東華大學圖書館 |

"Come, Ask My Heart": Voice, Meaning, and Affect among Algerian Sha'bi Musicians in Paris = = «Venez, demandez a mon coeur»: voix, signification et affect parmi les musiciens de chaabi algeriens a Paris.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"Come, Ask My Heart": Voice, Meaning, and Affect among Algerian Sha'bi Musicians in Paris =/
其他題名:	«Venez, demandez a mon coeur»: voix, signification et affect parmi les musiciens de chaabi algeriens a Paris.
作者:	Orr, Christopher C.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	205 p.
附註:	Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
Contained By:	Dissertations Abstracts International81-02A.
標題:	Music history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13808667
ISBN:	9781085566049

"Come, Ask My Heart": Voice, Meaning, and Affect among Algerian Sha'bi Musicians in Paris = = «Venez, demandez a mon coeur»: voix, signification et affect parmi les musiciens de chaabi algeriens a Paris.
Orr, Christopher C.

"Come, Ask My Heart": Voice, Meaning, and Affect among Algerian Sha'bi Musicians in Paris =«Venez, demandez a mon coeur»: voix, signification et affect parmi les musiciens de chaabi algeriens a Paris. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 205 p.

Source: Dissertations Abstracts International, Volume: 81-02, Section: A.

Thesis (Ph.D.)--The Florida State University, 2019.

This item must not be sold to any third party vendors.

In this dissertation I explore performances of Algerian sha'bi music in Paris as affectively powerful experiences for the Algerian migrant community. Literally meaning "popular," sha'bi developed as a modernized form of colloquial sung poetry among the working class of mid-twentieth century Algiers and has remained a significant mode of cultural expression in the twenty-first century. By comparing a range of formal and informal contexts of performance, I consider the interdependency of place and intimacy in the expression of authority, morality, ecstasy, tradition, and communal belonging in sha'bi praxis. I eschew dyadic constructions of home and exile and instead explore the idea of place in multiple guises, both real and imagined, as it either constrains or enables shared ecstatic experience among listeners. During successful sha'bi performances, participants transform physical spaces into places of intimacy by entraining with one another's emotional states. This state of shared heightened emotion is vested in the role of the shaykh, who moves the audience through skillful execution of sha'bi's musical conventions and his demonstration of textual knowledge through a convincing interpretation of the musical poetry. Central to this experience is the voice of the shaykh, which imbues the text with affective power and establishes the singer as the embodiment of tradition. As evoked metaphorically in the sung refrain of a well-known song, "Come, ask my heart to share with you its news and you'll see that you own it and you know what you've done to it," the singer invites the audience into a shared ritual of ecstatic, musical interaction in which bodily co-presence and emotional entrainment bring listeners together in collective effervescence. Perhaps most importantly, singers are imbued with moral virtues by adoring devotees, which allows them to shape the emotional experiences of individual performances. Informed by interviews and participant observations, I examine how the sha'bi singer comes to embody the weight of tradition and joins with musicians and audiences to facilitate intimacy across a range of Parisian environments. In the process, I seek to illuminate why sha'bi continues to be such a dynamic, meaningful mode of cultural expression for France's Algerian diasporic community.

ISBN: 9781085566049Subjects--Topical Terms:

