultural imaginary through literature, film and urban space.
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Italian myths and counter-myths of America: Allegorical representations of America in 20th-century Italian literature and film.
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Musical theatre in translation: A semiotic analysis of Jacques Brel's "L'Homme de la Mancha".
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Visible effects: Narrative spectacle and affective response in the late eighteenth-century novel.
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Science and literary culture during Spain's Edad de Plata (1923--1936).
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The French reader's relationship to poetry in the electronic age: Ponge, Alferi, and Vassiliou.
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Limits of the book: Interfaces of literary culture in contemporary Latin America.
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Living theater: Politics, justice and the stage in France (1750--1800).
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The emergence of antihumanism in French thought, politics, and literature, 1926--1954.
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Frictions, fictions, and forms: Woman's coming of age in eighteenth-century educational discourses.
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Trauma and the representation of the unsayable in late twentieth-century fiction.
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The language of real life: Self-possession in the poetry of Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valery.
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Fighting for the page: Balzac, Grandville and the power of images, 1830--1848 (Honore de Balzac, J. J. Grandville).
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La seduction comme instrument du pouvoir feminin dans "Les Liaisons dangereuses" de Choderlos de Laclos (French text, Pierre Choderlos de Laclos).
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L'experience transgressive du dieu-porc: Nature et fonctions de l'"excipit" de "Madame Edwarda" de Georges Bataille (French text).
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City of memory: Barcelona in the novels of Juan Marse and Eduardo Mendoza (Spain).
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Space as storyteller: Benjamin, Marinetti, Calvino and Perec (Walter Benjamin, Filippo Tommaso Marinetti, Italo Calvino, Georges Perec, France, Italy).
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Defining spaces: The public sphere and the rise of the bourgeoisie in the modern Spanish novel (Benito Perez Galdos, Vicente Blasco Ibanez, Wenceslao Ayguals de Izco).
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The rhetoric of interlacing in 13th century Arthurian prose romances and Jacques Roubaud's "Le Grand Incendie de Londres" (France).
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Robert Bresson and Georges Bernanos: Spiritual journey in novel and film (France).
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Melancholic flaneries: Urban images and utopian imagination in the works of Charles Baudelaire, Virginia Woolf, Zhu Tianxin, and Tsai Ming-Liang (China, France).
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Vite parallele di Paola Drigo e Paola Masino: Voci femminili di dissenso nella letteratura del periodo fascista (Italian text).
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Three modes of citizenship in a globalized world: Locally oriented, globally oriented, and cosmopolitan citizenship (Michel Houellebecq, France, Don DeLillo, Zadie Smith).
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Empire in a small space: Spanish pastoral in its imperial context (Jacopo Sannazaro, Garcilaso de la Vega, Jorge de Montemayor, Gaspar Gil Polo, Miguel de Cervantes Saavedra).
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The immobile voyage: Textual movements in contemporary French-language poetry.
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L'entrecriture dans l'oeuvre de Marguerite Duras: Texte, theatre, film.
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The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996.
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Hegemony and the formation of organic intellectual: Qu Qiu-bai and the revolutionary politics of early 20th century.
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L'ecriture automatique surrealiste et la psychanalyse. Breton avec Freud et Lacan.
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OVERT THEATRICALITY AND THE 'THEATRUM MUNDI' METAPHOR IN SPANISH AND ENGLISH DRAMA, 1570-1640 (LOPE DE VEGA, CALDERON, SHAKESPEARE).
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Theater, deceit, and ideologies of objectivity in seventeenth century drama.
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Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire.
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Manifesting masculinities in Central Italian Renaissance art: Artistic theory and representations of the male body.
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Gravity-bound: the articulation of the body in art and the possibility of community.
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Aspiring to la vie galante: Reincarnations of rococo in Second Empire France.
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Owning property, being property: Medieval and modern women shape the narratives of marriage.
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Debussy and symbolism: A comparative study of the aesthetics of Claude Debussy and three French symbolist poets with an analysis of Debussy's symbolist techniques in "Pelleas et Melisande".
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Essential agrements: Art, dance, and civility in seventeenth-century French harpsichord music.
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Identification clusters in Francophone and Anglophone novels and films.
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Translating "Utopia": The poetics and politics of the literary genre (Thomas Moore).
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Chaos and pattern in three postmodern novels (and); "Abishag" (a postmodern novel). (Original writing);.
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Explorations in the postmodern mode: Postmodern sensibilities in the nineteenth-century Spanish novel (Mariano Jose de Larra, Juan Valera, Benito Perez Galdos).
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The self in other words: Autoethnography in francophone women's writing.
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Murder in the name of theory: Theoretical paradigms and ethical problems in works by Dostoevsky, Gide and DeLillo.
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Like a natural woman: Constructing gender from performance to performativity.
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Writing the self: Epistolary form in "Lettres portugaises", "Pamela" and "Letters of T'an-lang".
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Staging women: Representation of female scholarship in seventeenth-century Spanish and French drama.
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Tragic reflections on and off the European stage: Ugo Foscolo as author and critic of tragedy.
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Italian renaissance: Giorgio Strehler and his productions of Carlo Goldoni's "Servitore di due padroni".
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A semiotic approach to the dramatic text of three plays by Federico Garcia Lorca: "Amor de Don Perlimplin con Belisa en su jardin", "El publico", and "Asi que pasen cinco anos".
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Wandering voices: Refrain citation in thirteenth-century French music and poetry.
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Coming into culture: Ecocultural materialism and the Bildungsroman.
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Sympathy and the novel: Shared sentiment in Britain and France, 1750--1850.
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Uses of the past: Variations on the picaresque in the Spanish postwar novel.
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Repainting romance: Ekphrasis and otherness in Renaissance imitations of ancient Greek romance.
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Deux poles de l'image litteraire au XXe siecle: La poesie plastique de Pierre Reverdy et le mythe dans les romans de Michel Tournier.
