Music history.
概要
| 作品: | 240 作品在 0 項出版品 0 種語言 | |
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書目資訊
Orality, Literacy, and the Learning of Instruments: Professional Instrumentalists and Their Music in Early Modern Italy.
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The Piccolo in the 21st Century: History, Construction, and Modern Pedagogical Resources.
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The Names of Minimalism: Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
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Going Old School: Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
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Rethinking Interaction: Identity and Agency in the Performance of "Interactive" Electronic Music.
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The Status of AI in Music: A Study of the Musical Metacreation Conferences, 2012-2018.
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Mozart's "Mezzos": A Comparative Study between Castrato and Female Roles in Mozart's Operas.
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Recording Studios on Tour: The Expeditions of the Victor Talking Machine Company Through Latin America, 1903-1926.
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Preserving the Narrative of 20th Century Art Song: A Guide for Instrumental Transcriptions of Vocal Music.
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The Classical-period Development Section: Compositional Strategies of Haydn, Mozart, Beethoven, and Schubert.
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"Night and Silence - Who Is Here?": The Impact of Vocal Variety in Arnold Schoenberg's Early Sprechstimmen.
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Central Europe in Text: Music, Aesthetics, and Literary Discourse in the 20th Century.
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A History of Keyboard Hand Division: Note (Re)Distribution in Keyboard Music from the Renaissance to the Twentieth Century.
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Reaching Through the Iron Curtain: Practicalities in the Anglo-Soviet Cultural Exchange of Music and Musicians, 1955-1975.
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Claudio Santoro, Musica Viva, and the Emergence of German Modernism in Brazilian Music.
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Music After the Cultural Revolution : = Transnational Precarity for China's One-Child Generation.
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The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) : = A Musical Guide.
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The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.
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The Life and Music of Roland Marvin Carter: American Composer, Arranger, Conductor, Educator.
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Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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Objects of Veneration: Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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The Buddha's Voice: Ritual Sound and Sensory Experience in Medieval Chinese Religious Practice.
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From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day.
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Defining Sound, Confronting Hierarchies: A Study of the American Wind Ensemble Community.
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The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera.
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A Historical Perspective on LP Marketing and Payola in 1962: The Case of Robby and The Troubadours.
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Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance.
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An Introduction to an Operetta: Pauline Viardot's Le Dernier Sorcier for the Young Opera Studio.
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Networks of Performance and Patronage: Russian Artists in American Dance, Vaudeville, and Opera, 1909-1947.
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114 Years in Oblivion: The History and Development of International Flute Festivals in Central America.
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Study on Confucian "Musical-Cultivation" in Pre-Qin Dynasty: Focusing on "The Record of Musicals".
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Americans at the Leipzig Conservatory (1843-1918) and their Impact on American Musical Culture.
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The Clarinet Writing in Wagner's Parsifal as Synthesis of the Wagner-Nietzsche Relationship.
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"Buy, Reade, Regard": Learning to Sing and Play Through the Printed Page in Early Modern England.
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Chamber Music, Cyclic Form, and the Ideal of the Absolute in French Music and Literature, 1890-1918.
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From Ut Re Mi to Fourteen-Tone Temperament: The Global Acoustemologies of an Early Modern Chinese Tuning Reform.
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Aesthetics of the Unseen: The Sacred Music of Grzegorz Gorczycki in Turbulent Times of Eighteenth-Century Krakow, Poland.
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Opera in Warsaw, 1765-1830: Operatic Migration, Adaptation, and Reception in the Enlightenment.
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Music, the Market, and the Marvelous: Parisian Feerie and the Emergence of Mass Culture, 1864-1900.
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Songs for Contemporary Voices: Perspectives and Strategies of Women Making Music in the Twenty-First Century.
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Looking Through Trees, Finding Squirrels: Healing Traumas in Native America with Traditions, Song, and Dance.
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Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music.
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Melodrama, Liederspiel and Revolution: Robert Schumann's Domestication of Theater after 1848.
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The American Symphony Orchestra Today: Problems in Community, Diversity and Representation.
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Planal Analysis and the Emancipation of Timbre: Klangfarbenmelodie and Timbral Function in Mahler, Schoenebrg, and Webern.
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Music Education Transformation: How Orff, Kodaly, and Suzuki Promote Academic Success.
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Don't Lose Your Good Thing: the Preservation, Interpretation, and Community Engagement of Historic Recorded Music Spaces.
