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An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung./
作者:
Kim, Ji Hee.
面頁冊數:
1 online resource (94 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:
Dissertations Abstracts International84-12A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30420041click for full text (PQDT)
ISBN:
9798379742829
An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung.
Kim, Ji Hee.
An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung.
- 1 online resource (94 pages)
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Thesis (D.M.A.)--James Madison University, 2023.
Includes bibliographical references
Modern Korean art song, Gagok, is the Western-style vocal music genre that developed in the twentieth century in Korea, predominantly through the influence of western music curricula in missionary schools and the presence of Korean military bands. These influences led to the first generation of Western music leaders who contributed to the birth of Gagok. As a result, this new genre rapidly became popular and continued to be developed despite the Japanese occupation of Korea (1910-1945) and up to the present day. Since the birth of Gagok, two divergent compositional styles have emerged. This DMA document aims to introduce professional classical singers and educators to Gagok and contemporary treatments of this critical global art song genre and explores through detailed examinations five selected Gagok representative of these two divergent compositional styles by two composers, Guisook Lee, and Jiyoun Chung. Guisook Lee, a prolific composer and composition professor at Korea National University of Arts in Seoul, South Korea, composed her Gagok with traditional Korean musical elements but using Western notation. In contrast, Jiyoun Chung, a prolific composer and composition professor at Central Washington University in the USA, predominantly embraced Western sources from various genres of music in her compositions. This paper provides brief biographies of these two female-identifying composers and overviews of their compositional processes and musical philosophies. In addition, musical and poetic analyses are undertaken for each of the five selected Gagok, including word-for-word and literary translations. To assist non-Korean singers seeking to perform contemporary Gagok, International Phonetic Alphabet (IPA) resources are provided.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798379742829Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
GagokIndex Terms--Genre/Form:
542853
Electronic books.
An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung.
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Modern Korean art song, Gagok, is the Western-style vocal music genre that developed in the twentieth century in Korea, predominantly through the influence of western music curricula in missionary schools and the presence of Korean military bands. These influences led to the first generation of Western music leaders who contributed to the birth of Gagok. As a result, this new genre rapidly became popular and continued to be developed despite the Japanese occupation of Korea (1910-1945) and up to the present day. Since the birth of Gagok, two divergent compositional styles have emerged. This DMA document aims to introduce professional classical singers and educators to Gagok and contemporary treatments of this critical global art song genre and explores through detailed examinations five selected Gagok representative of these two divergent compositional styles by two composers, Guisook Lee, and Jiyoun Chung. Guisook Lee, a prolific composer and composition professor at Korea National University of Arts in Seoul, South Korea, composed her Gagok with traditional Korean musical elements but using Western notation. In contrast, Jiyoun Chung, a prolific composer and composition professor at Central Washington University in the USA, predominantly embraced Western sources from various genres of music in her compositions. This paper provides brief biographies of these two female-identifying composers and overviews of their compositional processes and musical philosophies. In addition, musical and poetic analyses are undertaken for each of the five selected Gagok, including word-for-word and literary translations. To assist non-Korean singers seeking to perform contemporary Gagok, International Phonetic Alphabet (IPA) resources are provided.
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