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From "orphans" to "bastards": The l...

Huang, Yibing.

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From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual./
作者:	Huang, Yibing.
面頁冊數:	249 p.
附註:	Source: Dissertation Abstracts International, Volume: 61-12, Section: A, page: 4761.
Contained By:	Dissertation Abstracts International61-12A.
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9998989
ISBN:	9780493074726

From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual.
Huang, Yibing.

From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual. - 249 p.

Source: Dissertation Abstracts International, Volume: 61-12, Section: A, page: 4761.

Thesis (Ph.D.)--University of California, Los Angeles, 2001.

This item must not be sold to any third party vendors.

The Cultural Revolution (1966--1976) as a political event may be history, but its legacy, often in unexpected ways, lives on. I intend to show that it is not until the Cultural Revolution that a Chinese Bildungsroman regarding both individual development and nation-building simultaneously found its national form and ran into deep crisis. Correspondingly, the whole conception of individual development that proved crucial in the formation of Western modernity was bastardized during the Cultural Revolution. This historical moment is most typically manifested in the development of the Red Guard generation during and after the Cultural Revolution. The Red Guard generation went through a process of transformation from "new men" into "orphans of history" and finally into "cultural bastards," whose peculiar "orphan-hood" and "bastardy" offers a unique site to reflect upon the very impossibility of representing Chinese modernity via convenient and ready-made modes of Western realism and modernism. I attempt to demonstrate that "cultural bastardy" is the norm of modern Chinese individual development and subject formation, and that this bastardization is crucial to our understanding of Chinese modernity. What is needed, then, is a "bastardized," instead of normative or canonical, narrative of Chinese modernity, in its relation to individual allegories and literary genres.

ISBN: 9780493074726Subjects--Topical Terms:

570001
Comparative literature.

From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual.
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245 1 0 $a From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual.
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500 $a Source: Dissertation Abstracts International, Volume: 61-12, Section: A, page: 4761.
500 $a Co-Chairs: Ted Huters; Shu-mei Shih.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2001.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a The Cultural Revolution (1966--1976) as a political event may be history, but its legacy, often in unexpected ways, lives on. I intend to show that it is not until the Cultural Revolution that a Chinese Bildungsroman regarding both individual development and nation-building simultaneously found its national form and ran into deep crisis. Correspondingly, the whole conception of individual development that proved crucial in the formation of Western modernity was bastardized during the Cultural Revolution. This historical moment is most typically manifested in the development of the Red Guard generation during and after the Cultural Revolution. The Red Guard generation went through a process of transformation from "new men" into "orphans of history" and finally into "cultural bastards," whose peculiar "orphan-hood" and "bastardy" offers a unique site to reflect upon the very impossibility of representing Chinese modernity via convenient and ready-made modes of Western realism and modernism. I attempt to demonstrate that "cultural bastardy" is the norm of modern Chinese individual development and subject formation, and that this bastardization is crucial to our understanding of Chinese modernity. What is needed, then, is a "bastardized," instead of normative or canonical, narrative of Chinese modernity, in its relation to individual allegories and literary genres.
520 $a The main body of this study comprises textual and contextual readings of three most influential contemporary Chinese writers---Duoduo, Wang Shuo and Zhang Chengzhi. They each has a rather complicated and ambiguous relationship with the legacy of the Cultural Revolution, and each has also proffered a distinctive individual vision of Chinese modernity, through questioning and subverting the ideological and aesthetic boundaries of literary forms and genres. Their interconnected allegories of individual development, articulated vis-a-vis the collective legacy of the Cultural Revolution, have revealed the vicissitudes of individual development from the Cultural Revolution to the end of the 20th century.
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