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The novel and its other: A study of...

Just, Daniel.

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The novel and its other: A study of genres in narrative minimalism (Maurice Blanchot, Marguerite Duras, France, Raymond Carver).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The novel and its other: A study of genres in narrative minimalism (Maurice Blanchot, Marguerite Duras, France, Raymond Carver)./
作者:	Just, Daniel.
面頁冊數:	289 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1347.
Contained By:	Dissertation Abstracts International66-04A.
標題:	Literature, Comparative. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3170841
ISBN:	0542071738

The novel and its other: A study of genres in narrative minimalism (Maurice Blanchot, Marguerite Duras, France, Raymond Carver).
Just, Daniel.

The novel and its other: A study of genres in narrative minimalism (Maurice Blanchot, Marguerite Duras, France, Raymond Carver). - 289 p.

Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1347.

Thesis (Ph.D.)--New York University, 2005.

This dissertation develops a concept of literary minimalism as a foil to modern Western narrative discourse. Interpreted as a repressed moment within dominant genealogies of the post-Enlightenment era, minimalism emerges as a site of openly anti-novelistic genre-experimentations that provided formal, structural and thematic alternatives to more common strands in post-war American and French narrative discourse.

ISBN: 0542071738Subjects--Topical Terms:

530051
Literature, Comparative.

The novel and its other: A study of genres in narrative minimalism (Maurice Blanchot, Marguerite Duras, France, Raymond Carver).
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245 1 4 $a The novel and its other: A study of genres in narrative minimalism (Maurice Blanchot, Marguerite Duras, France, Raymond Carver).
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500 $a Adviser: Richard Sieburth.
502 $a Thesis (Ph.D.)--New York University, 2005.
520 $a This dissertation develops a concept of literary minimalism as a foil to modern Western narrative discourse. Interpreted as a repressed moment within dominant genealogies of the post-Enlightenment era, minimalism emerges as a site of openly anti-novelistic genre-experimentations that provided formal, structural and thematic alternatives to more common strands in post-war American and French narrative discourse.
520 $a The minimalist genres of the recit (represented here by Maurice Blanchot), the minimalist short story (exemplified by Raymond Carver), and a specific conglomerate form of recit and drama (introduced by Marguerite Duras), each in its own way, express a distrust in regard to the novel and present an alternative notion of subjectivity to that that has fostered narrative discourse since at least the beginning of the eighteenth century. As many critics argue, the notion that determines not only literature but also the whole modern society is the understanding of the person as an individual. Since the main objective of these analyses is to demonstrate the interimbrication of the development of novelistic discourse and this atomistic, reified and teleologically framed notion of personal individuality, minimalist genres of narrative literature can be perceived as symbolic representations of such a personhood that is not produced by means of creating a literary effect of the interiority of the self. Studied vis-a-vis the dominant cultural narratives of modernity, this literary codification of subjectivity that is not limited to the self-enclosed individuality and that is therefore not divorced from the social realm gives minimalism a role of a radically new philosophical and aesthetic paradigm.
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