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El retorno renovador a la tradicion:...

Diakow, Anna Gabriela.

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El retorno renovador a la tradicion: La memoria colectiva en la narrativa espanola (1973--1994).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	El retorno renovador a la tradicion: La memoria colectiva en la narrativa espanola (1973--1994)./
作者:	Diakow, Anna Gabriela.
面頁冊數:	381 p.
附註:	Source: Dissertation Abstracts International, Volume: 62-07, Section: A, page: 2443.
Contained By:	Dissertation Abstracts International62-07A.
標題:	Literature, Romance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3019909
ISBN:	9780493311432

El retorno renovador a la tradicion: La memoria colectiva en la narrativa espanola (1973--1994).
Diakow, Anna Gabriela.

El retorno renovador a la tradicion: La memoria colectiva en la narrativa espanola (1973--1994). - 381 p.

Source: Dissertation Abstracts International, Volume: 62-07, Section: A, page: 2443.

Thesis (Ph.D.)--The University of Chicago, 2001.

This study analyzes the return to oral tradition and its collective memory in the novels and short stories written between 1973 and 1994 by three Spanish peninsular writers, Luis Mateo Diez, Jose Maria Merino and Antonio Pereira, and considers the different ways in which each author reformulates oral mnemonic devices in his writings. The analysis demonstrates that the return to oral tradition in selected Spanish narrative can be considered a source of innovation for both literary works and our understanding of universal culture that goes beyond the paradoxes involved in the opposition between modernity and tradition.

ISBN: 9780493311432Subjects--Topical Terms:

1019014
Literature, Romance.

El retorno renovador a la tradicion: La memoria colectiva en la narrativa espanola (1973--1994).
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300 $a 381 p.
500 $a Source: Dissertation Abstracts International, Volume: 62-07, Section: A, page: 2443.
500 $a Adviser: Mario Santana.
502 $a Thesis (Ph.D.)--The University of Chicago, 2001.
520 $a This study analyzes the return to oral tradition and its collective memory in the novels and short stories written between 1973 and 1994 by three Spanish peninsular writers, Luis Mateo Diez, Jose Maria Merino and Antonio Pereira, and considers the different ways in which each author reformulates oral mnemonic devices in his writings. The analysis demonstrates that the return to oral tradition in selected Spanish narrative can be considered a source of innovation for both literary works and our understanding of universal culture that goes beyond the paradoxes involved in the opposition between modernity and tradition.
520 $a Collective memory in the Spanish Northwest, a region especially rich in popular myths and legends, the main "organizer" of their narratives written in retrospective mood serves as a common starting point for the three writers. The study demonstrates how in these works taking place in the concrete, well-defined geographical scenery of Leon and its province, collective memory of the local oral tradition acquires universal meaning. It becomes an attempt to recover a mode of contemplation outside the universe of simulation and to claim some anchoring space in the temporality structure constantly transformed by information overload. Yet each author emphasizes different aspects of this phenomenon.
520 $a Analyzing short stories by Antonio Pereira, attention is placed on collective memory as a dynamic social process determined by a concrete cultural context. This practice reveals a paradoxical nature of collective memory which originates from oblivion generating at the same time more oblivion.
520 $a Examining the narrative by Luis Mateo Diez, the study focuses on the ethical and moral aspects of collective memory as a means to access and restore true human nature and original wisdom not contaminated by rational knowledge. The inability of a contemporary individual to reconnect with traditional values in order to solve his existential doubts and lack of ontological security in the modern industrialized society is being highlighted.
520 $a The third chapter demonstrates how oral mnemonics in the narrative by Jose Maria Merino decompose the rational vision of the world, its material objects and individual subjects. Tradition appears as an unlimited and extremely heterogeneous field of creative opportunities.
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