Comparative literature.
概要
| 作品: | 621 作品在 21 項出版品 21 種語言 | |
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書目資訊
Creoles, diasporas and cosmopolitanisms : = the creolization of nations, cultural migrations, global languages and literatures /
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Omeros and Beloved through Wilson Harris's cross-cultural imagination : = narratives of loss and redemption /
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An Ethics of betrayal : = the politics of otherness in emergent U.S. literatures and culture /
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Northern Irish poetry and the Russian turn = intertextuality in the work of Seamus Heaney, Tom Paulin and Medbh McGuckian /
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A common strangeness = contemporary poetry, cross-cultural encounter,comparative literature /
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Conceptualization and visualization of the invisible in Western and Chinese thought and literature.
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The birth of new barbarians: The theater of encounter in four early twentieth -century French and Chinese writers.
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The politics and poetics of wo /man /ufacture: Male representations of woman in Chinese Han fu and Roman love elegy.
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From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual.
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The social life of nations: A comparative study of American and Chinese utopian fiction, 1888-1906.
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A reading of the divine speech in Job in light of the Zhuangzi: From an Asian feminist perspective.
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"Studies in Literature: The Quest for Comprehension and Connection in a Collection of Essays and Criticism".
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Fictions of enlightenment: An intertextual study of "Xiyou ji", "Xiyou bu", and "Honglou meng".
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Reading fashions, fashioning readings: Genre, style, and sartorial semiotics in nineteenth-century American literature.
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"'A poem among the diagrams'": Poetry as archival work in Muriel Rukeyser, Susan Howe, and M. Nourbese Philip.
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System and Nemesis: Christopher Smart, Jean-Jacques Rousseau, John Clare and the legacy of Linnaeus.
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Exploring intercultural understanding through global children's literature and educator study groups.
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Science fiction futures and the ocean as history: Literature, diaspora, and the Pacific War.
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Crisis and modernism: Culture, economy, and form in twentieth-century U.S. and Latin American literature.
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Libertinage et feminisme dans les "Lettres du Colonel Talbert" de Francoise-Albine Puzin de la Martiniere Benoist.
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Russian "madness" in English translation: Reading Dostoevsky''s madmen from the translator's point of view.
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Dollars: International monetary order, the nation-state and the development of literary modernism.
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The Impact of Digitalization on Cinematic Aesthetics and The "Spectrum of Cultural Representations": The Case of Hong Kong.
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Performing hybridity: A dialogic and semiotic study of late twentieth-century drama from Africa and the African diaspora.
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"I knew what I did and I did it with deliberate calculation": Anxiety and tricksterism in African American autobiography.
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On normalities: Freaks of culture, bodies, and ability in the late twentieth -century Francophone novel.
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Ideological trends in film adaptations of children's literature: Children's books on the big screen.
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Dissolving Linguistic Borders? Contemporary Multilingual Literature in German-speaking Countries.
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Ideality and reality: Feminist utopias and the patriarchal world in eighteenth-century Chinese and English fiction.
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A Chinese rhetorical tradition? Case studies in the history of Chinese rhetorical theory and practice.
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History, mystery, myth: A comparative study of narrative strategies in the "Baija gongan" and "The Complete Sherlock Holmes".
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Miura Ayako the Christian writer: A critical study of her major novels and their reception in Japan.
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History and the true war story: Reading for moral injury in Vietnam veteran literatures.
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Practices of the global self: Idealism, Transcendentalism, and Buddhist Modernism in the era of colonization.
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"Infinite earths": Crossmedia adaptation and the development of continuity in the DC Animated Universe.
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The spirit in the flesh: The translation of German Pietist imagery into Anglo-American cultures.
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Telling stories, inventing histories: The reception and revision of the British history in early modern England.
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The Labor of the Avant-Garde: Experimental Form and the Politics of Work in Post-War American Poetry and Fiction.
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Negotiating Rationality in Modern Times: Emergence and Development of the Turkish Novel.
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Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels.
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Hungry for the Other: Consumption and Women's Empowerment in the Ghost Stories of J. Sheridan Le Fanu and Pu Songling.
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Foundations of Chinese historiography: Literary representation in Zuo zhuan and Guoyu.
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An annotated translation of Yan Yu's "Canglang shihua": An early thirteenth-century Chinese poetry manual.
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Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets.
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A return to the reader and their imagination: The forming of a referential world in order to establish meaning in a text.
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Silence and Voices: Family History and Memorialization in Intergenerational Holocaust Literature.
