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"Next Stop Is Vietnam" : = The Power and Transnationalism of Music in the Vietnam War Era.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
"Next Stop Is Vietnam" :/
其他題名:
The Power and Transnationalism of Music in the Vietnam War Era.
作者:
Shepherd, Stormy Mikel.
面頁冊數:
1 online resource (306 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-06, Section: A.
Contained By:
Dissertations Abstracts International84-06A.
標題:
American history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29169546click for full text (PQDT)
ISBN:
9798358462489
"Next Stop Is Vietnam" : = The Power and Transnationalism of Music in the Vietnam War Era.
Shepherd, Stormy Mikel.
"Next Stop Is Vietnam" :
The Power and Transnationalism of Music in the Vietnam War Era. - 1 online resource (306 pages)
Source: Dissertations Abstracts International, Volume: 84-06, Section: A.
Thesis (Ph.D.)--The University of Utah, 2022.
Includes bibliographical references
The music of the Vietnam War era challenged the power of social and political institutions and became part of a cultural revolution. New technologies enabled the dissemination of music across a network of airwaves and other methods of transport delivering music, messages, and American culture across borders. The transnational reach of music allowed for messages of political dissent to travel from the American home front to the battlefields of Vietnam. Live entertainers, sports broadcasts, syndicated radio shows, cultural trends, and elements of the peace and anti-war movements transgressed national borders, making their way to Vietnam.This dissertation explores the transnationality and powerful socio-political impacts of music throughout the Vietnam War era. It is centered in history and draws heavily from musicology studies, particularly ethnomusicology. Through this interdisciplinary approach, the study intends to demonstrate an in-depth understanding of the power of music and its contribution to social identity, social movements that pressured the White House to withdraw from Vietnam, and how music festivals became a public space to express political dissent and create new social bonds. Finally, it explores why music matters in times of conflict and how musicians use their music and voices to more widely express dissent shared by social groups.Songs, such as Joan Baez's "Where Are You Now, My Son?" serve as a vessel of history. Baez found herself trapped in Hanoi during the Operation Linebacker II campaign, where she recorded the human and sonic sounds of war. She carried the audio back to the U.S., where she wrote and recorded what she witnessed and released the song internationally. Nearly 40 years later, "Where Are You Now, My Son?" plays over the speakers in a bunker for tourists in Hanoi. The song represents not only a vessel of history and political dissent, but it now exists in a transnational memory space for tourists to audibly experience the uncomfortable consequences of war.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798358462489Subjects--Topical Terms:
2122692
American history.
Subjects--Index Terms:
Political dissentIndex Terms--Genre/Form:
542853
Electronic books.
"Next Stop Is Vietnam" : = The Power and Transnationalism of Music in the Vietnam War Era.
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Source: Dissertations Abstracts International, Volume: 84-06, Section: A.
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Advisor: Davies, Edward J., II.
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The music of the Vietnam War era challenged the power of social and political institutions and became part of a cultural revolution. New technologies enabled the dissemination of music across a network of airwaves and other methods of transport delivering music, messages, and American culture across borders. The transnational reach of music allowed for messages of political dissent to travel from the American home front to the battlefields of Vietnam. Live entertainers, sports broadcasts, syndicated radio shows, cultural trends, and elements of the peace and anti-war movements transgressed national borders, making their way to Vietnam.This dissertation explores the transnationality and powerful socio-political impacts of music throughout the Vietnam War era. It is centered in history and draws heavily from musicology studies, particularly ethnomusicology. Through this interdisciplinary approach, the study intends to demonstrate an in-depth understanding of the power of music and its contribution to social identity, social movements that pressured the White House to withdraw from Vietnam, and how music festivals became a public space to express political dissent and create new social bonds. Finally, it explores why music matters in times of conflict and how musicians use their music and voices to more widely express dissent shared by social groups.Songs, such as Joan Baez's "Where Are You Now, My Son?" serve as a vessel of history. Baez found herself trapped in Hanoi during the Operation Linebacker II campaign, where she recorded the human and sonic sounds of war. She carried the audio back to the U.S., where she wrote and recorded what she witnessed and released the song internationally. Nearly 40 years later, "Where Are You Now, My Son?" plays over the speakers in a bunker for tourists in Hanoi. The song represents not only a vessel of history and political dissent, but it now exists in a transnational memory space for tourists to audibly experience the uncomfortable consequences of war.
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