語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
Survival Strategies: The Professional, Political, and Artistic Negotiations of Paul Hindemith, 1918-1934.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Survival Strategies: The Professional, Political, and Artistic Negotiations of Paul Hindemith, 1918-1934./
作者:
Hughes, Lesley L.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
460 p.
附註:
Source: Dissertations Abstracts International, Volume: 81-11, Section: A.
Contained By:
Dissertations Abstracts International81-11A.
標題:
Music history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27963543
ISBN:
9798644904563
Survival Strategies: The Professional, Political, and Artistic Negotiations of Paul Hindemith, 1918-1934.
Hughes, Lesley L.
Survival Strategies: The Professional, Political, and Artistic Negotiations of Paul Hindemith, 1918-1934.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 460 p.
Source: Dissertations Abstracts International, Volume: 81-11, Section: A.
Thesis (Ph.D.)--The University of Wisconsin - Madison, 2020.
This item must not be sold to any third party vendors.
Paul Hindemith's works are frequently understood as examples of the major artistic movements of the early twentieth century, even when the aesthetic labels attached to his compositional style bear little relationship to the works themselves or to Hindemith's own motivations. This dissertation questions common assumptions about Hindemith and his works by considering the complex forces of politics, economics, and technology in interwar Germany. Drawing on Hindemith's extensive correspondence with his publishers, his published essays, and contemporary press reviews and music journals, I argue that his compositional experiments of the 1920s arose from the demands of new markets and mass media, rather than solely from artistic inspiration. Hindemith moved from one trend to another to try to establish himself as a leading young German composer, navigating the shifts in Germany's political, economic and professional landscape until his fortunes turned in the late 1920s and allowed him to devote himself completely to art music. After the creation of the Third Reich, Hindemith continued to work and took additional steps to safeguard his position, challenging the narrative of Hindemith as a victim of Nazi aggression who was ultimately driven into inner emigration and exile.Chapter One addresses the economic and political turbulence of the Weimar Republic and its impact on German musical life and Hindemith's career. Chapter Two focuses on his jazz-influenced compositions Kammermusik Nr. 1 (1922), 1922: Suite fur Klavier, op. 26 (1922), and the opera Neues vom Tage (1928), examining how Hindemith drew on jazz's extramusical associations to critique aspects of modernity. Chapters Three and Four reinterpret Hindemith's engagements with technology and amateur music, respectively, as responses to the perceived crisis in musical life. Chapter Five details Hindemith's return to the concert hall with a more accessible musical style, consistent with international trends in the arts towards conservatism. The final chapter reinterprets Mathis der Maler as one more step toward becoming the leading composer in the Third Reich, only to discover that his failure to forge useful political alliances rendered him vulnerable to attacks from ideological zealots.
ISBN: 9798644904563Subjects--Topical Terms:
3342382
Music history.
Subjects--Index Terms:
Economics
Survival Strategies: The Professional, Political, and Artistic Negotiations of Paul Hindemith, 1918-1934.
LDR
:03426nmm a2200349 4500
001
2348339
005
20220908125722.5
008
241004s2020 ||||||||||||||||| ||eng d
020
$a
9798644904563
035
$a
(MiAaPQ)AAI27963543
035
$a
AAI27963543
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Hughes, Lesley L.
$3
3687675
245
1 0
$a
Survival Strategies: The Professional, Political, and Artistic Negotiations of Paul Hindemith, 1918-1934.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2020
300
$a
460 p.
500
$a
Source: Dissertations Abstracts International, Volume: 81-11, Section: A.
500
$a
Advisor: Potter, Pamela M.
502
$a
Thesis (Ph.D.)--The University of Wisconsin - Madison, 2020.
506
$a
This item must not be sold to any third party vendors.
520
$a
Paul Hindemith's works are frequently understood as examples of the major artistic movements of the early twentieth century, even when the aesthetic labels attached to his compositional style bear little relationship to the works themselves or to Hindemith's own motivations. This dissertation questions common assumptions about Hindemith and his works by considering the complex forces of politics, economics, and technology in interwar Germany. Drawing on Hindemith's extensive correspondence with his publishers, his published essays, and contemporary press reviews and music journals, I argue that his compositional experiments of the 1920s arose from the demands of new markets and mass media, rather than solely from artistic inspiration. Hindemith moved from one trend to another to try to establish himself as a leading young German composer, navigating the shifts in Germany's political, economic and professional landscape until his fortunes turned in the late 1920s and allowed him to devote himself completely to art music. After the creation of the Third Reich, Hindemith continued to work and took additional steps to safeguard his position, challenging the narrative of Hindemith as a victim of Nazi aggression who was ultimately driven into inner emigration and exile.Chapter One addresses the economic and political turbulence of the Weimar Republic and its impact on German musical life and Hindemith's career. Chapter Two focuses on his jazz-influenced compositions Kammermusik Nr. 1 (1922), 1922: Suite fur Klavier, op. 26 (1922), and the opera Neues vom Tage (1928), examining how Hindemith drew on jazz's extramusical associations to critique aspects of modernity. Chapters Three and Four reinterpret Hindemith's engagements with technology and amateur music, respectively, as responses to the perceived crisis in musical life. Chapter Five details Hindemith's return to the concert hall with a more accessible musical style, consistent with international trends in the arts towards conservatism. The final chapter reinterprets Mathis der Maler as one more step toward becoming the leading composer in the Third Reich, only to discover that his failure to forge useful political alliances rendered him vulnerable to attacks from ideological zealots.
590
$a
School code: 0262.
650
4
$a
Music history.
$3
3342382
653
$a
Economics
653
$a
Gebrauchsmusik
653
$a
Interwar Germany
653
$a
Mathis der Maler
653
$a
Paul Hindemith
690
$a
0208
710
2
$a
The University of Wisconsin - Madison.
$b
Music.
$3
2093364
773
0
$t
Dissertations Abstracts International
$g
81-11A.
790
$a
0262
791
$a
Ph.D.
792
$a
2020
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27963543
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9470777
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入