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Slippage between Garbage and Languag...

Zhou, Xingyue.

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Slippage between Garbage and Language: Degeneracy, Abjectionism, and Poetic Perception.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Slippage between Garbage and Language: Degeneracy, Abjectionism, and Poetic Perception./
作者:	Zhou, Xingyue.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	265 p.
附註:	Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.
Contained By:	Dissertation Abstracts International79-04A(E).
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10622071
ISBN:	9780355429428

Slippage between Garbage and Language: Degeneracy, Abjectionism, and Poetic Perception.
Zhou, Xingyue.

Slippage between Garbage and Language: Degeneracy, Abjectionism, and Poetic Perception. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 265 p.

Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.

Thesis (Ph.D.)--University of California, Santa Barbara, 2017.

This dissertation proposes a poetics of slippage that interrelates the degeneration and the deviation of poetic language under a discourse of material and environmental decline. From close analysis of the visionary slippage on waste-sites in Cesario Verde, Fernando Pessoa, Wallace Stevens, and the international avant-garde poetics (featuring the Portuguese PO-EX), it discloses the poet's underlying preoccupation with the inherent gap between words and things, and traces the recurrent narrative of the degeneration of (poetic) language in the process of alienation from nature. It scrutinizes the mutual contamination between waste images and symptomatic (syn-: together; piptein: to fall) texts, and the ab-ject feeling at being cast out from an impossible linguistic essence. It also extrapolates how garbage causes the slippage in perception out of an epistemological impossibility, further infecting the poet's verbal instability, subconscious camouflage, and anxious struggle for "truth."

ISBN: 9780355429428Subjects--Topical Terms:

570001
Comparative literature.

Slippage between Garbage and Language: Degeneracy, Abjectionism, and Poetic Perception.
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500 $a Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.
500 $a Adviser: Yunte Huang.
502 $a Thesis (Ph.D.)--University of California, Santa Barbara, 2017.
520 $a This dissertation proposes a poetics of slippage that interrelates the degeneration and the deviation of poetic language under a discourse of material and environmental decline. From close analysis of the visionary slippage on waste-sites in Cesario Verde, Fernando Pessoa, Wallace Stevens, and the international avant-garde poetics (featuring the Portuguese PO-EX), it discloses the poet's underlying preoccupation with the inherent gap between words and things, and traces the recurrent narrative of the degeneration of (poetic) language in the process of alienation from nature. It scrutinizes the mutual contamination between waste images and symptomatic (syn-: together; piptein: to fall) texts, and the ab-ject feeling at being cast out from an impossible linguistic essence. It also extrapolates how garbage causes the slippage in perception out of an epistemological impossibility, further infecting the poet's verbal instability, subconscious camouflage, and anxious struggle for "truth."
520 $a The dissertation also intends to correlate poetic modernism and avant-garde through their common concern of poetic/linguistic "garbage," and to reconcile romantic and anti-romantic poetry through the Portuguese Abjeccionismo. It aspires to probe the relation between ecological crisis and deconstructive thinking through excavating several crucial poetic transformations of disgrace, filth, disease, and precarious nature in social turmoil and debris, such as the nineteenth-century sewer planning and epidemics in Lisbon, the American suburban dump and littoral desolation in the Great Depression. Garbage provides a revealing perspective to approach the essential yet less discussed poetic traits of each poet; as well as to expand the scope of ecopoetry in an age when nature only ex-ists as the ab-ject. Collaterally, it grapples with one of the most intricate questions in waste aesthetics: the subject's heightened, de-subjectifying, and transformative perception of literary and cultural debris, constantly in tension with the sociohistorical materialistic consciousness, at times falling back yet still in resistance to an uncanny ecology.
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