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The mutant factor. Transformations a...

Raggio, Salvador Luis.

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The mutant factor. Transformations and mutations of the monstrous in contemporary Ibero-American texts.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The mutant factor. Transformations and mutations of the monstrous in contemporary Ibero-American texts./
作者:	Raggio, Salvador Luis.
面頁冊數:	241 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
Contained By:	Dissertation Abstracts International75-01A(E).
標題:	Literature, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3594413
ISBN:	9781303385643

The mutant factor. Transformations and mutations of the monstrous in contemporary Ibero-American texts.
Raggio, Salvador Luis.

The mutant factor. Transformations and mutations of the monstrous in contemporary Ibero-American texts. - 241 p.

Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.

Thesis (Ph.D.)--University of Miami, 2013.

This dissertation explores recent changes in the category of the monstrous by extrapolating the biological notion of mutation into the context of Ibero-American novels, comic books, and films. By analyzing late twentieth century and early twenty-first century textual and visual narratives from Spain and Latin America, this study proposes a reformulation of the monster paradigm and signals specific contemporary representations that move away from a monolithic and fixed category to a more relative one. Consequently, this dissertation suggests a new sensibility towards grand narratives in the figure of the mutant, a symptom of imminent change, heterogeneity, and variety.

ISBN: 9781303385643Subjects--Topical Terms:

624011
Literature, Modern.

The mutant factor. Transformations and mutations of the monstrous in contemporary Ibero-American texts.
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500 $a Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
500 $a Advisers: Elena Grau-Lleveria; Hugo J. Achugar.
502 $a Thesis (Ph.D.)--University of Miami, 2013.
520 $a This dissertation explores recent changes in the category of the monstrous by extrapolating the biological notion of mutation into the context of Ibero-American novels, comic books, and films. By analyzing late twentieth century and early twenty-first century textual and visual narratives from Spain and Latin America, this study proposes a reformulation of the monster paradigm and signals specific contemporary representations that move away from a monolithic and fixed category to a more relative one. Consequently, this dissertation suggests a new sensibility towards grand narratives in the figure of the mutant, a symptom of imminent change, heterogeneity, and variety.
520 $a Conceived as a collection of different mutations, this transatlantic study focuses on the mutant figure not as a revolting organism but as a producer of new meanings, challenging cultural and aesthetic regimes of truth through its variation potential and molecular liquidity. The following theoretical model and interpretations can guide subsequent research in postmodern theory and cultural studies.
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