3342382
Music history.

"Come, Ask My Heart": Voice, Meaning, and Affect among Algerian Sha'bi Musicians in Paris = = «Venez, demandez a mon coeur»: voix, signification et affect parmi les musiciens de chaabi algeriens a Paris.
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245 1 0 $a "Come, Ask My Heart": Voice, Meaning, and Affect among Algerian Sha'bi Musicians in Paris = $b «Venez, demandez a mon coeur»: voix, signification et affect parmi les musiciens de chaabi algeriens a Paris.
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500 $a Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
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520 $a In this dissertation I explore performances of Algerian sha'bi music in Paris as affectively powerful experiences for the Algerian migrant community. Literally meaning "popular," sha'bi developed as a modernized form of colloquial sung poetry among the working class of mid-twentieth century Algiers and has remained a significant mode of cultural expression in the twenty-first century. By comparing a range of formal and informal contexts of performance, I consider the interdependency of place and intimacy in the expression of authority, morality, ecstasy, tradition, and communal belonging in sha'bi praxis. I eschew dyadic constructions of home and exile and instead explore the idea of place in multiple guises, both real and imagined, as it either constrains or enables shared ecstatic experience among listeners. During successful sha'bi performances, participants transform physical spaces into places of intimacy by entraining with one another's emotional states. This state of shared heightened emotion is vested in the role of the shaykh, who moves the audience through skillful execution of sha'bi's musical conventions and his demonstration of textual knowledge through a convincing interpretation of the musical poetry. Central to this experience is the voice of the shaykh, which imbues the text with affective power and establishes the singer as the embodiment of tradition. As evoked metaphorically in the sung refrain of a well-known song, "Come, ask my heart to share with you its news and you'll see that you own it and you know what you've done to it," the singer invites the audience into a shared ritual of ecstatic, musical interaction in which bodily co-presence and emotional entrainment bring listeners together in collective effervescence. Perhaps most importantly, singers are imbued with moral virtues by adoring devotees, which allows them to shape the emotional experiences of individual performances. Informed by interviews and participant observations, I examine how the sha'bi singer comes to embody the weight of tradition and joins with musicians and audiences to facilitate intimacy across a range of Parisian environments. In the process, I seek to illuminate why sha'bi continues to be such a dynamic, meaningful mode of cultural expression for France's Algerian diasporic community.
520 $a Dans cette these, j'etudie les performances du chaabi algerien a Paris en tant qu'experiences emotionnelles puissantes pour la communaute migrante algerienne. Le chaabi, qui signifie litteralement « populaire », s'est developpe sous la forme modernisee d'une poesie populaire chantee dans le milieu ouvrier du milieu du XXe siecle a Alger et le genre musical est reste un mode d'expression culturelle important au XXIe siecle. En comparant divers contextes de performance formels et informels, j'analyse l'interdependance du lieu et de l'intimite dans l'expression de l'autorite, de la moralite, de l'extase, de la tradition et de l'appartenance communautaire a travers la pratique du chaabi. J'ai fait le choix de ne pas aborder les constructions dyadiques de la patrie et de l'exil, mais d'explorer plutot l'idee du lieu sous ses multiples formes, a la fois reelles et imaginaires, car c'est le lieu qui tantot limite ou permet le partage d'une experience extatique entre les auditeurs. Lorsque la performance du chaabi est reussie, les participants transforment les espaces physiques en lieux d'intimite en s'entrainant les uns et les autres dans leurs propres etats emotionnels. Cet etat d'emotion partagee est incarne dans le role du cheikh, qui emeut le public par l'execution habile des conventions musicales du chaabi et sa demonstration de la connaissance des textes a travers une interpretation convaincante de la poesie musicale. La voix du cheikh est au centre de l'experience, elle confere au texte un pouvoir affectif et eleve le chanteur au rang de veritable personnification de la tradition. Comme l'evoque de maniere metaphorique le refrain chante d'une chanson bien connue, « Venez demander des nouvelles a mon coeur, vous verrez qu'il vous appartient et saurez ce que vous lui avez fait », le chanteur invite le public a partager un rituel commun au sein d'une interaction musicale extatique, ou la coexistence corporelle et l'entrainement emotionnel rassemblent les auditeurs dans une effervescence collective. Peut-etre plus important encore, les chanteurs sont impregnes par les vertus morales des fervents adeptes, ce qui leur permet de faconner les experiences emotionnelles de chacune des performances. En m'appuyant sur l'observation des participants et sur des entretiens, j'examine comment le chanteur de chaabi incarne le poids de la tradition et s'associe aux musiciens et au public pour favoriser l'intimite dans les differents environnements parisiens. Ce faisant, je cherche a expliquer pourquoi le chaabi continue d'etre un mode d'expression culturelle aussi dynamique et important pour la communaute francaise issue de la diaspora algerienne.
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