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Afro-Filipino Archives and Architect...

Pereyra, Jewel S.

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Afro-Filipino Archives and Architectures: Jessica Hagedorn and Ntozake Shange's Feminist and Poetic (Re)Visions.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Afro-Filipino Archives and Architectures: Jessica Hagedorn and Ntozake Shange's Feminist and Poetic (Re)Visions./
作者:	Pereyra, Jewel S.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	82 p.
附註:	Source: Masters Abstracts International, Volume: 57-05.
Contained By:	Masters Abstracts International57-05(E).
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10791920
ISBN:	9780355856835

Afro-Filipino Archives and Architectures: Jessica Hagedorn and Ntozake Shange's Feminist and Poetic (Re)Visions.
Pereyra, Jewel S.

Afro-Filipino Archives and Architectures: Jessica Hagedorn and Ntozake Shange's Feminist and Poetic (Re)Visions. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 82 p.

Source: Masters Abstracts International, Volume: 57-05.

Thesis (M.A.)--Georgetown University, 2018.

During the 1970s Third World Liberation and Black Arts movements, Black and Asian American writers created transnational and artistic alliances. In particular, Filipino artist Jessica Hagedorn and Black feminist writer Ntozake Shange traveled and performed at readings together in San Francisco and New York. With poet Thulani Davis, they formed a trio called "The Satin Sisters" and co-authored plays and poems together. Hagedorn and Shange embodied the Third Worldist visions for Afro-Asian racial and feminist unity. However, current Afro-Asian scholarship seldom analyzes Filipino and African American feminist solidarities and privileges masculinist Afro-(East)Asian nationalisms. I recover these gaps by mining through the silenced archives---both print and expressive cultures---that reveal "Afro-Filipino" women's exchanges.

ISBN: 9780355856835Subjects--Topical Terms:

570001
Comparative literature.

Afro-Filipino Archives and Architectures: Jessica Hagedorn and Ntozake Shange's Feminist and Poetic (Re)Visions.
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520 $a During the 1970s Third World Liberation and Black Arts movements, Black and Asian American writers created transnational and artistic alliances. In particular, Filipino artist Jessica Hagedorn and Black feminist writer Ntozake Shange traveled and performed at readings together in San Francisco and New York. With poet Thulani Davis, they formed a trio called "The Satin Sisters" and co-authored plays and poems together. Hagedorn and Shange embodied the Third Worldist visions for Afro-Asian racial and feminist unity. However, current Afro-Asian scholarship seldom analyzes Filipino and African American feminist solidarities and privileges masculinist Afro-(East)Asian nationalisms. I recover these gaps by mining through the silenced archives---both print and expressive cultures---that reveal "Afro-Filipino" women's exchanges.
520 $a I argue that Hagedorn and Shange's unique collaborations created felt architectures, sensorial spaces that center female intimacies and resistance through sound, touch, sight, and dance. Mapping these felt spaces, that resist patriarchal and colonial domination, this thesis first examines 1970s Third World anthologies, Hagedorn's Dangerous Music (1975), and Shange's Nappy Edges (1978). The second part focuses on the plays for colored girls who have considered suicide (1975) and where the mississippi meets the amazon (1978). Focusing on how their works construct female-oriented artistic spaces, my multi-disciplinary project concludes that Hagedorn and Shange's subversive and avant-garde aesthetics represent Black and Filipino feminist political formations and solidarities as constitutively integral to the foundations of Third World feminist coalition-building and poetic place-making.
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