東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Beauty and the Pilgrim soul: A study...

Boston College.

FindBook

Google Book

Amazon

博客來

Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics./
作者:	Alexander, Kinsley Hyland.
面頁冊數:	389 p.
附註:	Adviser: Matilda Bruckner.
Contained By:	Dissertation Abstracts International68-03A.
標題:	Fine Arts. -
電子資源:	http://0-pqdd.sinica.edu.tw.lib1.npue.edu.tw/twdaoapp/servlet/advanced?query=3256231

Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics.
Alexander, Kinsley Hyland.

Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics. - 389 p.

Adviser: Matilda Bruckner.

Thesis (Ph.D.)--Boston College, 2007.

This study is concerned with the problem of beauty in Guillaume de Deguileville's Le Pelerinage de la vie humaine. More specifically, it is concerned with a fourteenth-century Cistercian monk's perspective on the problem of beauty and its all-important role in the salvation of the soul. Since Deguileville was an accomplished artist as well as a highly-educated monk, he presents his Cistercian aesthetics in the form of a complex allegory in verse, with a cast of personifications acting out the basic theological doctrines which support his ideas on beauty. His central personification, the Pilgrim soul, represents all the "Everyman" souls who would comprise a typical medieval audience, the primary targets of Deguileville's narrative. He wants to awaken every individual to the dangers of pursuing beauty and the urgency of learning to discern between its true and its false manifestations. Learning to know true beauty is equivalent in the Cistercian mind to learning to know God, and it requires an arduous, lifelong pilgrimage away from our carnal longings and towards our spiritual selves. Deguileville's Pelerinage is the history of one such journey, beginning with the Pilgrim's spiritual awakening through a vision of truth and beauty, then following his exhausted struggle with his bestial nature, and finally ending with his rescue, restoration, and death in the monastery. By closely evaluating the artistic strategies Deguileville uses in his narrative poem, most particularly his employment and deployment of imagery, we can discover a great deal about the medieval Cistercian order's distinctive brand of Christian doctrine and aesthetics.Subjects--Topical Terms:

891065
Fine Arts.

Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics.
LDR:02601nmm 2200289 a 45 001 864038
005 20100726
008 100726s2007 ||||||||||||||||| ||eng d
035 $a (UMI)AAI3256231
035 $a AAI3256231
040 $a UMI $c UMI
100 1 $a Alexander, Kinsley Hyland. $3 1032140
245 1 0 $a Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics.
300 $a 389 p.
500 $a Adviser: Matilda Bruckner.
500 $a Source: Dissertation Abstracts International, Volume: 68-03, Section: A, page: 0990.
502 $a Thesis (Ph.D.)--Boston College, 2007.
520 $a This study is concerned with the problem of beauty in Guillaume de Deguileville's Le Pelerinage de la vie humaine. More specifically, it is concerned with a fourteenth-century Cistercian monk's perspective on the problem of beauty and its all-important role in the salvation of the soul. Since Deguileville was an accomplished artist as well as a highly-educated monk, he presents his Cistercian aesthetics in the form of a complex allegory in verse, with a cast of personifications acting out the basic theological doctrines which support his ideas on beauty. His central personification, the Pilgrim soul, represents all the "Everyman" souls who would comprise a typical medieval audience, the primary targets of Deguileville's narrative. He wants to awaken every individual to the dangers of pursuing beauty and the urgency of learning to discern between its true and its false manifestations. Learning to know true beauty is equivalent in the Cistercian mind to learning to know God, and it requires an arduous, lifelong pilgrimage away from our carnal longings and towards our spiritual selves. Deguileville's Pelerinage is the history of one such journey, beginning with the Pilgrim's spiritual awakening through a vision of truth and beauty, then following his exhausted struggle with his bestial nature, and finally ending with his rescue, restoration, and death in the monastery. By closely evaluating the artistic strategies Deguileville uses in his narrative poem, most particularly his employment and deployment of imagery, we can discover a great deal about the medieval Cistercian order's distinctive brand of Christian doctrine and aesthetics.
590 $a School code: 0016.
650 4 $a Fine Arts. $3 891065
650 4 $a Literature, Medieval. $3 571675
650 4 $a Literature, Romance. $3 1019014
650 4 $a Theology. $3 516533
690 $a 0297
690 $a 0313
690 $a 0357
690 $a 0469
710 2 $a Boston College. $3 1017525
773 0 $t Dissertation Abstracts International $g 68-03A.
790 $a 0016
790 1 0 $a Bruckner, Matilda, $e advisor
791 $a Ph.D.
792 $a 2007
856 4 0 $u http://0-pqdd.sinica.edu.tw.lib1.npue.edu.tw/twdaoapp/servlet/advanced?query=3256231