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Clementi the Scientist: Contemporary Reception of his Symphonies.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Clementi the Scientist: Contemporary Reception of his Symphonies./
作者:
Asber, Joyce.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
72 p.
附註:
Source: Masters Abstracts International, Volume: 83-02.
Contained By:
Masters Abstracts International83-02.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28674421
ISBN:
9798516992650
Clementi the Scientist: Contemporary Reception of his Symphonies.
Asber, Joyce.
Clementi the Scientist: Contemporary Reception of his Symphonies.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 72 p.
Source: Masters Abstracts International, Volume: 83-02.
Thesis (M.A.)--University of North Texas, 2020.
This item must not be sold to any third party vendors.
Muzio Clementi's symphonies were first performed in London between 1786 and 1796. After an extended hiatus from 1796 to 1813, his symphonic works appeared on programs again from 1813 to 1824. Clementi's career as a symphonist corresponds closely with trends in London's concert life. The reception of Clementi's symphonies during his lifetime has frequently been misinterpreted by scholars who oversimplify the use of "science" in musical discourse of the day and fail to consider the positive connotations of this adjective, so frequently applied to Clementi. Musical discourse at the time addressed the science and art of music emphasizing a composition, or its composer's, science, harmony, effects, genius, and the audience's response. Though an unstated ideal, reviews evince a preference for balancing scientific and artistic display. Reviews of Clementi's symphonies suggest he initially struggled to balance the technical and artistic qualities of his compositions but succeeded, according to reviews, in finally doing so in 1796. After his early efforts, Clementi was consistently praised as worthy to stand among the current and most prestigious composers of the continent: Haydn and Mozart initially, and Beethoven and Rossini later.
ISBN: 9798516992650Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Muzio Clementi
Clementi the Scientist: Contemporary Reception of his Symphonies.
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Muzio Clementi's symphonies were first performed in London between 1786 and 1796. After an extended hiatus from 1796 to 1813, his symphonic works appeared on programs again from 1813 to 1824. Clementi's career as a symphonist corresponds closely with trends in London's concert life. The reception of Clementi's symphonies during his lifetime has frequently been misinterpreted by scholars who oversimplify the use of "science" in musical discourse of the day and fail to consider the positive connotations of this adjective, so frequently applied to Clementi. Musical discourse at the time addressed the science and art of music emphasizing a composition, or its composer's, science, harmony, effects, genius, and the audience's response. Though an unstated ideal, reviews evince a preference for balancing scientific and artistic display. Reviews of Clementi's symphonies suggest he initially struggled to balance the technical and artistic qualities of his compositions but succeeded, according to reviews, in finally doing so in 1796. After his early efforts, Clementi was consistently praised as worthy to stand among the current and most prestigious composers of the continent: Haydn and Mozart initially, and Beethoven and Rossini later.
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