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Eugene Ionesco: De l'exploration du grotesque a la quete de l'Absolu.
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At the margin of the margin: Female identities within Beur literature and film.
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La maison-memoire (roman), suivi de, La digression dans "La poetique de l'espace" de Gaston Bachelard.
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The argument against tragedy in feminist dramatic re-vision of the plays of Euripides and Shakespeare.
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The liar as a comic figure in plays by Ruiz de Alarcon, Corneille and Moliere.
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Sociocultural pertinence in translation: Dario Fo's "Mistero buffo" and its Quebecois transfiguration.
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The violent act of femininity: Sexual politics, narrative futility, and gender performativity in the blood melodramas of Francois Truffaut.
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Distorted media: The noise aesthetics of Italian Futurism and German Dadaism.
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Pascal and the divided will: Rhetoric, volition, and emotions in the work of Pascal.
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The art of life: Ethics, happiness and the philosophical novel in eighteenth-century Britain and France.
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Seductive imperial narratives and conquest subjectivities: An alternative paradigm for reading contemporary empire.
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Confronting the void: Murder and authenticity in existentialist literature.
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Storytelling transformations: Narrative, rhetoric and community within Marguerite de Navarre's "L'Heptameron" and Charles Baudelaire's "Le Spleen de Paris".
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Imitatio or plagiarism: A quest for literary metamorphosis in the Russian chivalric romance "Bova Korolevich".
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Modernity in translation: Figures of empire in the works of Mary Shelley, Samuel Beckett, and Assia Djebar.
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The city inside: Intimacy and urbanity in Henry James, Marcel Proust and Virginia Woolf.
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Contribution of japonisme to the aesthetic of the French naturalist novel: A study of selected works of the Goncourts, Zola and Huysmans.
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Crisis of the pen and sovereignty of the paintbrush writings on painting from Diderot to Proust.
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The lyrical and the crisis of modern Chinese selfhood in modern Chinese literature, 1919--1949.
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The role of women through the development of detective fiction: From victim to accomplice, From accomplice to detective.
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Reactionary or Modern? The Devote in Fact and Fiction in Late Nineteenth-Century France.
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Literary bilingualism as cosmopolitan practice: Vladimir Nabokov, Samuel Beckett, and Nancy Huston.
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Representation et mythification de l'enfance dans la litterature jeunesse.
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La evolucion discontinua del pensamiento poscolonial en el siglo XX: Los conflictos de la identidad colectiva en la ensayistica de Latinos en los Estados Unidos.
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To speak or not to speak?: Postcolonial readings of silence in Racine's theatre.
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Topos, carnavales y vecinos. Derivas de lo rural en la literatura y el cine de la transicion espanola (1973--1986).
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Remembering bodies: Gender, race, and nationality in the French-Algerian War.
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"The autobiographical pact": Otherness and redemption in four French avant-garde artists.
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Humanism in the theater of lies: Classical scholarship in the early Quattrocento Curia.
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Monique Wittig and the queer theory movement: Descendents and disputes (France).
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Everyday: Literature, modernity, and time (Gustave Flaubert, France, H. G. Wells, Joseph Conrad).
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Gender on display: Advertising the body of contemporary Spanish women's narrative (Paloma Diaz-Mas, Lourdes Ortiz, Cristina Peri Rossi, Esther Tusquets, Almudena Grandes, Uruguay).
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The book of the courtesan: Three alternate portraits of late Renaissance life (Fernando de Rojas, Francisco Delicado, Pietro Aretino, Spain, Italy).
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Bombed-out consciousness: The negative teleology of the modern subject in Adorno, Beckett and DeLillo (Germany, Theodor W. Adorno, Samuel Beckett, Ireland, France, Don DeLillo).
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Imagination, physiology, and the dynamics of representation in Enlightenment France (Rene Descartes, Denis Diderot, Nicolas Malebranche, Julien Offray de La Mettrie, Charles Bonnet).
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Du roman epistolaire au film: Le transfert du role de la lettre dans les adaptations des "Liaisons Dangereuses".
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Samuel Beckett and bilingualism: How the return to English influences the later writing style and gender roles of "All that Fall" and "Happy Days" (Ireland).
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Mateo Aleman's diagnosis of humanity: Medical discourse in "Guzman de Alfarache" (Spain, Spanish text).
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Transgressing the boundaries of performance: Desire and alterity in postcolonial drama on India.
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The epistolary self: Home and identity in francophone women's travel letters (1850--1950) (Alexandra David-Neel, Isabelle Eberhardt, Ella Maillart, France, Switzerland).
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Remembering, interpreting, and quoting traditional popular culture: Cultural memory in Manuel de Falla's "El amor brujo" and Federico Garcia Lorca's "Poema del cante jondo" (Spain).
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Ghosts between the wars: History and the imagination in Proust, Woolf, and Greene (France, Marcel Proust, Virginia Woolf, Graham Greene).
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Flamenco and tragedy in Alfonso Jimenez Romero's Andalusian ritual drama: A dialogue between Lorca and Melo Neto (Spain, Federico Garcia Lorca, Joao Cabral de Melo Neto, Brazil, Spanish text).
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Poesia espanola neobarroca: Una respuesta estetica a una crisis epistemica (Spanish text).
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Disidencias en la literatura y cine latinoamericano y peninsular (Spanish text, Clarice Lispector, Brazil, Luisa Valenzuela, Argentina, Carmen Laforet, Ana Maria Matute).
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In search of lost being: Memory, language, and translation (Marcel Proust, France, Chinese).
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Dance, movement, and the emergence of a modernist poetics: Balzac, Mallarme, Claudel, Valery, and Cendrars (Honore de Balzac, Stephane Mallarme, Paul Claudel, Paul Valery, Blaise Cendrars, France).
