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Anton Bruckner and Simon Sechter's F...

Stocken, Frederick.

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Anton Bruckner and Simon Sechter's Fundamental Bass Theory.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Anton Bruckner and Simon Sechter's Fundamental Bass Theory./
作者:	Stocken, Frederick.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2007,
面頁冊數:	330 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-08, Section: C.
Contained By:	Dissertations Abstracts International80-08C.
標題:	Music history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13841351
ISBN:	9780438895102

Anton Bruckner and Simon Sechter's Fundamental Bass Theory.
Stocken, Frederick.

Anton Bruckner and Simon Sechter's Fundamental Bass Theory. - Ann Arbor : ProQuest Dissertations & Theses, 2007 - 330 p.

Source: Dissertations Abstracts International, Volume: 80-08, Section: C.

Thesis (Ph.D.)--The University of Manchester (United Kingdom), 2007.

Anton Bruckner was immersed in Simon Sechter's fundamental bass theory for six years during his thirties whilst a pupil of Sechter, and then made it the basis for his theoretical teaching for the rest of his life. Whilst these facts might suggest that any analysis of Bruckner's music would have to take fundamental bass theory into account, the reality is that little attention has ever been given to this issue, mainly because the theory itself was superseded. This research is the most extensive attempt so far undertaken to understand how fundamental bass theory influenced Bruckner's harmonic thinking. Three contexts are presented within which Sechter's ultra-systematic approach to theory can better be appreciated: first, an examination of the sketchy historical pedigree of one of the theory's most idiosyncratic features, the intermediate fundamental; secondly, Sechter's life-long obsession with counterpoint; thirdly, his re-working of Beethoven's Sonata in A flat, op. 110. A profile of the theory itself is then drawn in conjunction with examples from Bruckner's own exercises for Sechter. Next, starting with Karl Mayrberger's appropriation of fundamental bass theory for his analysis of passages from Tristan from the 1880s, each of the other subsequent applications of the theory to real musical situations is considered - the most recent involving Bruckner's own music - for the lessons that can be drawn from them. Finally, an attempt is made to discern features of fundamental bass theory in the Adagio from Bruckner's Ninth Symphony. By concentrating primarily on the question of chordal pivots, it is shown how the theory is surprisingly compatible with late-romantic harmony in its own non-functional terms. Moving beyond the question simply of compatibility between Bruckner's music and fundamental bass theory, the case will be made that the theory actually helps to explain some harmonic structures within the music in previously unnoticed ways, thereby not only suggesting how the influence of fundamental bass theory may be understood, but also demonstrating its benefits as an analytical tool.

ISBN: 9780438895102Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

Bruckner, Anton

Anton Bruckner and Simon Sechter's Fundamental Bass Theory.
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