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Facing texts: Autobiographical recko...

Spiro, Joanna Emily.

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Facing texts: Autobiographical reckonings with the Second World War in Woolf, H.D., Duras, and Perec.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Facing texts: Autobiographical reckonings with the Second World War in Woolf, H.D., Duras, and Perec./
作者:	Spiro, Joanna Emily.
面頁冊數:	231 p.
附註:	Source: Dissertation Abstracts International, Volume: 57-11, Section: A, page: 4732.
Contained By:	Dissertation Abstracts International57-11A.
標題:	Literature, Comparative. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9714308
ISBN:	0591220903

Facing texts: Autobiographical reckonings with the Second World War in Woolf, H.D., Duras, and Perec.
Spiro, Joanna Emily.

Facing texts: Autobiographical reckonings with the Second World War in Woolf, H.D., Duras, and Perec. - 231 p.

Source: Dissertation Abstracts International, Volume: 57-11, Section: A, page: 4732.

Thesis (Ph.D.)--Yale University, 1996.

The dissertation examines the predicament of writers who attempt to come to terms with the Second World War through the work of autobiography. I argue that in Virginia Woolf's "A Sketch of the Past," H.D.'s "Writing on the Wall," Marguerite Duras's "La douleur," and Georges Perec's W ou le souvenir d'enfance, narrations of wartime experience encounter autobiographical impossibilities, as crucial events prove inaccessible to memory or resistant to available forms of representation. These memoirs must take on contradictory tasks: to preserve crucial and formative memories, and to expel memory that maintains the potential to disrupt identity. I elucidate narrative strategies that allow these memoirs to accommodate the charged and unassimilable material of wartime and Holocaust memory: the use of texts of unconscious origin (dreams, visions, and fantasies), which serve to encode and estrange disruptive memories, and the presentation of parallel narratives (the "facing texts" of my title) which allow fragmented aspects of the self to encounter each other on the page. A powerful ambivalence toward knowing the events of the war plays out in these texts through internal debates over the role of psychoanalysis; even while making use of psychoanalytic tools, the memoirs engage in a struggle to recapture psychic material from psychoanalysis and reclaim it for literature.

ISBN: 0591220903Subjects--Topical Terms:

530051
Literature, Comparative.

Facing texts: Autobiographical reckonings with the Second World War in Woolf, H.D., Duras, and Perec.
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245 1 0 $a Facing texts: Autobiographical reckonings with the Second World War in Woolf, H.D., Duras, and Perec.
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500 $a Directors: Shoshana Felman; Cathy Caruth.
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520 $a The dissertation examines the predicament of writers who attempt to come to terms with the Second World War through the work of autobiography. I argue that in Virginia Woolf's "A Sketch of the Past," H.D.'s "Writing on the Wall," Marguerite Duras's "La douleur," and Georges Perec's W ou le souvenir d'enfance, narrations of wartime experience encounter autobiographical impossibilities, as crucial events prove inaccessible to memory or resistant to available forms of representation. These memoirs must take on contradictory tasks: to preserve crucial and formative memories, and to expel memory that maintains the potential to disrupt identity. I elucidate narrative strategies that allow these memoirs to accommodate the charged and unassimilable material of wartime and Holocaust memory: the use of texts of unconscious origin (dreams, visions, and fantasies), which serve to encode and estrange disruptive memories, and the presentation of parallel narratives (the "facing texts" of my title) which allow fragmented aspects of the self to encounter each other on the page. A powerful ambivalence toward knowing the events of the war plays out in these texts through internal debates over the role of psychoanalysis; even while making use of psychoanalytic tools, the memoirs engage in a struggle to recapture psychic material from psychoanalysis and reclaim it for literature.
520 $a I contrast Woolf's theorization of a valued and artistically generative form of knowledge accessible only through "shock" with the refusal to reencounter the meaning of wartime memories I find to be enacted in H. D.'s address to Freud. In the texts of Duras and Perec, accounts of the impossibility of assimilating knowledge of the murders in the Nazi concentration camps are supplemented by explorations of the imaginative processes connected with the perpetually incomplete effort to know, understand, and mourn these events. I argue that these memoirs, which foreground the role of fantasy in the writing of personal history, require us to rethink the debate over the ethical status of fictional representations of the Holocaust.
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