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Spanish and Portuguese song at the e...

Hernandez-Rios, Prisco.

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Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466--1516): A contextual study.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466--1516): A contextual study./
作者:	Hernandez-Rios, Prisco.
面頁冊數:	552 p.
附註:	Source: Dissertation Abstracts International, Volume: 61-02, Section: A, page: 0418.
Contained By:	Dissertation Abstracts International61-02A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9956217
ISBN:	0599641355

Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466--1516): A contextual study.
Hernandez-Rios, Prisco.

Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466--1516): A contextual study. - 552 p.

Source: Dissertation Abstracts International, Volume: 61-02, Section: A, page: 0418.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 1999.

This dissertation explores the corpus of Spanish and Portuguese song contained in the eight principal manuscript sources of the late fifteenth and early sixteenth centuries. Its purpose is to treat songs as cultural products which reflect, react to, or comment upon the culture of their time and place and are nurtured by various traditions of composition and performance.

ISBN: 0599641355Subjects--Topical Terms:

516178
Music.

Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466--1516): A contextual study.
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245 1 0 $a Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466--1516): A contextual study.
300 $a 552 p.
500 $a Source: Dissertation Abstracts International, Volume: 61-02, Section: A, page: 0418.
500 $a Supervisor: Lawrence M. Earp.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 1999.
520 $a This dissertation explores the corpus of Spanish and Portuguese song contained in the eight principal manuscript sources of the late fifteenth and early sixteenth centuries. Its purpose is to treat songs as cultural products which reflect, react to, or comment upon the culture of their time and place and are nurtured by various traditions of composition and performance.
520 $a Because of its geographical location and historical development the Iberian Peninsula became a cultural crossroads where Medieval Christian civilization came into fruitful confrontation and accommodation with Muslim and Jewish cultures. The ascendancy of a newly-united Christian realm, the persistence and vitality of oral traditions of song, and the revival of the ethos of the troubadours define the cultural context for this study.
520 $a Significant issues treated include the relationships between high and low register modes of expression, orality and literacy, poet and composer, and the reception and transmission of these songs.
520 $a Part One comprising the first three chapters---summarizes problems, accomplishments and challenges in this field, traces the development of the traditional genres---cantiga, romance and villancico---the rise of the courtly cancion, and provides an overview of the principal sources. Included is a preliminary chronology of selected songs.
520 $a Part Two consists of five chapters. Each chapter treats a group of broad thematic categories and begins with a description of the socio-historical context which is then illustrated and developed through selected examples. Thematic categories include religious songs, songs of the Moorish frontier, songs with a feminine voice, satirical songs, and various types of pastoral. The great aristocratic theme of courtly-love is viewed in the context of the Iberian troubadour revival. Other topics treated include reactions against the courtly-love esthetic, philosophical and political songs, the imprint of oral traditions as it appears in the written sources, transmission patterns evident in the pliegos sueltos (early prints), stylistic trends which appear at the turn of the sixteenth century, and peculiar traits in the Portuguese sources. Original texts are given with parallel English translations. An appendix organized by thematic categories provides the location of all the songs in the eight principal manuscript sources.
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791 $a Ph.D.
792 $a 1999
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