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Les espaces interieurs de Proust et Vermeer (Marcel Proust, France, French text, Johannes Vermeer, The Netherlands).
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Parola e immagine nel novecento italiano: L'ekphrasis in Longhi, Banti, Pasolini e Testori (Italian text, Roberto Longhi, Anna Banti, Pier Paolo Pasolini, Giovanni Testori).
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Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text).
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Ontologies of fiction: Post-75 Spanish narrative and the poetics of postmodernism.
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Los libros de acedrex dados e tablas: Historical, artistic and metaphysical dimensions of Alfonso X's "Book of Games".
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Diversity, deception, and discernment in the late sixteenth century: A comparative study of Li Zhi's "Book to Burn" and Montaigne's "Essays".
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The sublime writer and the lure of action: Malraux, Brecht, and Lu Xun on China and beyond.
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Doctoring the empire: Plague in literature since the 1890s (Daniel Defoe, Bram Stoker, H. G. Wells, Louis-Ferdinand Celine, Albert Camus, France, Algeria, Andre Philippus Brink, South Africa).
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City correspondence: Text and photograph in modern Paris and New York (France).
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Literature and impersonality: Keats, Flaubert, and the crisis of the author (John Keats, Gustave Flaubert, France).
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"An empire in men's hearts": The figure of Spanish America in British and French romanticism (Peru).
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The representation of pregnancy in eighteenth-century French literature.
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Depressions de voyage: Reecritures de l'ailleurs, de Michaux a Chevillard.
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Aux limites de l'extreme: Erotisme, folie, violence. Une lecture bataillienne de Marguerite Duras et Yves Theriault.
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Figures controversees: Retif de La Bretonne (1734--1806) et la femme.
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Le libertinage utopique: Reflexions politiques et philosophiques dans "Therese philosophe", "Candide" et "Aline et Valcour".
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Femme, religion et politique a l'ombre de Beauvoir, Klossowski et Blanchot.
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Enacting sexual difference: Re-visions of Henry James in the writing of Marguerite Duras and Emily Dickinson.
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Helene Cixous: A space for the Other. In between forgetting, remembering and rewriting.
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Baroque and neobaroque in contemporary Spanish American and Spanish literature. A study of two trajectories: Jose Donoso and Alvaro Cunqueiro.
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Narratives and politics of a diagnosis: The construction and circulation of hysteria as a medical category, 1730--1820.
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Dispossessions of voice: The work of description in literature and film.
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Narrative understanding: The staging of form and theory in contemporary fiction.
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God and the devil are fighting: The scandal of evil in Dostoyevsky and Camus.
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Configurations of trickery in Boccaccio's "Decameron", Marguerite de Navarre's "Heptameron", Masuccio's "Il Novellino" and Shakespeare's "Othello".
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Albert Camus: L'ecriture autobiographique et les registres multiples de la voix reflexions sur "Noces" et "Le Premier Homme".
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Facing texts: Autobiographical reckonings with the Second World War in Woolf, H.D., Duras, and Perec.
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Visual poetics: Meaning space from Mallarme to "Metalheart" (Stephane Mallarme, France, David Arnold).
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Paris, race and universalism in the Black Atlantic: Leopold Sedar Senghor, Simone de Beauvoir, Boris Vian and Richard Wright (France).
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The social order, politics, and gender: The performance-within-a-play in French classical drama (Moliere, Pierre Corneille, Jean Racine).
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A comparative study of Paul Verlaine's poetry in musical settings (France).
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Lost order: Repercussions of secularization on literary and film rhetoric (France, Charles Peguy, Georges Bernanos, Robert Bresson).
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The subversive China in twentieth-century French literature (Paul Claudel, Victor Segalen, Andre Malraux, Henri Michaux, Philippe Sollers).
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Visceral poetics and the energetic text (Antonin Artaud, France, Paul Metcalf).
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Knowing children: Performative representations of childhood in nineteenth-century painting and the novel (France, Charles Dickens, Emile Zola, Sir John Everett Millais, William Adolphe Bouguereau).
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L'evidence du tableau dans "Les Cent Vingt Journees de Sodome" et les trois "Justine" de Sade (French text, Marquis de Sade).
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Visual perversity: A rearticulation of maternal instinct (Euripides, Greece, Samuel Taylor Coleridge, Sir Alfred Hitchcock, Marquis de Sade, France).
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Feminism as humanism: Exploring a broader definition of feminism through the lives and writings of Madame Riccoboni, Olympe de Gouges and Sophie Germain.
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THE DIARY NOVEL AND CONTEMPORARY FICTION: STUDIES IN MAX FRISCH, MICHEL BUTOR, AND DORIS LESSING (SWITZERLAND, FRANCE, ZIMBABWE).
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"Rene a Cheval" Paul Gaschon de Molenes: A textualization of a soldier-dandy (Charles Baudelaire, France).
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Literature, linguistics and the perception of regional language in modern France.
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Catholic-Liberal opera: Outline of a hidden Italian musical Romanticism (Gioacchino Rossini, Vincenzo Bellini, Gaetano Donizetti, Giuseppe Verdi).
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Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466--1516): A contextual study.
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Outsider citizens: The remaking of postwar identity in Wright, Beauvoir, and Baldwin (Richard Wright, Simone de Beauvoir, James Baldwin, France).
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At home in the city: Urban transformation and the modern Italian subject (Carolina Invernizio, Massimo Bontempelli, Anna Maria Ortese, Pier Paolo Pasolini).
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Travelling in language and image: Representing alterity in French Romantic fiction, travel narrative, journalism, and art, 1830--1870 (Eugene Delacroix, Eugene Fromentin, George Sand, Prosper Merimee).
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Exploring the underworld at home and abroad: Bohemians and tourists in nineteenth-century Paris and beyond (France, Gerard de Nerval, Victor Hugo, Henri Murger, Honore de Balzac).
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Varieties of consciousness: Nineteenth- and early twentieth-century poetics of "altered" states.