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Sounding Judentum: Assimilation, Art Music, and Being Jewish Musically in 19th Century German-Speaking Europe.
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Spectacles of Sensational Science: Locating the "Real" Bodies of Verismo Opera 1880-1926.
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A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn.
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How Baroque Cello Music Laid the foundation for Cello Works of the 19th and 20th Centuries.
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Survival Strategies: The Professional, Political, and Artistic Negotiations of Paul Hindemith, 1918-1934.
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Escaping Time: Messiaen's Musical Language, Religious Symbolism, and Undermining Time in Quatour pour la fin du Temps.
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Music Borrowing in Organ Literature Through History: Couperin, Bach, Brahms, Ives, Alain, and Cage.
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Influence and Innovation: Beethoven's Impact on the Sonatas for Piano and Cello by Mendelssohn and Chopin.
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Reframing the Wagnerian Form Debate: Continuity, Working Narrative, and Operatic Convention in Der Ring Des Nibelungen.
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Bodies, Technologies, Viruses: Music and Social Immunity in Bio-Pop, New York City, 1980s.
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The Musical Turn: a New Dramaturgy for Stage Instruments and Actor-Musicianship in Twentieth-Century Irish Drama.
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What the Ear Sees: Performing Bodies, Hollywood Spectacle, and the Mass-Mediated Musical.
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Playing Japan: The Transnational Circulation of Japan in Contemporary Video Game Music.
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Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia.
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Breath, Gravity, Giants, and Death: Puppet-Musical Encounters from Die Zauberflote to Today.
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Composers of the Piano Cycle during Wartime, 1936-1945: Joaquin Rodrigo, Emile Goue, and Samuel Barber.
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Composers and Publishers of Parlor Songs and Spirituals from Civil War Richmond: 1861 - 1867.
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A Comparison of Approaches to Pianoforte Technique in the Treatises of Lhevinne, Leimer, and Neuhaus.
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The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries.
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Political Songs in Polite Society: Singing about Africans in the Time of the British Abolition Movement, 1787 to 1807.
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Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
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"The Icelandic Grieg?": Sveinbjorn Sveinbjornsson: A Biographical Study and Edition of His Sonata for Violin and Piano.
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Rethinking Beethoven's Middle Style: Form, Time, and Disruption in the Chamber Music of 1806-15.
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Messiaen as the "Rhythmician" : = Study and Performance Guides of Olivier Messiaen's Quatre Etudes De Rythme.
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"Next Stop Is Vietnam" : = The Power and Transnationalism of Music in the Vietnam War Era.
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Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel.
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Du Fay's Magnetic Counterpoint : = Experiencing Melody, Harmony, Texture, & Form in the Tenor Masses.
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Play Makes Perfect : = An Exploration of Game and Play Elements in Composition and Performance.
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Songs of Sorrow, Hope, and Praise : = Toward a Historical Analysis of Negro Spirituals.
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Interpreting the Journey of Orpheus : = An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
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A Study of Arranging Technique, Performance Guide, and Practical Application on Liszt's Schubert Song Transcriptions.
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Integrating the Postmodern Avant-Garde: Art Music(s) at the Intersection of Improvisation.
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Black Artists and White Space: Race and Political Economy in Louis Armstrong's Career.
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Managing the Crisis: Music, Neoliberalism, and the Popular Avant-Garde in Britain, 1975-84.
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South Korean Popular Folk Music: The Genre that Defined 1970s Youth Culture = = 포크: 1970년대 청년문화를 정의한 장르.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Melancholia in Twentieth-Century British Cello Concertos, Sonatas, and Solo Works : = 1900-1980.
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Standard Practices : = Intertextuality, Agency, and Improvisation in Jazz Performances of Modern Popular Music.
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The Improvised Text : = Bodily Regimes of Piano Performance in the Nineteenth Century.
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Conducting with Multimedia in Live Performance : = A Framework of Techniques and Technologies.
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An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung.
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Selected Sixteenth- and Seventeenth-Century Italian and English Madrigals for Use in Higher Music Education in China.
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"Always with Kindness" : = The Life and Career of Music Educator and Conductor, Anthony Maiello.
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"Jazz Steel" : = An Ethnography of Race, Sound, and Technology in Spaces of Live Performance.
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Navigating Voices : = Song, History, and Humanity in the British Imperial Project, 1770-1836.
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Claude Debussy Keman ve Piyano Sonati'nin Incelenmesi = = Analysis of Claude Debussy's Violin and Piano Sonata.
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