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Cold Literature: On Gao Xingjian's ...
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Cai, Zheng.
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Cold Literature: On Gao Xingjian's novels and stories.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Cold Literature: On Gao Xingjian's novels and stories./
作者:
Cai, Zheng.
面頁冊數:
147 p.
附註:
Source: Masters Abstracts International, Volume: 46-02, page: 0658.
Contained By:
Masters Abstracts International46-02.
標題:
Literature, Asian. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR29875
ISBN:
9780494298756
Cold Literature: On Gao Xingjian's novels and stories.
Cai, Zheng.
Cold Literature: On Gao Xingjian's novels and stories.
- 147 p.
Source: Masters Abstracts International, Volume: 46-02, page: 0658.
Thesis (M.A.)--University of Alberta (Canada), 2007.
Gao Xingjian, the Nobel laureate in literature in 2000, announced "Cold Literature" to be the core of his literary mind and practice. This thesis examines how the writer accomplishes such a literary cannon in his fictional writings.
ISBN: 9780494298756Subjects--Topical Terms:
1017599
Literature, Asian.
Cold Literature: On Gao Xingjian's novels and stories.
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Source: Masters Abstracts International, Volume: 46-02, page: 0658.
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Thesis (M.A.)--University of Alberta (Canada), 2007.
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Gao Xingjian, the Nobel laureate in literature in 2000, announced "Cold Literature" to be the core of his literary mind and practice. This thesis examines how the writer accomplishes such a literary cannon in his fictional writings.
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The thesis comes to the conclusion that, as the canon of Gao's literary practice, Cold Literature connotes a writer's ontological perceptions of the reality of literary creation, literary representation, and fictional narrative.
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There are three conceptual and practical inquiries in the thesis research: Cognitively, Gao's notion of Cold Literature indicates a switch of textual construction from the Aristotelian model about plot, characterization and overall structure, to an exclusively concentrated mimesis of the inner being. Ideologically, through the Brechtian alienation-effect, Cold Literature builds a group of binary opposites, such as female/male, nature/society, religion/secularity, nether world/this world, etc., and re-evaluates the broader cultural codes underlying the textual binaries. Rhetorically, Gao's fictional narrative foregrounds a series of figures of rhetoric, such as pronouns as protagonists, stream-of-language, fantasies, merging of genres, etc., to defamiliarize/estrange the conventional literary norms as well as a seemingly intimate world by disrupting the acts of perception and recognition.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR29875
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