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Progressions of form: Romantic lyric...

Curdts, Soelve I.

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Progressions of form: Romantic lyric and modern prose.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Progressions of form: Romantic lyric and modern prose./
作者:	Curdts, Soelve I.
面頁冊數:	430 p.
附註:	Adviser: Claudia Brodsky Lacour.
Contained By:	Dissertation Abstracts International67-06A.
標題:	Literature, Comparative. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3223814
ISBN:	9780542746970

Progressions of form: Romantic lyric and modern prose.
Curdts, Soelve I.

Progressions of form: Romantic lyric and modern prose. - 430 p.

Adviser: Claudia Brodsky Lacour.

Thesis (Ph.D.)--Princeton University, 2006.

"Progressions of form" reads works of Romantic and post-Romantic poetry and prose as implicated in the consequences of Kant's revolutionary breakdown of oppositional hierarchies between aesthetic and non-aesthetic objects. The implications of this breakdown are privative at the very turn that ostensibly autonomizes the realm of art: Where the quality of the aesthetic is no longer unequivocally assignable to any given object, its omni-presence and complete absence are equally possible at any given moment. These privative implications---brought to a head in Hegel's hypothesis of the "end of art"---confront works of literature with the urgent question of their form. Each of the literary texts I treat needs to re-establish its claim to form, because it has been penetrated to its core by the possibility of the loss of form.

ISBN: 9780542746970Subjects--Topical Terms:

530051
Literature, Comparative.

Progressions of form: Romantic lyric and modern prose.
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245 1 0 $a Progressions of form: Romantic lyric and modern prose.
300 $a 430 p.
500 $a Adviser: Claudia Brodsky Lacour.
500 $a Source: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 2147.
502 $a Thesis (Ph.D.)--Princeton University, 2006.
520 $a "Progressions of form" reads works of Romantic and post-Romantic poetry and prose as implicated in the consequences of Kant's revolutionary breakdown of oppositional hierarchies between aesthetic and non-aesthetic objects. The implications of this breakdown are privative at the very turn that ostensibly autonomizes the realm of art: Where the quality of the aesthetic is no longer unequivocally assignable to any given object, its omni-presence and complete absence are equally possible at any given moment. These privative implications---brought to a head in Hegel's hypothesis of the "end of art"---confront works of literature with the urgent question of their form. Each of the literary texts I treat needs to re-establish its claim to form, because it has been penetrated to its core by the possibility of the loss of form.
520 $a The first three chapters trace the transposition and privative consequences of the Kantian critical turn in the realms of Wordsworth's prose poetics, of the limits of language in Shelley's poetry, and in the breaking of (epic) time as the aesthetic interferes with cosmic correspondences in Keats' Hyperion fragments. In these readings, Romantic poesis surrenders the claims of its making to language and time, such that the experience of both needs to be reconstituted by new kinds of literary form: Romantic lyric leaves us with modern prose.
520 $a Such prose is read in the final three chapters of this work. Baudelaire's program of Prose Poetique most explicitly announces the form of a prose radically tinged with lyric, introducing thematic plot elements only to negate them. Baudelaire's prose poems confront the aesthetic and its performance with the possibility of its annihilation. This possibility is a given in Flaubert's L'education sentimentale, which prosaically forges lyric form over time out of cliches and repetitions which are structurally equivalent to it. The critical concerns implicit in this equivalence are made explicit by Dostoevsky's works. My readings focus on Notes from the Underground and The Brothers Karamazov, as they figure the revaluation of form beyond the limits of end and measure, bringing the very project of critique into a danse moderne with form.
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650 4 $a Literature, Slavic and East European. $3 1022083
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