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A verbal paradise visualized: An ekphrasistic study of the "Daguanyuan" in Cao Xueqin's "Hongloumeng"
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The mystification of Christian salvation: On the Anxiety of Redemption in Renaissance Poetry and Drama.
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Against the Grain of History: Radical Traditionalism in Twentieth Century German Painting.
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Traditions of the Baroque: Modernist Conceptual Stagings Between Theory and Performance.
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Ploughshares to Processors: An ecological critique of technology in post-war Finnish and American fiction.
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Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry.
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Scenes, seasons, and spaces: Textual modes of address in modern French, American, and Russian literature.
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Meaning through Action: William James's Pragmatism in Novels by Larsen, Musil, and Hemingway.
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The aesthetics of clarity and confusion = literature and engagement since Nietzsche and the naturalists /
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Narratives of difference in globalized cultures = reading transnational cultural commodities /
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Double temporality and its significance: A narrative analysis of Chinese fiction in the nineteen eighties.
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The animal as queer act in comics: Queer iterations in "On Loving Women" and "Nimona".
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ASPECTS OF LITERARY ANTI-SEMITISM: CHARLES DICKENS' "OLIVER TWIST" AND GUSTAV FREYTAG'S "SOLL UND HABEN".
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Savage Mind to Savage Machine: Techniques and Disciplines of Creativity, c. 1880-1985.
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The divided skeptic: Samuel Beckett's parody and Stanley Cavell's interpretation of philosophical skepticism.
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The feedback culture in translator education: A comparative exploration of two distinct university translation programs.
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The Melting Plot: Interethnic Romance in Jewish American Fiction in the Early Twentieth Century.
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Two million "butterflies" searching for home: Identity and images of Korean Chinese in Ho Yon-sun's Yanbian narratives.
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Crossing boundaries: The transnational third space of contemporary Chinese-Francophone writers.
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L'effet dandy comme anti-dox: Cessation, contestation, dysfonctionnement culturel dominant.
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The space of Japanese science fiction: Illustration, subculture, and the body in "SF Magazine".
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Mediating Trans/nationalism: Japanese 'Jun'ai' (Pure-Love) in Popular Media Representations.
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Artistic (mis)representation and commodity culture in The Picture of Dorian Gray and The House of Mirth.
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Confrontation and withdrawal: Initiation in the novels of Mark Twain, Henry James, and Cao Xueqin.
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In another time with (an)other race: Representations of race and national narratives in Elder Scrolls v: Skyrim and Fallout 3.
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Capturing otherness on canvas: 16th - 18th century European representation of Amerindians and Africans.
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Reconfiguring the female body: Trauma and sacrifice in South Asian partition narratives.
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Removing the binaries between humanity and nature: The female perception through science fiction utopias.
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The Literary Unconscious: Ideology and Utopia in the Nineteenth-Century Realist Novel in England and Russia.
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Techno-utopias: Virtual and utopian spaces in literature from the Industrial Revolution to the computer revolution.
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British and Other Nonhumans of the Long Nineteenth Century: Abject Forms in Literature, Law, and Meat.
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Beneath "the cloak and hood of hodden grey": Interpretative problematics for Chinese readers in Charlotte Bronte's "Villette".
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The Chinese outcry and the American dream: A comparative study of Lu Xun and F. Scott Fitzgerald.
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An unlucky muse from northeast China: A study of Duanmu Hongliang during the War of Resistance.
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Family troubles: Contestations and non-western modernity in the cases of China, Taiwan, and Japan.
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Metaphors of love and desire in "The Portrait of a Lady", "The Dream of the Red Chamber" and "The Tale of Genji".
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A Cosmopolitics of Conversion: Women's Religious Experience in Victorian British and Colonial Indian Prose.
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The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She.
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Social criticism in traditional legends: Supernatural women in Chinese zhiguai and German Sagen.
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The myth of the Chinese in the literature of the late nineteenth and twentieth centuries.
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Lurkers on the Threshold: Ghosts, History, and the Indigene in American and Australian Contemporary Literature.
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Labor and leisure in the tropical environment: Race, class, and the enjoyment of nature.
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Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S.
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The Republic of Anticolonial Letters: Reading Anticolonialism Between South Asia and North America.
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Extroverting the cultural interior: Symbolic renovations in recent Polish and Russian verse.
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Cold War Africa and China: The Afro-Asian Writers' Bureau and the Rise of Postcolonial Literature.
