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From surrealist film to Surrealism i...

Giukin, Lenuta.

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From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema) (Luis Bunuel, Spain, Andre Delvaux, France, Nelly Kaplan, Jan Svankmajer, Czech Republic).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema) (Luis Bunuel, Spain, Andre Delvaux, France, Nelly Kaplan, Jan Svankmajer, Czech Republic)./
作者:	Giukin, Lenuta.
面頁冊數:	219 p.
附註:	Source: Dissertation Abstracts International, Volume: 63-02, Section: A, page: 0392.
Contained By:	Dissertation Abstracts International63-02A.
標題:	Cinema. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3044095
ISBN:	0493579540

From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema) (Luis Bunuel, Spain, Andre Delvaux, France, Nelly Kaplan, Jan Svankmajer, Czech Republic).
Giukin, Lenuta.

From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema) (Luis Bunuel, Spain, Andre Delvaux, France, Nelly Kaplan, Jan Svankmajer, Czech Republic). - 219 p.

Source: Dissertation Abstracts International, Volume: 63-02, Section: A, page: 0392.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2002.

One of the most original and prolific movements that influenced all fields of art and literature, Surrealism contributed to cinema and the development of new narratives by strongly emphasizing the exploration of dreams and fantasy. While most studies on Surrealism concentrate on its influential period of the 1930s and the films of Luis Buñuel, the purpose of this thesis is to surpass the fragmentary nature of research on Surrealism in film after the Second World War; to analyze the French and Francophone directors whose works relate consistently to Surrealism; and finally to determine Surrealism's situation in recent French cinema.

ISBN: 0493579540Subjects--Topical Terms:

854529
Cinema.

From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema) (Luis Bunuel, Spain, Andre Delvaux, France, Nelly Kaplan, Jan Svankmajer, Czech Republic).
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245 1 0 $a From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema) (Luis Bunuel, Spain, Andre Delvaux, France, Nelly Kaplan, Jan Svankmajer, Czech Republic).
300 $a 219 p.
500 $a Source: Dissertation Abstracts International, Volume: 63-02, Section: A, page: 0392.
500 $a Adviser: David Desser.
502 $a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2002.
520 $a One of the most original and prolific movements that influenced all fields of art and literature, Surrealism contributed to cinema and the development of new narratives by strongly emphasizing the exploration of dreams and fantasy. While most studies on Surrealism concentrate on its influential period of the 1930s and the films of Luis Buñuel, the purpose of this thesis is to surpass the fragmentary nature of research on Surrealism in film after the Second World War; to analyze the French and Francophone directors whose works relate consistently to Surrealism; and finally to determine Surrealism's situation in recent French cinema.
520 $a The first chapter, “Surrealist Image Reexamined,” concentrates on the texts of the surrealist avant-garde period. Film scripts, reviews and theoretical texts are analyzed in order to reconstruct the surrealist program of beliefs and practices and establishes the ground for future research. Chapter two, “Surrealism and Commercial Cinema after World War II,” analyzes Surrealism's influence on commercial cinema and the films of Luis Buñuel that propose his own brand of Surrealism. Chapter three, “Jan &Scaron;vankmajer and the Persistence of Surrealism,” examines the activity of a contemporary surrealist filmmaker whose personal philosophy and works revive the ideas and beliefs of the original group. “Demystification and Webtopia in the Films of Nelly Kaplan” examines her definition of androgynous creation, the mythicized image of woman and the construction of one of the most original feminine utopias.
520 $a Chapter five, “André Delvaux or What Surrealism Could Have Been,” looks at Delvaux's exploration of the dialectic real—imaginary and the Proustian dimension of his films. Chapter VI, “Surrealism in Contemporary French Cinema,” explores the dispersion of Surrealism in contemporary French cinema, while the conclusions point to other possibilities of research in various world cinemas. Covering a period of eight decades, this research puts into perspective the remarkable developments and metamorphosis of contemporary Surrealism.
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790 1 0 $a Desser, David, $e advisor
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791 $a Ph.D.
792 $a 2002
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