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La vie des autres. Sophie Calle et Annie Ernaux, artistes hors-la-loi = = The Lives of Others. Sophie Calle and Annie Ernaux, Outlaw Artists.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	La vie des autres. Sophie Calle et Annie Ernaux, artistes hors-la-loi =/
其他題名:	The Lives of Others. Sophie Calle and Annie Ernaux, Outlaw Artists.
其他題名:	Lives of Others. Sophie Calle and Annie Ernaux, Outlaw Artists.
作者:	Wroblewski, Ania.
面頁冊數:	1 online resource (383 pages)
附註:	Source: Dissertations Abstracts International, Volume: 76-03, Section: A.
Contained By:	Dissertations Abstracts International76-03A.
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3635003click for full text (PQDT)
ISBN:	9781321157734

La vie des autres. Sophie Calle et Annie Ernaux, artistes hors-la-loi = = The Lives of Others. Sophie Calle and Annie Ernaux, Outlaw Artists.
Wroblewski, Ania.

La vie des autres. Sophie Calle et Annie Ernaux, artistes hors-la-loi =The Lives of Others. Sophie Calle and Annie Ernaux, Outlaw Artists.Lives of Others. Sophie Calle and Annie Ernaux, Outlaw Artists. - 1 online resource (383 pages)

Source: Dissertations Abstracts International, Volume: 76-03, Section: A.

Thesis (Ph.D.)--Universite de Montreal (Canada), 2014.

Includes bibliographical references

This dissertation analyzes how contemporary French artist Sophie Calle and contemporary French writer Annie Ernaux transgress the discursive, aesthetic, and social boundaries between public and private life. Taking a feminist perspective and drawing on theories of everyday life, this dissertation asks: what liberties are the female artist and writer permitted today? Where, how and by whom are the ethical limits of creative practice established? In light of often stereotypical literary and artistic representations of the female criminal, the first chapter examines the accusations of obscenity, shamelessness and indecency levelled against Calle and Ernaux by their critics. The following three chapters identify the diverse, innovative and subversive ways in which Calle and Ernaux question accepted perceptions of femininity in order to seize creative freedom: they assume the distinct and tactical positions of flaneuses, heart-broken women avenging their ex-lovers, and theorists manipulating the reception of their own works. Together, these four chapters trace the artwork's resonance in the public sphere, insist on the fruitful relationship that exists between a work of art and its frame, and consider the ethos of the artist as well as that of art. Sophie Calle's and Annie Ernaux's practices suggest that in order to achieve creative autonomy, art and writing must function outside of the constraints of moral, ethical, social and even civil laws. By examining instances in which artists, writers, curators and publishing houses have been subject to lawsuits in France since 2010, the conclusion of this dissertation studies a recent increase in the litigation of art and outlines some of the limits of representation as defined by the law.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9781321157734Subjects--Topical Terms:

570001
Comparative literature.
Subjects--Index Terms:

Art and everyday lifeIndex Terms--Genre/Form:

542853
Electronic books.

La vie des autres. Sophie Calle et Annie Ernaux, artistes hors-la-loi = = The Lives of Others. Sophie Calle and Annie Ernaux, Outlaw Artists.
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502 $a Thesis (Ph.D.)--Universite de Montreal (Canada), 2014.
504 $a Includes bibliographical references
520 $a This dissertation analyzes how contemporary French artist Sophie Calle and contemporary French writer Annie Ernaux transgress the discursive, aesthetic, and social boundaries between public and private life. Taking a feminist perspective and drawing on theories of everyday life, this dissertation asks: what liberties are the female artist and writer permitted today? Where, how and by whom are the ethical limits of creative practice established? In light of often stereotypical literary and artistic representations of the female criminal, the first chapter examines the accusations of obscenity, shamelessness and indecency levelled against Calle and Ernaux by their critics. The following three chapters identify the diverse, innovative and subversive ways in which Calle and Ernaux question accepted perceptions of femininity in order to seize creative freedom: they assume the distinct and tactical positions of flaneuses, heart-broken women avenging their ex-lovers, and theorists manipulating the reception of their own works. Together, these four chapters trace the artwork's resonance in the public sphere, insist on the fruitful relationship that exists between a work of art and its frame, and consider the ethos of the artist as well as that of art. Sophie Calle's and Annie Ernaux's practices suggest that in order to achieve creative autonomy, art and writing must function outside of the constraints of moral, ethical, social and even civil laws. By examining instances in which artists, writers, curators and publishing houses have been subject to lawsuits in France since 2010, the conclusion of this dissertation studies a recent increase in the litigation of art and outlines some of the limits of representation as defined by the law.
520 $a Cette these porte sur les transgressions discursives, esthetiques et sociales de la frontiere entre la vie privee et la vie publique effectuees par les creatrices francaises contemporaines Sophie Calle et Annie Ernaux. Dans une perspective feministe qui s'appuie sur les theories du quotidien, la these pose les questions suivantes : quelles libertes peut se permettre la femmeartiste ou l'ecrivaine aujourd'hui ? Ou, comment, et par qui se dessinent les limites ethiques de la creation ? A la lumiere des representations souvent stereotypees de la femme criminelle, le premier chapitre degage de la reception des oeuvres de Calle et d'Ernaux les « crimes » - entre autres, d'obscenite, d'impudeur et d'indecence - dont elles ont ete accusees par la critique. Les trois chapitres suivants ciblent les diverses manieres subversives et innovatrices dont Calle et Ernaux dejouent les perceptions acceptees de la feminite pour s'assurer la liberte totale en creation : elles se construisent en flaneuses maniant la photographie ou l'ecriture photographique comme une arme, en amoureuses blessees qui se vengent de leurs amants, et en theoriciennes manipulant les modalites de leur propre inscription dans les canons litteraires et artistiques. Cette these analyse au fil des chapitres les echos des oeuvres de Calle et d'Ernaux au plan social, insistant sur le rapport fecond qui existe entre l'oeuvre d'art et son cadre, interrogeant l'ethos de l'artiste et celui de l'art. Sophie Calle et Annie Ernaux repondent avec force a la necessite de se positionner autrement face a l'art en tant que femme, notamment, en proposant l'art et l'ecriture comme hors la loi. La conclusion etudie dans cette optique le phenomene recent de la « judiciarisation » de l'art. En examinant certains proces intentes depuis 2010 a des artistes, des ecrivaines, des commissaires d'exposition et des maisons d'edition francaises, cette these questionne finalement les risques et les violences de la representation tels qu'ils sont designes par la loi.
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650 4 $a Womens studies. $3 2122688
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653 $a Calle, sophie
653 $a Contemporary women's writing
653 $a Crime
653 $a Ernaux, annie
653 $a Ethics
653 $a Ethique
653 $a L'art et le quotidien
653 $a L'ecriture des femmes
653 $a Transgression
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710 2 $a Universite de Montreal (Canada). $b French Literature. $3 3179243
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3635003 $z click for full text (PQDT)