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Musical Aesthetics, Drugs, and Subjectivity in Germany, 1770s-1820s.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Musical Aesthetics, Drugs, and Subjectivity in Germany, 1770s-1820s./
作者:	Colonna, Sean.
面頁冊數:	1 online resource (248 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Contained By:	Dissertations Abstracts International84-11A.
標題:	Music history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30422002click for full text (PQDT)
ISBN:	9798379497224

Musical Aesthetics, Drugs, and Subjectivity in Germany, 1770s-1820s.
Colonna, Sean.

Musical Aesthetics, Drugs, and Subjectivity in Germany, 1770s-1820s. - 1 online resource (248 pages)

Source: Dissertations Abstracts International, Volume: 84-11, Section: A.

Thesis (Ph.D.)--Columbia University, 2023.

Includes bibliographical references

This dissertation reads the history of Western art music aesthetics alongside the history of drugs in order to analyze some of the different conceptions of subjectivity that these histories enabled, constructed, and reconfigured. Focusing specifically on ideas that emerged in German-speaking territories between the 1770s and 1820s, each of the four chapters presents a case study in which I compare texts that describe and theorize musical experience to texts that sought to do the same for various kinds of drug-induced experiences. These case studies analyze texts from a variety of discursive fields, including musical aesthetics, medicine, and literature. Each chapter focuses on different phenomenological building blocks that have helped construct the experience of selfhood during the time period in question, including its conditions of possibility and dissolution. Taken as a whole, this study demonstrates that there are significant similarities between historical descriptions of music- and drug-induced phenomenology, a fact with both epistemological and disciplinary implications. Among other things, this dissertation argues that a comparative study of music and drugs enables us to gain both a nuanced understanding of how theories of human selfhood have been constructed and the subtle ways in which culturally-localizable beliefs can become naturalized through the language of aesthetics and medicine.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798379497224Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

DecolonialityIndex Terms--Genre/Form:

542853
Electronic books.

Musical Aesthetics, Drugs, and Subjectivity in Germany, 1770s-1820s.
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520 $a This dissertation reads the history of Western art music aesthetics alongside the history of drugs in order to analyze some of the different conceptions of subjectivity that these histories enabled, constructed, and reconfigured. Focusing specifically on ideas that emerged in German-speaking territories between the 1770s and 1820s, each of the four chapters presents a case study in which I compare texts that describe and theorize musical experience to texts that sought to do the same for various kinds of drug-induced experiences. These case studies analyze texts from a variety of discursive fields, including musical aesthetics, medicine, and literature. Each chapter focuses on different phenomenological building blocks that have helped construct the experience of selfhood during the time period in question, including its conditions of possibility and dissolution. Taken as a whole, this study demonstrates that there are significant similarities between historical descriptions of music- and drug-induced phenomenology, a fact with both epistemological and disciplinary implications. Among other things, this dissertation argues that a comparative study of music and drugs enables us to gain both a nuanced understanding of how theories of human selfhood have been constructed and the subtle ways in which culturally-localizable beliefs can become naturalized through the language of aesthetics and medicine.
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