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Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel./
作者:
Mealey, Natalie Paige.
面頁冊數:
1 online resource (43 pages)
附註:
Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Contained By:
Dissertations Abstracts International83-11A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29168421click for full text (PQDT)
ISBN:
9798802708521
Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel.
Mealey, Natalie Paige.
Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel.
- 1 online resource (43 pages)
Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Thesis (D.M.A.)--Arizona State University, 2022.
Includes bibliographical references
The unmeasured Fantasias by Johann Gottfried Muthel appear as part of a collection of pedagogical exercises to foster improvisation. The information he gives in the notation of his fantasias can be elucidated with a historiographical interpretation of musical rhetoric. Muthel developed musical figures and contrasting textures in accordance with contemporary rhetorical principles of inventio, dispositio and elaboratio. An analysis of Muthel's G-minor Fantasia provides a link between musical rhetoric and performance, as seen through its improvisatory gestures. Issues of performance practice that arise in the G-minor Fantasia are the execution of ornaments, rhythmic alterations, registration, and articulation. This paper explores primary sources contemporary to Muthel to make sense of these issues. The unmeasured Fantasias are written for a keyboard with pedal. At the time that they were written, the pedal fortepiano and pedal clavichord were seen by musicians such as Carl Phillip Emanual Bach to be the superior instruments for performing improvisations. While the notation and texture of the Fantasias suggests that Muthel intended them for organ, a consideration of the possibilities provided by the fortepiano suggests that it may be more suited to conveying aspects of the galant aesthetic.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798802708521Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
FantasiasIndex Terms--Genre/Form:
542853
Electronic books.
Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel.
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Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
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Advisor: Marshall, Kimberly.
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The unmeasured Fantasias by Johann Gottfried Muthel appear as part of a collection of pedagogical exercises to foster improvisation. The information he gives in the notation of his fantasias can be elucidated with a historiographical interpretation of musical rhetoric. Muthel developed musical figures and contrasting textures in accordance with contemporary rhetorical principles of inventio, dispositio and elaboratio. An analysis of Muthel's G-minor Fantasia provides a link between musical rhetoric and performance, as seen through its improvisatory gestures. Issues of performance practice that arise in the G-minor Fantasia are the execution of ornaments, rhythmic alterations, registration, and articulation. This paper explores primary sources contemporary to Muthel to make sense of these issues. The unmeasured Fantasias are written for a keyboard with pedal. At the time that they were written, the pedal fortepiano and pedal clavichord were seen by musicians such as Carl Phillip Emanual Bach to be the superior instruments for performing improvisations. While the notation and texture of the Fantasias suggests that Muthel intended them for organ, a consideration of the possibilities provided by the fortepiano suggests that it may be more suited to conveying aspects of the galant aesthetic.
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