東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

"What it was all about I had not the...

Simonsen, Bettina Frank.

FindBook

Google Book

Amazon

博客來

"What it was all about I had not the slightest idea": Postmodern anti-detection in the trilogies of Paul Auster and Samuel Beckett (France, Ireland).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"What it was all about I had not the slightest idea": Postmodern anti-detection in the trilogies of Paul Auster and Samuel Beckett (France, Ireland)./
作者:	Simonsen, Bettina Frank.
面頁冊數:	107 p.
附註:	Source: Masters Abstracts International, Volume: 42-03, page: 0762.
Contained By:	Masters Abstracts International42-03.
標題:	Literature, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ85240
ISBN:	0612852407

"What it was all about I had not the slightest idea": Postmodern anti-detection in the trilogies of Paul Auster and Samuel Beckett (France, Ireland).
Simonsen, Bettina Frank.

"What it was all about I had not the slightest idea": Postmodern anti-detection in the trilogies of Paul Auster and Samuel Beckett (France, Ireland). - 107 p.

Source: Masters Abstracts International, Volume: 42-03, page: 0762.

Thesis (M.A.)--University of Victoria (Canada), 2003.

That a postmodern writer such as Paul Auster in his New York Trilogy employs elements from the traditional detective narrative in creating what has been termed anti-detective stories is widely acknowledged, but in doing so, he is close to the narratological experiments of another writer who is rarely included in an anti-detection context, Samuel Beckett. This thesis focuses on two chronologically and stylistically disparate trilogies: Auster's New York Trilogy and Beckett's Molloy, Malone Dies and The Unnamable whose polyphone and notoriously unstable detective/writer protagonists of these two trilogies foreground a parallel between a classical detectivist code and a hermeneutic reading/writing of the world. In their ultimate exposure and rejection of both, they undermine "the detective-like expectations of the positivistic mind," which, according to critic William V. Spanos, is the most immediate task of the postmodern writer. In their play with and parody of elements from the traditional detective story, both writers investigate ontological "culprits" such as language, identity and presence, demonstrating the ultimate collapse of a rationalist worldview.

ISBN: 0612852407Subjects--Topical Terms:

624011
Literature, Modern.

"What it was all about I had not the slightest idea": Postmodern anti-detection in the trilogies of Paul Auster and Samuel Beckett (France, Ireland).
LDR:02501nmm 2200313 4500 001 1838075
005 20050509101622.5
008 130614s2003 eng d
020 $a 0612852407
035 $a (UnM)AAIMQ85240
035 $a AAIMQ85240
040 $a UnM $c UnM
100 1 $a Simonsen, Bettina Frank. $3 1926500
245 1 0 $a "What it was all about I had not the slightest idea": Postmodern anti-detection in the trilogies of Paul Auster and Samuel Beckett (France, Ireland).
300 $a 107 p.
500 $a Source: Masters Abstracts International, Volume: 42-03, page: 0762.
500 $a Adviser: Sheila M. Rabillard.
502 $a Thesis (M.A.)--University of Victoria (Canada), 2003.
520 $a That a postmodern writer such as Paul Auster in his New York Trilogy employs elements from the traditional detective narrative in creating what has been termed anti-detective stories is widely acknowledged, but in doing so, he is close to the narratological experiments of another writer who is rarely included in an anti-detection context, Samuel Beckett. This thesis focuses on two chronologically and stylistically disparate trilogies: Auster's New York Trilogy and Beckett's Molloy, Malone Dies and The Unnamable whose polyphone and notoriously unstable detective/writer protagonists of these two trilogies foreground a parallel between a classical detectivist code and a hermeneutic reading/writing of the world. In their ultimate exposure and rejection of both, they undermine "the detective-like expectations of the positivistic mind," which, according to critic William V. Spanos, is the most immediate task of the postmodern writer. In their play with and parody of elements from the traditional detective story, both writers investigate ontological "culprits" such as language, identity and presence, demonstrating the ultimate collapse of a rationalist worldview.
520 $a The thesis investigates literary detection's inherent potential for its own destruction and its consequent appeal to a postmodern imagination. Finally, the study discusses whether these postmodern trilogies, by challenging and parodying generic conventions and structures, simultaneously reinstate and reaffirm these.
590 $a School code: 0244.
650 4 $a Literature, Modern. $3 624011
650 4 $a Literature, American. $3 1017657
650 4 $a Literature, English. $3 1017709
650 4 $a Literature, Romance. $3 1019014
690 $a 0298
690 $a 0591
690 $a 0593
690 $a 0313
710 2 0 $a University of Victoria (Canada). $3 1019404
773 0 $t Masters Abstracts International $g 42-03.
790 1 0 $a Rabillard, Sheila M., $e advisor
790 $a 0244
791 $a M.A.
792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ85240