東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Time-Suturing Technologies of No...

Christensen, Lars.

FindBook

Google Book

Amazon

博客來

The Time-Suturing Technologies of Northern Song Musicology.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Time-Suturing Technologies of Northern Song Musicology./
作者:	Christensen, Lars.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	387 p.
附註:	Source: Dissertations Abstracts International, Volume: 81-05, Section: A.
Contained By:	Dissertations Abstracts International81-05A.
標題:	Music history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13903832
ISBN:	9781088327432

The Time-Suturing Technologies of Northern Song Musicology.
Christensen, Lars.

The Time-Suturing Technologies of Northern Song Musicology. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 387 p.

Source: Dissertations Abstracts International, Volume: 81-05, Section: A.

Thesis (Ph.D.)--University of Minnesota, 2019.

This item must not be sold to any third party vendors.

Scholars of ritual music in the Northern Song dynasty (960-1127) keenly sensed a temporal distance from the ancient sages that manifested as a divergence from canonical norms. To maintain a distinctive intellectual heritage and counterbalance outward-facing political and economic conditions, they located cultural identity in the idealized past. Given the overwhelming discursive importance of music, ministers and rulers alike sought to restore powerful practices and thereby transcend the boundedness of the dynastic cycle. Since their principal sources about antiquity, the textual classics, provided limited practical information about music, scholars had to supplement them with technologies grounded in linguistics, mathematics, and visualizations, which I explore in this dissertation. First, I observe how ritual music prescriptions were constituted in allusive or even paronomastic scholarly language. The Confucian principle of the rectification of names, stressing an enduring concord between words and reality, gave scholars rhetorical tools with which to critique at once society and music practices. Three case studies, treating the symbolism of the pentatonic scale, the discourse of harmony in the ritual bell-knife, and the implications of pitch metaphors, illustrate how reformers interrelated sociological commonplaces and concrete reform measures. Second, contrasting parallel mathematized and unmathematized music discourses, I trace the evolving relationship between mathematical and classical learning, showing how by Northern Song times mathematics could signify invariance. This discursive adoption afforded music reformers a precision that dovetailed elegantly with the royal prerogative of standardizing metrological systems. A case study explores the resilience of the numerical measurement of the standard pitch pipe across time and the overlapping metonymy that made it resistant to metrical reorganization. Finally, I contextualize the turn toward visual epistemology in the Northern Song in terms of classical precedent, the explosion of woodblock printing, and nascent archaeology. I compare two kinds of musical images, cosmological diagrams and prescriptive illustrations of ancient instruments. Though quite distinct in assumptions, intellectual pedigree, and style, both image types demonstrate a technology surpassing the power of text to organize, preserve, and disseminate orthodox musical practice. These technologies allowed the scholars to suture time, bringing them into more direct contact with their own exalted history.

ISBN: 9781088327432Subjects--Topical Terms:

3342382
Music history.

The Time-Suturing Technologies of Northern Song Musicology.
LDR:03550nmm a2200313 4500 001 2263469
005 20200428093920.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781088327432
035 $a (MiAaPQ)AAI13903832
035 $a AAI13903832
040 $a MiAaPQ $c MiAaPQ
100 1 $a Christensen, Lars. $3 3540559
245 1 4 $a The Time-Suturing Technologies of Northern Song Musicology.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 387 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-05, Section: A.
500 $a Advisor: Currie, Gabriela.
502 $a Thesis (Ph.D.)--University of Minnesota, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a Scholars of ritual music in the Northern Song dynasty (960-1127) keenly sensed a temporal distance from the ancient sages that manifested as a divergence from canonical norms. To maintain a distinctive intellectual heritage and counterbalance outward-facing political and economic conditions, they located cultural identity in the idealized past. Given the overwhelming discursive importance of music, ministers and rulers alike sought to restore powerful practices and thereby transcend the boundedness of the dynastic cycle. Since their principal sources about antiquity, the textual classics, provided limited practical information about music, scholars had to supplement them with technologies grounded in linguistics, mathematics, and visualizations, which I explore in this dissertation. First, I observe how ritual music prescriptions were constituted in allusive or even paronomastic scholarly language. The Confucian principle of the rectification of names, stressing an enduring concord between words and reality, gave scholars rhetorical tools with which to critique at once society and music practices. Three case studies, treating the symbolism of the pentatonic scale, the discourse of harmony in the ritual bell-knife, and the implications of pitch metaphors, illustrate how reformers interrelated sociological commonplaces and concrete reform measures. Second, contrasting parallel mathematized and unmathematized music discourses, I trace the evolving relationship between mathematical and classical learning, showing how by Northern Song times mathematics could signify invariance. This discursive adoption afforded music reformers a precision that dovetailed elegantly with the royal prerogative of standardizing metrological systems. A case study explores the resilience of the numerical measurement of the standard pitch pipe across time and the overlapping metonymy that made it resistant to metrical reorganization. Finally, I contextualize the turn toward visual epistemology in the Northern Song in terms of classical precedent, the explosion of woodblock printing, and nascent archaeology. I compare two kinds of musical images, cosmological diagrams and prescriptive illustrations of ancient instruments. Though quite distinct in assumptions, intellectual pedigree, and style, both image types demonstrate a technology surpassing the power of text to organize, preserve, and disseminate orthodox musical practice. These technologies allowed the scholars to suture time, bringing them into more direct contact with their own exalted history.
590 $a School code: 0130.
650 4 $a Music history. $3 3342382
650 4 $a Asian history. $2 bicssc $3 1099323
650 4 $a Music theory. $3 547155
690 $a 0208
690 $a 0332
690 $a 0221
710 2 $a University of Minnesota. $b Music. $3 1683084
773 0 $t Dissertations Abstracts International $g 81-05A.
790 $a 0130
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13903832