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Solitary women wanderers: Urban stories of resistance in contemporary Spanish women's narrative (Michel de Certeau, Carmen Martin Gaite, Rosa Montero, Clara Ines Lara de Sanchez).
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Modernity and its discontents: Cultural debates in interwar France (Le Corbusier, Louis Aragon, Andre Gide, Andre Breton).
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Generational representations of the Holocaust: Trauma, memory, and the imagination.
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Writing in the raw: Rhetorical moves of female essayists during the Spanish fin de siglo.
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Stupendous, miserable city: Pasolini, Rome, cinema (Pier Paolo Pasolini, Italy).
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"A young man married is a man that's marr'd": Homosocial desire and the appropriation of Shakespeare and Austen in the romances of Eloisa James.
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Building Beyond Limits: Fantastic Collisions Between Bodies and Machines in French and English Fin-de-Siecle Literature.
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Political Petrarchism: The rhetorical fashioning of community in early modern Italy.
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Conceptions of likeness in the epic similes of Homer, Vergil, Dante, and Milton.
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Heavy weather and a slant of light: Modernity, mythos, and the metaphysical functions of poetry from Emily Dickinson to Eugenio Montale.
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El retorno renovador a la tradicion: La memoria colectiva en la narrativa espanola (1973--1994).
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Everyday practices in Castile: Towards the cartographic imaginary of Miguel Delibes.
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Behind the read curtain: Theatrical heterotopics of selfhood and society in the Spanish novel and film of transition.
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A genre transplanted: The madrigal in Spanish collections of printed music (1536--1614).
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Language made visible: The invention of French in England after the Norman Conquest.
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Infinity plus one: "The Thousand and One Nights" as a model for infinite narrative in Borges, Calvino, Barth and Rushdie.
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Le retour a l'enfance: Une analyse de la litterature Francaise du dix-neuvieme et vingtieme siecle et son effet sur les Ameriques.
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Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics.
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Se representer entre deux cultures: L'autorepresentation de la femme artiste en litterature et en peinture.
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Difference and the reality of fiction in a theoretical world: Beckett, Resnais, and Deleuze.
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Tokens of discontent. The emergence of the modern prose poem (1822--1869).
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Framing terrorism via metaphors: Jose Luis Rodriguez Zapatero (2004--2007).
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(Electronic resources)
Contemporary Spanish women write identity formation: The short stories of Fernandez Cubas, Garcia Morales, Grandes, Mayoral, Montero, Puertolas, and Regas (Cristina Fernandez Cubas, Adelaida Garcia Morales, Almudena Grandes, Marina Mayoral, Rosa Montero, Soledad Puertolas, Rosa Regas).
by:
(Language materials, printed)
Time and space in Prevost's literary universe (France, Abbe Prevost).
by:
(Language materials, printed)
The concept of return in autobiographical discourse (French text).
by:
(Language materials, printed)
Proust's essences and Sartre's anti-essentialism (Marcel Proust, Jean-Paul Sartre, France).
by:
(Language materials, printed)
The public and private space of the female character: Spatially orienting history and conscience in the narrative of Ippolito Nievo (Italy).
by:
(Language materials, printed)
From subversion to status quo: The seventeenth-century generic hybrid and the cultural implications of literary innovation in early-modern France.
by:
(Language materials, printed)
Waltzing in Now-time: The unlikely event of a correspondence between Barthes, Benjamin, Proust and my mother (Roland Barthes, Walter Benjamin, Marcel Proust, France, photography).
by:
(Language materials, printed)
Memory, time and identity in the novels of William Faulkner and Marcel Proust (France).
by:
(Language materials, printed)
Entertaining modernity: How four eighteenth-century heroines romanced social change (Madame Marie-Madeleine de Lafayette, Pierre Carlet de Chamblain de Marivaux, France, Henry Fielding, Samuel Richardson).
by:
(Language materials, printed)
Stretta e la foglia: Nineteenth- and twentieth-century Italian folktales from Luigi Capuana to Italo Calvino.
by:
(Language materials, printed)
Female acts of violence: French revolutionary theater in British and German Romantic drama.
by:
(Language materials, printed)
Ethnopolitical representation of indigenous peoples: Comparative perspectives of the Americas (Spain, Peru).
by:
(Language materials, printed)
Ante-orientalism: French encounters with the Chinese from the mid-17th century to the Opium Wars.
by:
(Language materials, printed)
FABLES OF TRANSGRESSION: CONFESSION AS ANTI-CONFESSION IN THE WORKS OF DE QUINCEY, BAUDELAIRE AND NABOKOV (FRANCE; ENGLAND; UNITED STATES).
by:
(Language materials, printed)
Jeux enonciatifs et intertextuels dans le cycle indien de Marguerite Duras.
by:
(Language materials, printed)
Il mondo della donna nelle commedie di Eduardo De Filippo (The world of the woman in the plays of E. De Filippo).
by:
(Language materials, printed)
Allegorical renderings of the birth topos: Myth, technology, gender and selfhood in nineteenth-century poetic production.
by:
(Language materials, printed)
Beyond pastoral: Rusticity and the reframing of court culture in 16th century French literature.
by:
(Language materials, printed)
Vanishing vectors: Trains and speed in modern French crime fiction and film (1877--1955).
by:
(Language materials, printed)
Tissage du metissage: Construction et creation des personnages et textes metisses dans la litterature contemporaine francophone.
by:
(Language materials, printed)
From Muse to militant: Francophone women novelists and Surrealist aesthetics.
by:
(Language materials, printed)
Cross-linguistic effects on L2 acquisition: An investigation of aspect.
by:
(Language materials, printed)
Variation and change in Spanish future temporal expression: Rates, constraints, and grammaticization.
by:
(Language materials, printed)
Sophocles' "Antigone": An exploration of modern and contemporary versions.
