東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey./
作者:	Henry, David.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:	302 p.
附註:	Source: Dissertations Abstracts International, Volume: 84-01, Section: A.
Contained By:	Dissertations Abstracts International84-01A.
標題:	Music history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29161869
ISBN:	9798834037477

Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
Henry, David.

Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey. - Ann Arbor : ProQuest Dissertations & Theses, 2022 - 302 p.

Source: Dissertations Abstracts International, Volume: 84-01, Section: A.

Thesis (D.M.A.)--University of Maryland, College Park, 2022.

This item must not be sold to any third party vendors.

This dissertation explores the piano recordings made by Sergei Vasilyevich Rachmaninoff, in particular the works he recorded multiple times, identifying the larger developmental arc of his playing during the twenty-four years of his latter career. We show that the common axes of technique and interpretation provide an insufficient lens through which to understand his changing style; instead, we propose an additional dimension of identity which better captures Rachmaninoff's evolution as a performer. Furthermore, this point of view allows a separation of his recordings into three distinct periods.Rachmaninoff stands as a unique figure in modern musical history, reflecting an improbable convergence of events: 1. he was a world-renowned composer for the first half of his career. 2. upon the emergency of the Russian revolution in 1917, he emigrated with his family to America at the age of forty-five, industriously working to become one of the leading concert artists of his generation. 3. he was one of the first pianists to leave a recorded legacy.Appropriate historical and biographical context is provided to better understand Rachmaninoff and his times, and to place his recordings in a fuller context.We also present the current state of knowledge and availability of Rachmaninoff's extant recordings, the various technologies by which they were made, and the recording companies with which Rachmaninoff chose to work. We describe the importance of matrix numbers, alternate takes, potentially unreleased recordings, piano rolls, and unintentional recordings. Rachmaninoff's recordings currently exist across many fragmented sources, some difficult to learn of and acquire. This dissertation thereby provides a modern guide to these recordings in hope of aiding future scholars.

ISBN: 9798834037477Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

Piano

Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
LDR:02992nmm a2200385 4500 001 2352850
005 20221205085622.5
008 241004s2022 ||||||||||||||||| ||eng d
020 $a 9798834037477
035 $a (MiAaPQ)AAI29161869
035 $a AAI29161869
040 $a MiAaPQ $c MiAaPQ
100 1 $a Henry, David. $3 3199849
245 1 0 $a Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2022
300 $a 302 p.
500 $a Source: Dissertations Abstracts International, Volume: 84-01, Section: A.
500 $a Advisor: Gowen, Bradford.
502 $a Thesis (D.M.A.)--University of Maryland, College Park, 2022.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation explores the piano recordings made by Sergei Vasilyevich Rachmaninoff, in particular the works he recorded multiple times, identifying the larger developmental arc of his playing during the twenty-four years of his latter career. We show that the common axes of technique and interpretation provide an insufficient lens through which to understand his changing style; instead, we propose an additional dimension of identity which better captures Rachmaninoff's evolution as a performer. Furthermore, this point of view allows a separation of his recordings into three distinct periods.Rachmaninoff stands as a unique figure in modern musical history, reflecting an improbable convergence of events: 1. he was a world-renowned composer for the first half of his career. 2. upon the emergency of the Russian revolution in 1917, he emigrated with his family to America at the age of forty-five, industriously working to become one of the leading concert artists of his generation. 3. he was one of the first pianists to leave a recorded legacy.Appropriate historical and biographical context is provided to better understand Rachmaninoff and his times, and to place his recordings in a fuller context.We also present the current state of knowledge and availability of Rachmaninoff's extant recordings, the various technologies by which they were made, and the recording companies with which Rachmaninoff chose to work. We describe the importance of matrix numbers, alternate takes, potentially unreleased recordings, piano rolls, and unintentional recordings. Rachmaninoff's recordings currently exist across many fragmented sources, some difficult to learn of and acquire. This dissertation thereby provides a modern guide to these recordings in hope of aiding future scholars.
590 $a School code: 0117.
650 4 $a Music history. $3 3342382
650 4 $a Music theory. $3 547155
650 4 $a Musical performances. $3 3175508
653 $a Piano
653 $a Piano concerto
653 $a Piano roll
653 $a Rachmaninoff
653 $a Rachmaninov
653 $a Transcription
690 $a 0208
690 $a 0943
690 $a 0221
710 2 $a University of Maryland, College Park. $b Music. $3 1267375
773 0 $t Dissertations Abstracts International $g 84-01A.
790 $a 0117
791 $a D.M.A.
792 $a 2022
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29161869