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Defending innovation: Dramatic theo...

Grubbs, Anthony John.

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Defending innovation: Dramatic theory in practice in early modern Spain.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Defending innovation: Dramatic theory in practice in early modern Spain./
作者:	Grubbs, Anthony John.
面頁冊數:	213 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0194.
Contained By:	Dissertation Abstracts International66-01A.
標題:	Literature, Romance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3162287
ISBN:	9780496960491

Defending innovation: Dramatic theory in practice in early modern Spain.
Grubbs, Anthony John.

Defending innovation: Dramatic theory in practice in early modern Spain. - 213 p.

Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0194.

Thesis (Ph.D.)--Indiana University, 2005.

Innovation and conflict have always characterized early modern Spanish theater. The dramatic text, transformed and reincarnated with each interpretation onstage, was in a constant state of flux in the Golden Age and a number of dramatic poets of the day wrote both for the stage and about the changes it was undergoing. My research examines the relationship between theatrical practice, performance and audience reception, as well as their influence on theatrical poetics. I utilize recent performance and reception theories from such scholars as Elin Diamond, Herbert Blau, Susan Bennett, and Hans Robert Jauss, to name a few, as the primary theoretical bases for an exploration of the early modern Spanish dramatic tradition. Finally, I analyze the interrelationship between theory and practice by juxtaposing six playwrights' treatises defending their originality on the boards with a representative play from each one. My examination of Bartolome de Torres Naharro's Prohemio of the Propalladia (1517) in relation to the Comedia Ymenea (1516), as well as Juan de la Cueva's Exemplar poetico (1606) and the Comedia del infamador (1581), illustrates how initial interest in performance and reception shaped both dramatic practice and theory in sixteenth-century Spain. I then move to the Spanish Comedia, looking at Lope de Vega's Arte nuevo (1609) and Tirso de Molina's Los cigarrales de Toledo (1624) with relation to Lo fingido verdadero (1607--08) and El vergonzoso en palacio (c. 1611), respectively. Finally, with regard to the ways in which performance and audience reception affect the production of the auto sacramental and court drama, I study Pedro Calderon de la Barca's dramatic precepts, found in the prologue to his collection of autos (1677), and their further development in La segunda esposa o triunfar muriendo (c. 1649); then, I present a discussion of Francisco Antonio de Bances Candamo's dramatic treatise Theatro de los theatros (1689--94) and focus on the traditions of court theater seen in Duelos de Ingenio y Fortuna (1686). These six early modern writers remind us that theater is the most public and revealing of all the arts since an active and interactive audience is a dynamic requisite element of its conception.

ISBN: 9780496960491Subjects--Topical Terms:

1019014
Literature, Romance.

Defending innovation: Dramatic theory in practice in early modern Spain.
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