by:
(Language materials, printed)
Making sense of pain: Reading the sensible body of late eighteenth- and early nineteenth-century France.
by:
(Language materials, printed)
Le sang et la douleur: La tragedie grecque et ses revolutions en France au dix-huitieme siecle.
by:
(Language materials, printed)
Influence, discourse and synthesis in Alexander Pushkin's dramaturgy, with an epilogue on novelistic discourse in "Hordubal", Karel Capek's adaptation of the "Oresteia".
by:
(Language materials, printed)
The legacy of French rule in India (1674--1954): An investigation of a process of creolization.
by:
(Language materials, printed)
Under the bed creeping: A psychoanalytic approach to Gothicism in children's literature.
by:
(Language materials, printed)
From the fabliaux to the "Decameron": Codicology and generic transformation.
by:
(Language materials, printed)
Writing Paris: Transformations of urban geography from Haussmann to the Medina.
by:
(Language materials, printed)
Forgiveness and the Age of Reason: Fenelon, Voltaire, Rousseau and Stael.
by:
(Language materials, printed)
The bordering worlds of Marcel Duchamp, Robert Desnos and Mina Loy.
by:
(Language materials, printed)
Romantic emulation and aesthetic citizenship in Jean-Jacques Rousseau, Charlotte Smith, Mme de Stael and Frances Burney.
by:
(Language materials, printed)
Ciascun saria di color vinto: The philology and philosophy of terms for color and light in Occitan and Italian poetry from the troubadours through Petrarch.
by:
(Language materials, printed)
Modernism and mass culture in Botho Strauss and Antonio Munoz Molina.
by:
(Language materials, printed)
Jazz changes: A history of French discourse on jazz from ragtime to be-bop.
by:
(Language materials, printed)
The Republic and its children: French children's literature, 1855--1900.
by:
(Language materials, printed)
"Sans famille" et "En famille": Le discours sexiste d'Hector Malot.
by:
(Language materials, printed)
The archive and the novel: Documentation and narrative in the modern age (France, Italy, Alessandro Manzoni, Gustave Flaubert, Vincenzo Consolo, Georges Perec).
by:
(Electronic resources)
Truth, time and the novel: Veridiction in Tolstoy, Dostoevsky and Balzac (Leo Tolstoy, Fyodor Dostoyevsky, Russia, Honore de Balzac, France).
by:
(Electronic resources)
The novel and its other: A study of genres in narrative minimalism (Maurice Blanchot, Marguerite Duras, France, Raymond Carver).
by:
(Electronic resources)
Figuring melancholy: From Jean de Meun to Moliere, via Montaigne, Descartes, Rotrou and Corneille (Pierre Corneille, Michel de Montaigne, Rene Descartes, Jean Rotrou, France).
by:
(Electronic resources)
A hermeneutic approach to reading the dramatic text: Selected plays by Pirandello and Garcia Lorca.
by:
(Electronic resources)
Love as theater: A study of Pierre Corneille's early comedies, 1628-1638.
by:
(Electronic resources)
Monsters, machines, and madness: Keys for interpreting twenty years of Alfonso Sastre's theater (1982--2002) (Spain).
by:
(Electronic resources)
A process of reduction: Feminine voices and bodies in Samuel Beckett's late drama (France, Ireland).
by:
(Electronic resources)
A reading of Jean Genet's solitude through works by Alberto Giacometti and Antonin Artaud (France, Switzerland).
by:
(Electronic resources)
Missing histories: The absence of late medieval literature (Geoffrey Chaucer, Francesco Petrarca, Giovanni Boccaccio, Italy).
by:
(Electronic resources)
Personifying capitalism: Economic imagination, the novel, and the entrepreneur (Honore de Balzac, France, William Faulkner).
by:
(Electronic resources)
Between performance and narration: Voice, agency and alterity in the work of Marguerite Duras (France).
by:
(Electronic resources)
Creating a monster: Myth, machines, and the naturalist invention of modernism.
by:
(Electronic resources)
Eternity and the productions of time: Musical description in Shakespeare, Dante, and Milton.
by:
(Electronic resources)
The art of politics and the politics of tragedy: A study on the influences of Stalinism upon literary form and critical interpretations of Richard Wright's "Native Son" and Albert Camus' "L'Etranger".
by:
(Electronic resources)
Baroque orders of corruption: Formation, diffusion, transformation, and negation of Loyola's "Spiritual Exercises".
by:
(Electronic resources)
Communication through interruption: The dislocated conversation of writing and reading.
by:
(Electronic resources)
Mysterious women: Memory, madness, and trauma in the nineteenth-century sensation narrative.
by:
(Electronic resources)
A poetics of the local: Enactments of place in the writing of Masaoka Shiki, William Carlos Williams and Robert Desnos.
by:
(Electronic resources)
Illicit propriety: Protestants, sexualized convent narratives, and pornography in nineteenth-century America.
by:
(Electronic resources)
"A force from the past": The medieval imagination of Pier Paolo Pasolini.
by:
(Electronic resources)
I contorni della leggerezza: Letteratura, scienza e arte nell'opera di Italo Calvino.
by:
(Electronic resources)
Christian-Muslim polemics in the wake of the expulsion (1609--1614): Ibrahim Taybili's "Contradiccion de los catore articulos" and Pedro Aznar Cardona's "Expulsion justificada de los moriscos".
by:
(Electronic resources)
Art(ist) for art's sake or art(ist) for capital's sake: Aesthetic production and consumption in turn-of-the-century literature.
by:
(Electronic resources)
"Ogni amante e guerrier": Monteverdi and the war of love in early modern Italy.
by:
(Electronic resources)
Cataclysmes poetiques: Du poete maudit aux poetes decheants. Rimbaud, Cocteau, Vian.
by:
(Electronic resources)
Gestural rhetoric: In search of pantomime in the French Enlightenment, ca. 1750--1785.
