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Storytelling transformations: Narrat...

Schrambach, Bendi Benson.

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Storytelling transformations: Narrative, rhetoric and community within Marguerite de Navarre's "L'Heptameron" and Charles Baudelaire's "Le Spleen de Paris".

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Storytelling transformations: Narrative, rhetoric and community within Marguerite de Navarre's "L'Heptameron" and Charles Baudelaire's "Le Spleen de Paris"./
作者:	Schrambach, Bendi Benson.
面頁冊數:	253 p.
附註:	Advisers: Jean-Claude Carron; Andrea Loselle.
Contained By:	Dissertation Abstracts International67-03A.
標題:	Language, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3209510
ISBN:	9780542577581

Storytelling transformations: Narrative, rhetoric and community within Marguerite de Navarre's "L'Heptameron" and Charles Baudelaire's "Le Spleen de Paris".
Schrambach, Bendi Benson.

Storytelling transformations: Narrative, rhetoric and community within Marguerite de Navarre's "L'Heptameron" and Charles Baudelaire's "Le Spleen de Paris". - 253 p.

Advisers: Jean-Claude Carron; Andrea Loselle.

Thesis (Ph.D.)--University of California, Los Angeles, 2005.

The art of storytelling, often functioning as a pedagogical tool, has existed since the earliest recorded history. Short literary forms derive from and initially imitate storytelling's oral origins. Two formes breves narratives representative of their respective eras and still practiced today are the nouvelle and the poeme en prose .

ISBN: 9780542577581Subjects--Topical Terms:

1018098
Language, Modern.

Storytelling transformations: Narrative, rhetoric and community within Marguerite de Navarre's "L'Heptameron" and Charles Baudelaire's "Le Spleen de Paris".
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100 1 $a Schrambach, Bendi Benson. $3 1297286
245 1 0 $a Storytelling transformations: Narrative, rhetoric and community within Marguerite de Navarre's "L'Heptameron" and Charles Baudelaire's "Le Spleen de Paris".
300 $a 253 p.
500 $a Advisers: Jean-Claude Carron; Andrea Loselle.
500 $a Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0954.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2005.
520 $a The art of storytelling, often functioning as a pedagogical tool, has existed since the earliest recorded history. Short literary forms derive from and initially imitate storytelling's oral origins. Two formes breves narratives representative of their respective eras and still practiced today are the nouvelle and the poeme en prose .
520 $a The present study investigates one prototypical example of each of these short forms within French literature, namely Marguerite de Navarre's L'Heptameron and Charles Baudelaire's Le Spleen de Paris. This apposition of distinct genres separated in time by more than three centuries calls attention to the evolution of storytelling. It moreover highlights the unique ideologies and preoccupations of each author within his or her respective era.
520 $a In searching for a methodology adequate to such an investigation, the introduction begins with an overview of the critical field of narratology. It then elaborates the reasoning for and describes the key principles of the model ultimately chosen, a rhetorical one developed by Eugene E. White in his Context of Human Discourse. As part of the process of recognizing what White terms the particular "configurations" and "provoking urgencies" of these texts, Chapter 1 situates these works and their authors historically as well as within the dialogue of literature. Chapters 2 and 3 then undertake an investigation of L'Heptameron and Le Spleen de Paris at the micro level to uncover the rhetorical undercurrents or themes of these collections. Chapter 4 apposes one nouvelle against one poeme en prose on the subject of a common topos to better differentiate narratological, ideological, and thematic distinctions before ultimately judging the efficacy of these works to accomplish their authors' self-assigned rhetorical intentions. The final chapter focuses on the evolution of story at the macro level as observed through these authors' choice of genres, themes and narrative strategies in order to make some conclusions about the future of storytelling.
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790 1 0 $a Loselle, Andrea, $e advisor
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792 $a 2005
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3209510