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The rewriting of history: The female...

The University of North Carolina at Chapel Hill., Romance Languages.

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The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996./
作者:	Casado Presa, Cristina.
面頁冊數:	178 p.
附註:	Adviser: Jose M. Polo de Bernabe.
Contained By:	Dissertation Abstracts International69-06A.
標題:	Literature, Romance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoeng/servlet/advanced?query=3315618
ISBN:	9780549668657

The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996.
Casado Presa, Cristina.

The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996. - 178 p.

Adviser: Jose M. Polo de Bernabe.

Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2008.

La reescritura de la Historia examines three theatrical plays that are representative of a generation of female playwrights whose theatrical production takes place between 1986 and 1996: Juego de Reinas by Concha Romero, Humo de Beleno by Maribel Lazaro and En igualdad de condiciones by Pilar Pombo. This dissertation examines the plays from a Feminist point of view, focusing on ways in which the representation of the female gaze, voice and body subverts---destabilizes, surpasses, criticizes---aspects of the dominant culture in relation to the feminine condition, how they challenge traditional conceptions of women, and how they reveal the contradictions and ambiguities inherent to them.

ISBN: 9780549668657Subjects--Topical Terms:

1019014
Literature, Romance.

The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996.
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520 $a La reescritura de la Historia examines three theatrical plays that are representative of a generation of female playwrights whose theatrical production takes place between 1986 and 1996: Juego de Reinas by Concha Romero, Humo de Beleno by Maribel Lazaro and En igualdad de condiciones by Pilar Pombo. This dissertation examines the plays from a Feminist point of view, focusing on ways in which the representation of the female gaze, voice and body subverts---destabilizes, surpasses, criticizes---aspects of the dominant culture in relation to the feminine condition, how they challenge traditional conceptions of women, and how they reveal the contradictions and ambiguities inherent to them.
520 $a The study contributes to the examination of Feminism in contemporary Spain and considers the ways in which it attacks or destabilizes implicit or explicit conceptions of the feminine in contemporary society and provides a space in which traditionally silenced alternative female discourses can finally be heard.
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