by:
(Electronic resources)
Study of a forgotten sense: The sense of smell in Italian literature and culture.
by:
(Electronic resources)
Re-membering French women playwrights in eighteenth-century theater (Madame de Grafigny, Nivelle de La Chaussee).
by:
(Electronic resources)
Modernism's family values: Genealogy, kinship and form in modern narrative (James Joyce, Ireland, Sir Arthur Conan Doyle, Scotland, Marcel Proust, France).
by:
(Electronic resources)
"What it was all about I had not the slightest idea": Postmodern anti-detection in the trilogies of Paul Auster and Samuel Beckett (France, Ireland).
by:
(Electronic resources)
Souverainete et memoire de Sade a Duras (French text, Marquis de Sade, Marguerite Duras, Georges Bataille, Samuel Beckett, Ireland).
by:
(Electronic resources)
'Le theatre change et represente': Lecture critique des oeuvres dramatiques du Marquis de Sade.
by:
(Electronic resources)
In praise of falling: Writing and the experience of the body in modernity.
by:
(Electronic resources)
Spiritual reading: Tropology, discernment, and early modern European literature (Jean Racine, France, John Milton, William Shakespeare).
by:
(Electronic resources)
The subject in crisis in contemporary Chinese literature (Han Shaogong, Can Xue, Tashi Dawa, Ma Yuan).
by:
(Electronic resources)
Acting the child: Separating the infantile from the masculine in film and literature, 1835--1985.
by:
(Electronic resources)
A sociocultural approach to teaching and researching second languages: Systemic-theoretical instruction and second language development (P. Gal'perin, Lev Semenovich Vygotsky).
by:
(Electronic resources)
Escribir en la posguerra: La novela neopicaresca en la literatura europea (1942--1963) (Spanish text, Germany).
by:
(Electronic resources)
Globalization and the female body: Media influences in Marie Redonnet, Maryse Conde, and Assia Djebar (France, Guadeloupe, Algeria, French text).
by:
(Electronic resources)
Litterature et alchimie: L'esoterisme poetique de Marguerite Yourcenar dans "L'OEuvre au Noir" (French text).
by:
(Electronic resources)
A Familiar Curve of Vein: Poems and translations (with Original writing, Julia de Burgos, Puerto Rico, Pablo Neruda, Chile, Federico Garcia Lorca, Spain).
by:
(Electronic resources)
Letteratura come filosofia naturale: Italo Calvino e il menage a trois come programma letterario (Italian text, Carlo Emilio Gadda, Primo Levi, Leonardo Sinisgalli, Italy).
by:
(Electronic resources)
Perec ou la liberte d'un boheme tentative de lecture en dyptique de quelques livres de Perec (French text, Georges Perec).
by:
(Electronic resources)
Unseating the spectator: The theater of Eugene Ionesco, Nathalie Sarraute and Marguerite Duras (France).
by:
(Electronic resources)
Virginitas: La crisi del mito della perfezione nella tradizione letteraria italiana del Rinascimento (Italian text, Francesco Petrarca, Giovanni Boccaccio, Lodovico Ariosto).
by:
(Electronic resources)
Personal and political elements in Carlo Emilio Gadda's fiction and essay writings (Italian text).
by:
(Electronic resources)
The quarrel between poetry and philosophy (Plato, Dante, Giambattista Vico, Italy, William Butler Yeats, Ireland, Martin Heidegger).
by:
(Electronic resources)
The hidden God in French literature and cinema: From the Classical Age to the twentieth century.
by:
(Electronic resources)
From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema) (Luis Bunuel, Spain, Andre Delvaux, France, Nelly Kaplan, Jan Svankmajer, Czech Republic).
by:
(Electronic resources)
Des moulins pour des geants. Essai sur l'imagination dans l'oeuvre romanesque obscene du marquis de Sade (French text).
by:
(Electronic resources)
Origins, identity, home: Sites of subjectivity and displaced narratives in Marguerite Duras and Wim Wenders (France, Germany).
by:
(Electronic resources)
Towards conspiracy theory: Revolution, terrorism and paranoia from Victorian fiction to the modern novel.
by:
(Electronic resources)
(In)humanizing norms: Machines, fantoms and detectives in modern French popular culture (Guy de Maupassant, George Melies, Auguste, comte de Villiers de l'Isle-Adam, Pierre Souvestre, Marcel Allain).
by:
(Electronic resources)
Teaching the nation: Pedagogical strategies of postcolonial francophone women writers and filmmakers (Assia Djebar, Malika Mokeddem, Algeria, Yamina Benguigui).
by:
(Electronic resources)
Between image and identity: Fantasy, transnational trauma, and feminist misrecognition (Leila Sebbar, Assia Djebar, Algeria, Marguerite Duras, Helene Cixous, France, Theresa Hak Kyung Cha).
by:
(Electronic resources)
Seduction rhetoric, masculinity, and homoeroticism in Wilde, Gide, Stoker, and Forster (Oscar Wilde, Ireland, Andre Gide, France, Bram Stoker, E. M. Forster).
by:
(Electronic resources)
Vanishing borders: A cross-national survey of magical realism and the fantastic in short fiction.
by:
(Electronic resources)
Women's memoirs of the French Revolution: Gender, genre, and self-representation.
by:
(Electronic resources)
Mimetic identities: The rupture of the other in self-narratives (Saint Augustine, Jean-Jacques Rousseau, France, Philip Roth).
by:
(Electronic resources)
The prehensile tongue of the chameleon: Identity tactics in francophone literature and culture (Ken Bugul, Farida Belghoul, Zebda, Senegal, Algeria).
by:
(Electronic resources)
Contemporary cinematic constructions of French and Francophone African immigrant identities: (1950--The present).
by:
(Electronic resources)
Reading the colonial Christian mission: Postcolonialism and liberation theology in novels by Mongo Beti and Rene Philombe.