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Time-space transfiguration and the unfolding of the (frame);: (A theory of Filmtheatre).
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Political narrations = Antigone, the Melian dialogue, Michael Kohlhaas, the Grand inquisitor and Ragtime /
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DREAM AND DRAMA: IN LATE SIXTEENTH CENTURY AND EARLY SEVENTEENTH CENTURY--CHINA, ENGLAND AND SPAIN (THEATER).
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MANDARIN DUCKS AND BUTTERFLIES: TOWARD A REWRITING OF MODERN CHINESE LITERARY HISTORY (LITERATURE, EAST-WEST STUDIES).
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SYMPATHY, COUNTERPOISE AND SYMBOLISM: ASPECTS OF STRUCTURE IN "DREAM OF RED CHAMBER" (HONGLOUMENG, HUNGLOUMENG, CHINA).
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AWARENESS OF THE WOMAN QUESTION IN THE NOVELS OF GEORGE ELIOT AND EILEEN CHANG (ENGLAND, CHINA).
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THE "CONFUCIAN ODES" MADE NEW: EZRA POUND'S TRANSLATION OF THE "SHI JING" (CHINA; KUNG).
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Tales of the supernatural: "Liao-chai chih-i" and the American short story of the nineteenth century.
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The poetics of misunderstanding: The anxiety of reception in Chinese-Western literary relations.
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Words alike, worlds apart: An inquiry into the ontological and metaphorical modes in Chinese and English lyric poetry.
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Convergence and Contest: Humanism, Comic Books, and Higher Education in the Digital Age.
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The fictional sob sisters: Narrative construction of women journalists in popular literature.
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A soldier, a captain, and a king: Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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Telling Stories, Healing Cultures: Feminist Healing Narratives by Contemporary American Women of Color.
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Envisioning the transcendent: The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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Speaking Laterally: Transnational Poetics and the Rise of Modern Arabic and Persian Poetry in Iraq and Iran.
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The Space of Alterity: Language and National Identity in Theodor Adorno and W.G. Sebald.
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Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema, 1960-79.
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Unuseless Cyborgs: Spiral Posthumanism and Popular Culture in Japan's Ushinawareta Nijunen (1990-2010).
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WRITING AND RE-WRITING THE HOLOCAUST: ESSAYS ON THE NATURE OF HOLOCAUST LITERATURE AND ITS CRITICAL INTERPRETATION.
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Epidemiology of Terror: Health, Horror, and Politics in Colonial and Postcolonial Literature.
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September 04, 1998: Entanglement and experimentation; or, Cultural fascism and Google Street View.
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From Baroque allegory to romantic sublime: Writing, images, and subjectivity in Tesauro, Vico, Novalis.
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Latin Labyrinths, Celtic Knots: Modernism and the Dead in Irish and Latin American Literature.
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Heterolanguage in Twenty-First-Century Cinema and Literature: Transnational Mediations.
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Caressing Radical Alterity: For a Queer Ethic of Embodiment in Contemporary Films and Literature.
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Nationalism, secularism, belonging, and identity in Philip Roth, Salman Rushdie, and Orhan Pamuk.
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Re-presenting China through Retranslation: A Corpus-based Study of Liaozhai Zhiyi in English.
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The ecopoetics of identity and place in the works of John Clare, Rashidah Ismaili, and Mary Oliver.
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Between Boys: Fantasy of Male Homosexuality in Boys' Love, Mary Renault, and Marguerite Yourcenar.
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Unhomely stirrings: Representations of indentureship in Indo-Caribbean literature from 1960 to the present.
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The Writer and the Nation-State: Language, Aesthetics, Ideology and Power in Turkish Literature (1927-2015).
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The wolf-girl nomadic: Becoming-animal and post-human feminine subjectivity in Angela Carter's "Peter and the Wolf".
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Niche Formations: Rethinking Literary Opportunity in Modern Southeast Asian Literature.
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Killing Me Softly in a Metropolis: Tales of Murder and Murderous Passion in Republican Shanghai (1911-1937).
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Printed Past, Bookish Present, Digital Future: Media, Materiality, and Design in Contemporary Literature.
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Cultures of glass in the late nineteenth-century European novel and contemporary Sinophone film.
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An Autobiographical Snapshot: The Impact of Covid-19 on Online Adult Learning in International Development.
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Poetics of Unease: Affect and Labor in Ancient Greek, near Eastern, and Indic Poetry = = La poetica del disagio.
