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Re-membering French women playwright...

Arguelles, Althea M.

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Re-membering French women playwrights in eighteenth-century theater (Madame de Grafigny, Nivelle de La Chaussee).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Re-membering French women playwrights in eighteenth-century theater (Madame de Grafigny, Nivelle de La Chaussee)./
作者:	Arguelles, Althea M.
面頁冊數:	139 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2915.
Contained By:	Dissertation Abstracts International64-08A.
標題:	Literature, Romance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3100259
ISBN:	0496478509

Re-membering French women playwrights in eighteenth-century theater (Madame de Grafigny, Nivelle de La Chaussee).
Arguelles, Althea M.

Re-membering French women playwrights in eighteenth-century theater (Madame de Grafigny, Nivelle de La Chaussee). - 139 p.

Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2915.

Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2003.

Cenie, Mme de Graffigny's much appreciated piece nouvelle of 1750 will be re-evaluated with two other plays, Graffigny's La Fille d'Aristide (1758) and Nivelle de la Chaussee's La Gouvernante (1747). Their common topic revolves around the fate of a young woman. Cenie and La Gouvernante figure governesses revealed as their pupil's biological mother, but function on two different moral systems. In Cenie the mother-daughter relation is constructed by, equal speaking time, intersubjective dialogue, a fluid power structure, character triangulations not necessarily leading to dominance, character relations (mother-daughter) that happen before they are named. In La Gouvernante power is hierarchical so mother and daughter play a zero-sum game of controller and controlled, triangulations fall into the Oedipal mode, information is meted out by those who have for control. La Fille d'Aristide wants to value the father-daughter relationship but the mother's absence poses dangers: transgression of the incest taboo and of non-identity for the daughter. Obedience to several father-figures keeps the characters together: all profess to keep the young woman safe but she is only a vehicle for those who want to get to the top. The sign of the father remains, interdicting and normalizing, refusing an identity to the daughter and obscuring that of the mother.

ISBN: 0496478509Subjects--Topical Terms:

1019014
Literature, Romance.

Re-membering French women playwrights in eighteenth-century theater (Madame de Grafigny, Nivelle de La Chaussee).
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245 1 0 $a Re-membering French women playwrights in eighteenth-century theater (Madame de Grafigny, Nivelle de La Chaussee).
300 $a 139 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2915.
500 $a Adviser: Carol L. Sherman.
502 $a Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2003.
520 $a Cenie, Mme de Graffigny's much appreciated piece nouvelle of 1750 will be re-evaluated with two other plays, Graffigny's La Fille d'Aristide (1758) and Nivelle de la Chaussee's La Gouvernante (1747). Their common topic revolves around the fate of a young woman. Cenie and La Gouvernante figure governesses revealed as their pupil's biological mother, but function on two different moral systems. In Cenie the mother-daughter relation is constructed by, equal speaking time, intersubjective dialogue, a fluid power structure, character triangulations not necessarily leading to dominance, character relations (mother-daughter) that happen before they are named. In La Gouvernante power is hierarchical so mother and daughter play a zero-sum game of controller and controlled, triangulations fall into the Oedipal mode, information is meted out by those who have for control. La Fille d'Aristide wants to value the father-daughter relationship but the mother's absence poses dangers: transgression of the incest taboo and of non-identity for the daughter. Obedience to several father-figures keeps the characters together: all profess to keep the young woman safe but she is only a vehicle for those who want to get to the top. The sign of the father remains, interdicting and normalizing, refusing an identity to the daughter and obscuring that of the mother.
520 $a Plays and such products function as events for catharsis or as transitional objects for the loss, or fear of loss, of an object. The object here is the taboo of losing the young woman. The play performs the act of the taboo, therefore cathartic. Cenie is the reiteration of the fear of loss of mother by daughter, a re-enactment of the presence of subject-object equilibrium. La Gouvernante, while recreating the same fear of loss, presents the opposite of the moment of equilibrium. By obscuring the mother La Fille d'Aristide reiterates the fear of the loss of maman and demonstrates the danger posed to the young woman.
520 $a The returns are multiple: that of the young woman to safety, that of the spectators is to see their fears played out and resolved before them, my return is re-membering this eigthteenth-century woman to the list of playwrights: Madame de Graffigny.
590 $a School code: 0153.
650 4 $a Literature, Romance. $3 1019014
650 4 $a Theater. $3 522973
650 4 $a Women's Studies. $3 1017481
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690 $a 0465
690 $a 0453
710 2 0 $a The University of North Carolina at Chapel Hill. $3 1017449
773 0 $t Dissertation Abstracts International $g 64-08A.
790 1 0 $a Sherman, Carol L., $e advisor
790 $a 0153
791 $a Ph.D.
792 $a 2003
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