by:
(Electronic resources)
Changing the story: Postcolonial studies and resistance (India, South Africa, France, Homi Bhabha, Frantz Fanon, Mohandas K. Gandhi).
by:
(Electronic resources)
Romantic hospitality: Theorizing the welcome in Rousseau, Kant, Coleridge, and Mary Shelley (Jean-Jacques Rousseau, Immanuel Kant, Samuel Taylor Coleridge, Mary Shelley).
by:
(Electronic resources)
Hoffmannian variations: The figure of E. T. A. Hoffmann in Baudelaire, Wagner, Freud and Kofman (Charles Baudelaire, France, Richard Wagner, Sigmund Freud, Sarah Kofman).
by:
(Electronic resources)
The power of phantasm in Stephane Mallarme's youth poetry and in the psychoanalytic theory of Jacques Lacan (France).
by:
(Electronic resources)
Pour la modernite de la litterature chinoise: Du rapport entre Zola, Mao Dun et Ba Jin (French text, Emile Zola).
by:
(Electronic resources)
Darwin contra Rousseau: Evolutionary narrative and the discourse on the social bond in nineteenth-century France (Charles Darwin, Jean-Jacques Rousseau).
by:
(Electronic resources)
Textual tastes: The invention of culinary literature in early modern France (Nicolas de La Chesnaye, Francois Rabelais).
by:
(Electronic resources)
Portraying the self: Life and literature in selected poems by Gloria Fuertes, Anne Sexton, and Olga Orozco (Spain, Argentina).
by:
(Electronic resources)
Passing on trauma: The witnessing of the Holocaust (Elie Wiesel, Sarah Kofman, Marguerite Duras, Albert Camus, Algeria, France).
by:
(Electronic resources)
National negotiations: Art, historical experience, and the public in Paris, 1945--1962 (France, Andre Malraux, Isidore Isou, Raymond Hains, Jacques de la Villegle).
by:
(Electronic resources)
An analysis of cultural terms in the translation of "Changing Places": A pragmatic approach (David Lodge).
by:
(Electronic resources)
Urban/e forms of narrative consciousness: Concentric memory, eccentric madness and the making of the modern novel (Nikolai Gogol, Russia, Machado de Assis, Brazil, Victor Hugo, Marcel Proust, France).
by:
(Electronic resources)
French languages and French nationalism: The Felibrige, Occitan, and the French identity of southern France, 1854--1914.
by:
(Electronic resources)
Away from the action: Narrative rupture in "Hamlet", "Lorenzaccio" and "Danton's Death" (William Shakespeare, George Buechner, Alfred de Musset, France, England, Germany).
by:
(Electronic resources)
Fibers, organs, lines, and strings: A study of physiology and aesthetics in the works of Denis Diderot (France).
by:
(Electronic resources)
Unveil the veiled: An interdisciplinary study of aesthetic ideas in the works of Piet Mondrian and Samuel Beckett (The Netherlands, Ireland, France).
by:
(Electronic resources)
Repeat performance: Federico Garcia Lorca's theater, fascism and the Spanish literary imaginary.
by:
(Electronic resources)
Performance theory and the contemporary French stage: Toward a semiotic concretization of Michel Azama's "Croisades" (Patrice Pavis).
by:
(Electronic resources)
The construction of a cause: Gothic architecture and the nineteenth century historical novel (Victor Hugo, Alexandre Dumas, France, William Harrison Ainsworth, Jane Austen).
by:
(Electronic resources)
The reading game: A theory of play forms in O'Brien, Beckett, and Perec (Flann O'Brien, Samuel Beckett, Georges Perec, Ireland, France).
by:
(Electronic resources)
Translations of aesthetic experience: Diderot and the dilemma of writing on art (Denis Diderot, France).
by:
(Electronic resources)
The discourse of marriage in the French fabliaux and Chaucer's "Shipman's Tale".
by:
(Language materials, printed)
Loving the neighbor: Difference, desire, and aggression in the romance of late medieval England and Castile.
by:
(Language materials, printed)
Women's Modernism in Peripheral Catholic Europe: The Poetry of Blanaid Salkeld and Concha Mendez.
by:
(Language materials, printed)
The representation of the Brazilian Indian in literature and cinema from Hans Staden to the indigenous media.
by:
(Language materials, printed)
Reading the restaurant: Social class, identity, and the culture of consumption in the nineteenth century French novel.
by:
(Language materials, printed)
Eloquence and Music: the Querelle des Bouffons in Rhetorical Context.
by:
(Language materials, printed)
Dante "Praedicator": Sermons and Preaching Culture in the "Commedia".
by:
(Language materials, printed)
Si come dice lo Filosofo: Translating Philosophy in the Early Italian Lyric.
by:
(Language materials, printed)
Beyond boundaries: Transnational and transcultural literature and practice.
by:
(Language materials, printed)
L'informe et le retour. Le dehors de la litterature de Blanchot a Deleuze.
by:
(Language materials, printed)
Les prosperites du vice. Invention romanesque et esthetique de la laideur dans la France de la seconde moitie du XVIIIe siecle.
by:
(Language materials, printed)
At the Crossroads of Identity: Intersections Between Adoption and Colonization in Nineteenth Century French and Twentieth Century Francophone Literature.
by:
(Language materials, printed)
Ecriture masculine and the 21st century: Impotent, flaccid and useless members of French literature.
by:
(Language materials, printed)
Marginality in hegemony: Women on the margin of marriage in twentieth-century Spanish theater.
by:
(Language materials, printed)
An imperiled inheritance: The decline of politeness in 20th century French literature (Marcel Proust, Pierre Drieu Lla Rochelle and Michel Houellebecq).
by:
(Electronic resources)
Imagining the book in early modern England: The romance of reading in the age of print (Edmund Spenser, Christopher Marlowe, William Shakespeare, Miguel de Cervantes Saavedra, Spain, Mary, Lady Wroth).