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"Bottom, Thou Art Translated!": A Comparative Study of Two Russian Translations of A Midsummer Night's Dream.
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Envisioning Women Writers: Female Authorship and the Cultures of Publishing and Translation in Early 20th Century Japan.
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Transforming Limits: Home, Literary Activism and Engagement in South Asian Literature.
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Beyond New Waves: Gender and Sexuality in Sinophone Women's Cinema from the 1980s to the 2000s.
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The Bildungsroman and the Theme of Authenticity in Jane Austen's Emma and J.D. Salinger's the Catcher in the Rye.
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Naming the Virtual: Digital Subjects and the End of History Through Hegel and Deleuze (And a Maybe Few Cyborgs).
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Forms of Illness : = Georges Canguilhem and Vital Normativity in Philosophy, Cinema, and Literature.
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World Literature in Local Perspective : = Chinese Literary Mediators in the Early 20th Century and Russian Literature.
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"Society doesn't exist": The breakdown of paternal authority and the illegitimate origins of (post) Oedipal society.
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Slippage between Garbage and Language: Degeneracy, Abjectionism, and Poetic Perception.
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AESTHETICS OF OPPOSITION: A STUDY OF THE MODERNIST GENERATION OF CHINESE POETS, 1936-1949 (CHINA, WESTERN MODERNISM).
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'The shame of all her kind': A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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Women, Creativity, and Translation in Mid-Meiji Japan: The Literature of Nakajima Shoen (1861-1901).
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Refractions of Four Books in their early English translations and the works of Emerson and Thoreau.
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Another Chapter on Dionysus: Identity, Modern Digital Technology, and the Specter of the Death Drive.
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Avant-gardism in children's theater: The use of absurdist techniques by Anglophone children's playwrights.
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Genealogical Modernism: Family Structures, Identity, History, and Narrative in the 20th-Century "Long" Novel.
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The Invention of Chinese Buddhist Poetry: Poet-Monks in Late Medieval China (c. 760-960 CE).
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ART AND WORLD IN THE CHINESE SHORT STORY: "SAN-YEN" COLLECTIONS IN THE LIGHT OF WESTERN CRITICAL METHOD.
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Memorialization of the Vietnam War in the Modern English, French, and Vietnamese Novel.
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Cultural Consultations in Criminal Forensic Psychology: A Thematic Analysis of the Literature.
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Afro-Filipino Archives and Architectures: Jessica Hagedorn and Ntozake Shange's Feminist and Poetic (Re)Visions.
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The Work of Being Human: Transnational Labor in Contemporary South Korean Film and Literature.
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Strength in Numbers: Social Identity, Political Ambition, and Group-based Legislative Party Switching.
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The real and the imaginary in the literary works of E. T. A. Hoffmann, Joseph Eichendorff, and Vladimir Odoevsky.
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Igor Strawinsky und Bertolt Brecht: Zur Poetik des epischen Musiktheaters. [German text].
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The Translation of American Comic Strips in Pre-World War II Japan and the Origins of Contemporary Narrative Manga.
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The transnational-translational modernity: Language and sexuality in colonial Taiwan and Korea.
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The Weave of Vacuum: Baroque Geometry and Evolutionary Biolinguistics in 20th Century Hispanic American Literature.
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¿Pertenecer a Donde?: El Espacio de la epifania en No One Belongs Here More Than You de Miranda July.
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Open-Ended Existences in the Narratives of Roberto Bolano's The Savage Detectives and Ralph Ellison's Invisible Man.
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Body as Performative Text: A Postcolonial/Decolonial Re-Imagination of Queer Body/ies.
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From Revolutionary to Civil Activism: May Fourth Intellectual Guo Moruo and Post-Cultural Revolution Artist Ai Weiwei.
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Childhood Subjectivity in Western and Chinese Thought and Literature: A Case Study of Four Literary Masterworks.
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Rural Transnationalism: Food, Famine, and Agriculture in U.S. and Chinese Literature, 1898-1955.
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Taming the Terrible?: Transgressive Novels, Adaptation, and the Illusion of Legitimacy.
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Death Becomes Us: An Examination of Memento Mori Rhetoric in the Art and Literature of the Counter-Reformation.
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Telling Stories-Empowering Generations: Minority American Women and Their Cultural Stories.
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The Subject in Question: Subjectivity in the Fiction of Jose Revueltas, Hilda Hilst, and Clarice Lispector.
