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Transcendent Machine: An Analysis of...

Silliman, Daniel Alexander.

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Transcendent Machine: An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Transcendent Machine: An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music./
Author:	Silliman, Daniel Alexander.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:	139 p.
Notes:	Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:	Dissertations Abstracts International84-12A.
Subject:	Musical composition. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30489336
ISBN:	9798379718626

Transcendent Machine: An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
Silliman, Daniel Alexander.

Transcendent Machine: An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 139 p.

Source: Dissertations Abstracts International, Volume: 84-12, Section: A.

Thesis (Ph.D.)--Princeton University, 2023.

From 1971 to 2000, the French composer Eliane Radigue (b. 1932) recorded a singular body of work using the ARP 2500 analog modular synthesizer, an exceedingly rare electronic musical instrument. Drawing on interviews, archival research, spectral analysis, and my own expertise with modular synthesis, this dissertation offers an account of Radigue's method of composing and recording the music she made with her ARP 2500. I argue that while Radigue worked mostly alone on these compositions, the working relationship she had with her ARP 2500 takes the form of an essentially collaborative, intersubjective process. Along the way, I locate Radigue's aesthetic thought in a broader context of French and American (post)modernism. I also provide an in-depth discussion of what is perhaps Radigue's best known electronic work, Kyema (1988), a composition for ARP 2500 synthesizer and traditional Tibetan wind instruments, which comprises the first movement of Trilogie de la Mort (1988-1993).

ISBN: 9798379718626Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

ARP 2500

Transcendent Machine: An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
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245 1 0 $a Transcendent Machine: An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 139 p.
500 $a Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
500 $a Advisor: Tymoczko, Dmitri.
502 $a Thesis (Ph.D.)--Princeton University, 2023.
520 $a From 1971 to 2000, the French composer Eliane Radigue (b. 1932) recorded a singular body of work using the ARP 2500 analog modular synthesizer, an exceedingly rare electronic musical instrument. Drawing on interviews, archival research, spectral analysis, and my own expertise with modular synthesis, this dissertation offers an account of Radigue's method of composing and recording the music she made with her ARP 2500. I argue that while Radigue worked mostly alone on these compositions, the working relationship she had with her ARP 2500 takes the form of an essentially collaborative, intersubjective process. Along the way, I locate Radigue's aesthetic thought in a broader context of French and American (post)modernism. I also provide an in-depth discussion of what is perhaps Radigue's best known electronic work, Kyema (1988), a composition for ARP 2500 synthesizer and traditional Tibetan wind instruments, which comprises the first movement of Trilogie de la Mort (1988-1993).
590 $a School code: 0181.
650 4 $a Musical composition. $3 3289630
650 4 $a Music history. $3 3342382
650 4 $a Music theory. $3 547155
653 $a ARP 2500
653 $a French modernism
653 $a Magnetic tape
653 $a Radigue
653 $a Synthesizer
690 $a 0214
690 $a 0208
690 $a 0221
710 2 $a Princeton University. $b Music. $3 2095983
773 0 $t Dissertations Abstracts International $g 84-12A.
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856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30489336