by:
(Electronic resources)
"Ogni segno e pittura": Carlo Levi's visual poetics (Italy, Francesco Rosi).
by:
(Electronic resources)
Cities in ruins in modern poetry (Charles Baudelaire, France, Luis Cernuda, Spain, T. S. Eliot, United States, Octavio Paz, Mexico, Pablo Neruda, Chile).
by:
(Electronic resources)
Journeys of desire: Liguria as literary landscape in Eugenio Montale, Ezra Pound, and Gottfried Benn (Italy, Germany).
by:
(Electronic resources)
Murderous methods: Eloquent minds and bodies in Italian crime fiction (Leonardo Sciascia, Andrea Camilleri, Dario Argento, Carlo Lucarelli).
by:
(Electronic resources)
Venus: Isotopies animales dans les oeuvres poetiques de Charles Baudelaire et de Leopold Sedar Senghor (French text, Senegal).
by:
(Electronic resources)
(Mis)reading music: Rewriting French symbolist poetry (Charles Baudelaire, Stephane Mallarme, Rene Ghil, Jean Royere).
by:
(Electronic resources)
Heroism and mythopoesis: Values of the futurist art-life (Italian text, F. T. Marinetti).
by:
(Electronic resources)
Pedagogies of resistance (Sigmund Freud, Albert Camus, Tennessee Williams, Tony Kushner).
by:
(Electronic resources)
The poetics of maturity: Autonomy and aesthetic education in Byron, Pushkin, and Stendhal (Lord Byron, Aleksandr Sergeevich Pushkin, Russia, France).
by:
(Electronic resources)
Cuerpos artificiales y su fetichizacion: Las "maquinaciones" de la produccion cultural espanola, 1892--1930 (Spanish text, Benito Perez Galdos, Jose Diaz Fernandez).
by:
(Electronic resources)
The recovery of medieval poetry in the eighteenth century: Context, pretexts, and first editions (Spanish text).
by:
(Electronic resources)
Restoring the Golden Age: Mythology in revolutionary ideologies and culture.
by:
(Electronic resources)
"Il futuro e tutto nella notte": Anna Maria Ortese, Massimo Bontempelli and magic realism (Italy).
by:
(Electronic resources)
Auditory obsessions and fundamental sounds: A genealogy of murmurs in literary listening through Beckett (Samuel Beckett, Ireland, France).
by:
(Electronic resources)
The plague of language: A reading of Boccaccio's "Decameron" (Giovanni Boccaccio, Italy).
by:
(Electronic resources)
The mutant factor. Transformations and mutations of the monstrous in contemporary Ibero-American texts.
by:
(Electronic resources)
Toward a vision of the Devil's rights in the theater of late medieval Europe.
by:
(Electronic resources)
Exhibiting La Plus Grande France: The Exposition Coloniale Internationale de Paris and the Musee Permanent des Colonies, 1931--1959.
by:
(Electronic resources)
Vortex to virus, myth to meme: The literary evolution of nihilism and chaos in modernism and postmodernism (James Joyce, Samuel Beckett, Thomas Pynchon, Ireland, France).
by:
(Electronic resources)
(Re)writing the empire: The Philippines and Filipinos in the Hispanic cultural field, 1880--1898 (Jose Rizal, Emilia Pardo Bazan, Spain).
by:
(Electronic resources)
Signs of aristocracy in "A la recherche du temps perdu": Proust and the salon from Mme de Rambouillet to Mme de Guermantes (Marcel Proust, France).
by:
(Electronic resources)
The Mary Stuart myth in 20th century Russian literature (Valerii Briusov, Marina Cvetaeva, Boris Pasternak, Joseph Brodsky).
by:
(Electronic resources)
The poetry of Jacques Reda and Philippe Jaccottet: A study of space and place (France).
by:
(Electronic resources)
The modernist origins of a crisis in humanism (Walter Pater, Marguerite Yourcenar, France, Andre Gide, England).
by:
(Electronic resources)
Islands of love: Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden).
by:
(Electronic resources)
Cultivating the city: Public landscapes and middle-class culture in Madrid, 1833--1890 (Spain).
by:
(Electronic resources)
The discourses of modernity: Nation, empire and aesthetics in fin-de-siecle Spain (1895--1925) (Miguel de Unamuno, Angel Ganivet, Ramon del Valle-Inclan).
by:
(Electronic resources)
Aesthetics: Beauty and the sublime in the representation of violence. An analysis of contemporary film and novel in Spain and Latin America (Colombia, Mexico).
by:
(Electronic resources)
Alter/native: Imagining and performing the native woman in Francophone and Vietnamese literature.
by:
(Electronic resources)
Opacities: Queer strategies (Michel Foucault, Roland Barthes, France, Andy Warhol).
by:
(Electronic resources)
Transplantation and transformation: French-American literary exchange from 1920 through 2000.
by:
(Electronic resources)
Ecrire de memoire, ecrire pour memoire: Rememoration et commemoration de la shoah dans "La Peste" d'Albert Camus et "W ou le souvenir d'enfance" de Georges Perec.
by:
(Electronic resources)
Memory in the Spanish novel of the 1980's and the 1990's: Julio Llamazares, Javier Marias, Antonio Munoz Molina and Manuel Rivas.
by:
(Language materials, printed)
Cuba y Cataluna en la segunda mitad del siglo XIX: Teatro popular e identidades (proto)nacionales.
by:
(Language materials, printed)
The Historic Avant-garde, the Neo-Avant-garde and the Digital Age: Experimental Visual-Textual Forms in the Luso-Hispanic World.
by:
(Language materials, printed)
At the Threshold: Edgard Varese, Modernism, and the Experience of Modernity.
by:
(Language materials, printed)
Fillia's futurism writing, politics, gender and art after the first world war.
by:
(Language materials, printed)
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