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Berbers, Buddhists and Bibelots: App...

Serrano, Richard Arthur.

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Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets./
Author:	Serrano, Richard Arthur.
Description:	363 p.
Notes:	Source: Dissertation Abstracts International, Volume: 57-09, Section: A, page: 3926.
Contained By:	Dissertation Abstracts International57-09A.
Subject:	Comparative literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9703275
ISBN:	9780591097177

Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets.
Serrano, Richard Arthur.

Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets. - 363 p.

Source: Dissertation Abstracts International, Volume: 57-09, Section: A, page: 3926.

Thesis (Ph.D.)--University of California, Berkeley, 1996.

Comparatists are often asked what they compare. A reply of "French, Chinese and Arabic" usually elicits a puzzled look and another question: "How do you bring such different things together?" The only possible reply is that these "different" literatures have already been brought together. My dissertation, "Berbers, Buddhists and Bibelots: Appropriation of Alternative Traditions by French, Chinese, Arabic and Francophone Poets," offers readings of classical non-Western poetry colonized by Western criticism, readings of colonizing French poetry, and readings of poetry of Francophone poets attempting to extricate themselves from colonization. This project began with a fascination with the odd attempts of modern French poets such as Stephane Mallarme, Victor Segalen and (poet by poetic license) Jacques Lacan to appropriate forms and concepts found in the classical Chinese and Arabic poetic traditions which Western traditions lacked. Exploration of the canonical poetry of the Arabs and Chinese, represented by al-Buhturi (821-897) and Wang Wei (701-761), reveals that they, too, at the height of their empires performed similar (but not identical) acts of appropriation from alien cultures preexisting their own. Francophone poets of North Africa (heavily influenced yet somewhat distant from traditional centers of classical Arabic civilization) and Indochina (heavily influenced yet somewhat distant from traditional centers of Chinese civilization) found themselves attempting to create a new poetry out of a tradition inherited from the very poets who had appropriated the non-Western traditions which would have been theirs. The two examples from my dissertation, Makhali-Phal (1908-1965) of Cambodia and Jean Amrouche (1909-1962) of Kabylia in Algeria, attempt both to appropriate the poetry of their French predecessors and to reach back to traditions which precede them.

ISBN: 9780591097177Subjects--Topical Terms:

570001
Comparative literature.

Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets.
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300 $a 363 p.
500 $a Source: Dissertation Abstracts International, Volume: 57-09, Section: A, page: 3926.
500 $a Chair: Vincent Kaufmannm.
502 $a Thesis (Ph.D.)--University of California, Berkeley, 1996.
520 $a Comparatists are often asked what they compare. A reply of "French, Chinese and Arabic" usually elicits a puzzled look and another question: "How do you bring such different things together?" The only possible reply is that these "different" literatures have already been brought together. My dissertation, "Berbers, Buddhists and Bibelots: Appropriation of Alternative Traditions by French, Chinese, Arabic and Francophone Poets," offers readings of classical non-Western poetry colonized by Western criticism, readings of colonizing French poetry, and readings of poetry of Francophone poets attempting to extricate themselves from colonization. This project began with a fascination with the odd attempts of modern French poets such as Stephane Mallarme, Victor Segalen and (poet by poetic license) Jacques Lacan to appropriate forms and concepts found in the classical Chinese and Arabic poetic traditions which Western traditions lacked. Exploration of the canonical poetry of the Arabs and Chinese, represented by al-Buhturi (821-897) and Wang Wei (701-761), reveals that they, too, at the height of their empires performed similar (but not identical) acts of appropriation from alien cultures preexisting their own. Francophone poets of North Africa (heavily influenced yet somewhat distant from traditional centers of classical Arabic civilization) and Indochina (heavily influenced yet somewhat distant from traditional centers of Chinese civilization) found themselves attempting to create a new poetry out of a tradition inherited from the very poets who had appropriated the non-Western traditions which would have been theirs. The two examples from my dissertation, Makhali-Phal (1908-1965) of Cambodia and Jean Amrouche (1909-1962) of Kabylia in Algeria, attempt both to appropriate the poetry of their French predecessors and to reach back to traditions which precede them.
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650 4 $a Romance literature. $3 2144781
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