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The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Early Songs (1880-1885) of Claude Debussy :/
其他題名:	An Analytical Approach to Defining a Repertoire.
作者:	Waldroup, William Allan.
面頁冊數:	1 online resource (380 pages)
附註:	Source: Dissertations Abstracts International, Volume: 83-02, Section: A.
Contained By:	Dissertations Abstracts International83-02A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28690935click for full text (PQDT)
ISBN:	9798534697674

The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.
Waldroup, William Allan.

The Early Songs (1880-1885) of Claude Debussy :An Analytical Approach to Defining a Repertoire. - 1 online resource (380 pages)

Source: Dissertations Abstracts International, Volume: 83-02, Section: A.

Thesis (Ph.D.)--University of North Texas, 2021.

Includes bibliographical references

The period between 1880 and 1885 was a significant time in Claude Debussy's life and compositional career. 1880 marks the date of his first published composition, "Nuit d'etoiles," and 1885 is the year in which he began his two-year tenure in Rome after winning the coveted Prix de Rome in 1884. During the intervening time Debussy composed about forty songs. Scholarly literature, especially analytical literature, tends to focus heavily on music in Debussy's mature style, often casting his early compositions in an unfavorable light. Writing on Debussy is scattered with references to the early songs but authors almost always situate them on one end of a continuum that shows an evolution of compositional style culminating in maturity. Such a view tends, if only tacitly, to regard early works as inferior instances of juvenilia rather than works worthy of study in their own right. In this dissertation I establish a foundation for regarding Debussy's early songs as significant compositions in their own right, independent from anachronistic comparisons with his more mature compositional style, and provide justification for considering the songs as a unified, identifiable repertoire within Debussy's larger oeuvre. Using a modified Schenkerian analytical approach, I identify consistencies among the songs that give them an independent identity and provide support for their classification as an identifiable collection of works. I consider the songs within a proper historical narrative and in close association with poetry, French musical culture, and issues related to Debussy's biography. Furthermore, I delineate Debussy's compositional aesthetic in the early songs and examine his relationship to other notable contemporary composers of the melodie, thus showing how his early style emerged from the tradition of the melodie, how he participated in late-nineteenth century art-song culture, and how he ultimately pushed the genre of the melodie forward.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798534697674Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Claude DebussyIndex Terms--Genre/Form:

542853
Electronic books.

The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.
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520 $a The period between 1880 and 1885 was a significant time in Claude Debussy's life and compositional career. 1880 marks the date of his first published composition, "Nuit d'etoiles," and 1885 is the year in which he began his two-year tenure in Rome after winning the coveted Prix de Rome in 1884. During the intervening time Debussy composed about forty songs. Scholarly literature, especially analytical literature, tends to focus heavily on music in Debussy's mature style, often casting his early compositions in an unfavorable light. Writing on Debussy is scattered with references to the early songs but authors almost always situate them on one end of a continuum that shows an evolution of compositional style culminating in maturity. Such a view tends, if only tacitly, to regard early works as inferior instances of juvenilia rather than works worthy of study in their own right. In this dissertation I establish a foundation for regarding Debussy's early songs as significant compositions in their own right, independent from anachronistic comparisons with his more mature compositional style, and provide justification for considering the songs as a unified, identifiable repertoire within Debussy's larger oeuvre. Using a modified Schenkerian analytical approach, I identify consistencies among the songs that give them an independent identity and provide support for their classification as an identifiable collection of works. I consider the songs within a proper historical narrative and in close association with poetry, French musical culture, and issues related to Debussy's biography. Furthermore, I delineate Debussy's compositional aesthetic in the early songs and examine his relationship to other notable contemporary composers of the melodie, thus showing how his early style emerged from the tradition of the melodie, how he participated in late-nineteenth century art-song culture, and how he ultimately pushed the genre of the melodie forward.
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