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Remains to be Seen: The Afterlife of...

Geballe, Elizabeth Frances.

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Remains to be Seen: The Afterlife of Russian Realism.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Remains to be Seen: The Afterlife of Russian Realism./
作者:	Geballe, Elizabeth Frances.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	251 p.
附註:	Source: Dissertations Abstracts International, Volume: 79-10, Section: A.
Contained By:	Dissertations Abstracts International79-10A.
標題:	Translation studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10749174
ISBN:	9780355781953

Remains to be Seen: The Afterlife of Russian Realism.
Geballe, Elizabeth Frances.

Remains to be Seen: The Afterlife of Russian Realism. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 251 p.

Source: Dissertations Abstracts International, Volume: 79-10, Section: A.

Thesis (Ph.D.)--Indiana University, 2018.

This item is not available from ProQuest Dissertations & Theses.

"Remains to be Seen: The Afterlife of Russian Realism," closely analyzes the various models by which the Russian realist tradition was reanimated in western Europe by twentieth-century translators, biographers, and authors who positioned themselves as its rightful heirs. In particular, I focus on Ivan Bunin's biography and rewritings of Lev Tolstoy, Constance Garnett's translations of Fyodor Dostoevsky, and Katherine Mansfield's plagiarism and revisions of Anton Chekhov. In each of these cases I have isolated intertextual dialogues that revolve around exposed and wasting bodies. This approach allows me to conceive the evolution of Russian literary history through time and space as a series of pathological attempts to preserve, reanimate, or rehabilitate the dead weight of the literary past. In Chapter 1, "Sepulchral Passports; or, The Body, the Body, Always the Body," I show how Bunin has reimagined the narrative possibilities of Tolstoy's discarded bodies. In Chapter 2, "Alternate Afterlives: Translating Dostoevsky's Corpses," I address the ways in which Dostoevsky's most famous translator amplifies the doubts raised by the unburied bodies in his fiction. In my final chapter, "A Series of Heavens: Consumption and Consummation in Chekhov and Mansfield," I argue that Mansfield makes literal Chekhov's metaphors of malady. Translating these corpses-moving them into another language, tradition, and geographical space-the twentieth-century rewriters radically revise existing intertextual paradigms. Their work suggests that literature's obsession with its own source material is best staged as a corporeal drama-a drama in which the rehabilitations of texts are performed on the dead bodies they house.

ISBN: 9780355781953Subjects--Topical Terms:

3310485
Translation studies.
Subjects--Index Terms:

Adaptation

Remains to be Seen: The Afterlife of Russian Realism.
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