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The Sound Culture of Space Science.
~
Lovett, Jessica Manning.
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The Sound Culture of Space Science.
紀錄類型:
書目-電子資源 : Monograph/item
Title/Author:
The Sound Culture of Space Science./
Author:
Lovett, Jessica Manning.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:
300 p.
Notes:
Source: Dissertations Abstracts International, Volume: 82-10, Section: A.
Contained By:
Dissertations Abstracts International82-10A.
Subject:
Music history. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28259760
ISBN:
9798597082561
The Sound Culture of Space Science.
Lovett, Jessica Manning.
The Sound Culture of Space Science.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 300 p.
Source: Dissertations Abstracts International, Volume: 82-10, Section: A.
Thesis (Ph.D.)--University of Toronto (Canada), 2021.
This item must not be sold to any third party vendors.
From the cosmic background noise that proved the so-called Big Bang Theory in the 1960s, to more recent models using sound waves to explain solar activity, modern science agrees with ancient cosmology that the universe is far from silent. But, as most twenty-first-century space scientists will assert, there is no serious place for sound in the modern study of outer space. This dissertation demonstrates sound's ability to simultaneously mediate and reinforce social and ontological boundaries within the network of ideas, values, individuals and institutions that produce information about the universe. I argue that the rejection of both sound and music from astronomy can be attributed to the discourse within space science communities that conflates ideas about music with ideas about sound, and to the increased use of music in the marketing and public relations initiatives of nationally funded science agencies. I also outline some of the politics by which sound, music, and listening define collective culture for communities of space scientists and contribute to the creation of scientific truth despite being considered essentially non-scientific.
ISBN: 9798597082561Subjects--Topical Terms:
3342382
Music history.
Subjects--Index Terms:
Sound culture
The Sound Culture of Space Science.
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From the cosmic background noise that proved the so-called Big Bang Theory in the 1960s, to more recent models using sound waves to explain solar activity, modern science agrees with ancient cosmology that the universe is far from silent. But, as most twenty-first-century space scientists will assert, there is no serious place for sound in the modern study of outer space. This dissertation demonstrates sound's ability to simultaneously mediate and reinforce social and ontological boundaries within the network of ideas, values, individuals and institutions that produce information about the universe. I argue that the rejection of both sound and music from astronomy can be attributed to the discourse within space science communities that conflates ideas about music with ideas about sound, and to the increased use of music in the marketing and public relations initiatives of nationally funded science agencies. I also outline some of the politics by which sound, music, and listening define collective culture for communities of space scientists and contribute to the creation of scientific truth despite being considered essentially non-scientific.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28259760
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