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Lost in Violence-Forging Memories from Legacies of Neglect in Spanish and Peruvian Contemporary Novels.
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Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance.
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Ecofeminist Reading of Chinua Achebe's Things Fall Apart and Elechi Amadi's The Concubine.
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Gluckliche Enden. Aus der Geschichte der affirmativen Kunst = = Happy Endings On Affirmative Art.
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Taiwanese Postcolonial Identities and Environmentalism in Wu Ming-Yi's The Stolen Bicycle.
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Intersecting Nations, Diverging Discourses: The Fraught Encounter of Chinese and Tibetan Literatures in the Modern Era.
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Retelling Stories as a Way to Catharsis Ambivalent Feelings Faceciousness, and Re-Evaluation of Lu Xun's Old Stories Retold.
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Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel.
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Realism's Ruins: Destruction, Decay, and the Demise of Soviet Socialist Realism and Italian Neorealism.
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Pacific Crossings: Travel, Writing, and Literary Transition in the Sino-American Nineteenth and Early Twentieth Centuries.
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An Ethics of Empathy and an Aesthetics of Alterity: The Other and Otherness in the Study of Literature.
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Artificial Humanities: A Literary Perspective on Creating and Enhancing Humans from Pygmalion to Cyborgs.
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Knowing Totality: Capitalism Across Consciousness and Community in Kim, Nostromo, Sons and Lovers, and Ulysses.
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The Departed: A Departure from Early Twenty-First Century American Remakes of Asian Cinema.
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Glossing the Virgin: The Incarnational Hermeneutics of Mary in the English Middle Ages.
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Writing Diplomacy: Translation, Politics, and Literary Culture in the Transpacific Cold War.
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Deuteronomy and Treaty Texts: A Critical Reexamination of Deuteronomy 13, 17, 27, and 28.
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Becoming an Andegraund Poet: Elena Shvarts and the Literary Environment of the Late Soviet Era.
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Saltwater Language : = Making Sense of Ourselves Through the Science and Art of Marine Invertebrates.
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Still the Gloaming : = The Subversive Feminine in the Works of Sir Walter Scott and Lewis Grassic Gibbon.
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Mediated Benjamin : = An annotated selection and translation of Walter Benjamin's radio texts.
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Conscripts of the Global : = Musical Knowledge, Institutions, and Imperialism in Hong Kong.
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Translation and Postnational Cartographies of Language in Twenty-First-Century Canadian Literatures.
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Beyond universalism : = Unraveling the anonymous minor characters in Matthew 15:21-28.
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What God Really Said : = The Function of the "Word of God" in Assyrian, Hebrew, Greek and Arabic Prophetic Literature.
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Presumption and Despair: The Figure of Bernard in Middle English Imaginative Literature.
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Mother Jesus: The Contribution of Maternal Imagery to the Soteriology and Christology of First Peter.
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Geography of a "Foreign" China : = British Intellectuals' Encounter with Chinese Spaces, 1920-1945.
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Speaking for Voiceless Women : = A Comparative Study of Nizar Qabbani's and Zhai Yongming's Poetry.
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The Colors of Modernity : = Limning the Margins in Walter Benjamin, Rainer Maria Rilke, and Peter Altenberg.
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Craft and Storytelling : = Romance and Reality in Joseph Conrad and Gabriel Garcia Marquez.
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Ancestors and Algorithms : = Ethnocomputing Ai with African & African Diasporic Heritage.
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Watching the Watchers : = Contemporary Television, Complex Seriality, and Media Literacy.
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The geopolitics of incest in the Age of Conquest : = Gerald of Wales through Geoffrey Chaucer.
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Traces of Extremity in the Aftermath, a Collection : = Haruki Murakami, W.G. Sebald, and Carolyn Forche.
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Intellectuals and the Press in Republican Shanghai : = The Case of Shenbao Free Talk, 1926-1934.
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Worlded Women : = Women, Subjectivity, and World Literature in Turn-of-the-Century Japan and Latin America.
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Entangled Times, Bodies, Texts : = Mathematical Form in Contemporary Anthropocene Poetry.
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Three Versions of Russian Decadent Dandyism : = Demonism, Hellenism, and Theatricality.
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Russian emigre literature in the context of French modernism : = A study in the cultural mechanisms of exile.
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From isolation to whole sight : = A study of humanist existentialism in John Fowles, Albert Camus, and Jean-Paul Sartre.
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Productive Polemics : = The Interplay Between Early Modern Anti-Theatricalism and Drama.
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